Dark Crimson vs Slaked Lime Deep
Dark Crimson is a Behr color while Slaked Lime Deep comes from Little Greene. Dark Crimson reads as pink-red, while Slaked Lime Deep reads as beige — two distinct hue families, not close cousins. Dark Crimson has an LRV of 9. They share a red quality — useful to know if you're layering them in the same space. At ΔE 55.5, these are genuinely distinct colors — a strong contrast if used together, or a meaningful choice between two different directions. Below you'll find 3 real-room photo comparisons where both colors appear side by side, plus 5 simulated room previews.
Dark Crimson vs Slaked Lime Deep in Real Spaces
3 real rooms side by side. Seeing Dark Crimson and Slaked Lime Deep in actual rooms makes the difference concrete; browse the spaces below to get a feel for how each color lives on a wall.
Living Room
Living rooms test a color across a full range of conditions — morning sun, afternoon shade, and evening lamp light all shift how both of these read. At this scale, the choice between them becomes clear in a way that a swatch alone can't communicate.
Kitchen
Kitchen lighting tends to be bright and directional, which sharpens contrast and makes undertone differences more apparent. Side by side like this, the difference is easy to read — which is exactly why seeing them in a real space is more useful than comparing chips.
Front Door
Front doors are seen in isolation against the rest of the facade, which makes them a high-stakes surface where even subtle differences matter. At this scale, the choice between them becomes clear in a way that a swatch alone can't communicate.
Color Details
Dark Crimson vs Slaked Lime Deep Simulated Comparison
5 simulated room previews — drag the slider on each to see Dark Crimson on one side and Slaked Lime Deep on the other.
Digital color is approximate. These simulations are generated from the manufacturer's hex values and overlaid on grayscale room photos — your screen's calibration, brightness, and viewing angle all affect how they render. Before committing to either color, test physical samples in your own space under the light you actually live with.
More Dark Crimson comparisons
See how Dark Crimson stacks up against other well-photographed colors across different brands and tones.
At LRV 69 vs 9, Ammonite is decisively the brighter choice.
White Dove reflects far more light (LRV 83 vs 9), opening up a space where Dark Crimson encloses it.
Dark Crimson reads slightly lighter (LRV 9 vs 6), a gap that shows most in low-lit rooms.
At LRV 52 vs 9, Purbeck Stone is decisively the brighter choice.
At LRV 30 vs 9, Evergreen Fog is decisively the brighter choice.
Mizzle reflects far more light (LRV 52 vs 9), opening up a space where Dark Crimson encloses it.
At LRV 60 vs 9, Agreeable Gray is decisively the brighter choice.
Accessible Beige reflects far more light (LRV 58 vs 9), opening up a space where Dark Crimson encloses it.
Denim Drift reflects far more light (LRV 27 vs 9), opening up a space where Dark Crimson encloses it.
At LRV 43 vs 9, French Gray is decisively the brighter choice.
A 4-point LRV gap (9 vs 4) makes Dark Crimson the marginally brighter of the two.
Tranquil Dawn reflects far more light (LRV 55 vs 9), opening up a space where Dark Crimson encloses it.
Bancha reads slightly lighter (LRV 13 vs 9), a gap that shows most in low-lit rooms.
Hardwick White reflects far more light (LRV 44 vs 9), opening up a space where Dark Crimson encloses it.
At LRV 84 vs 9, Pure White is decisively the brighter choice.
At LRV 21 vs 9, Artichoke is decisively the brighter choice.
Balboa Mist reflects far more light (LRV 66 vs 9), opening up a space where Dark Crimson encloses it.
Shoji White reflects far more light (LRV 74 vs 9), opening up a space where Dark Crimson encloses it.
Snowbound reflects far more light (LRV 83 vs 9), opening up a space where Dark Crimson encloses it.
At LRV 51 vs 9, Pigeon is decisively the brighter choice.
Pewter Green reads slightly lighter (LRV 12 vs 9), a gap that shows most in low-lit rooms.
With LRVs of 9 and 8, the two reflect almost the same amount of light.
Skimming Stone reflects far more light (LRV 68 vs 9), opening up a space where Dark Crimson encloses it.
At LRV 41 vs 9, Dix Blue is decisively the brighter choice.
Vintage Vogue reads slightly lighter (LRV 12 vs 9), a gap that shows most in low-lit rooms.
Saybrook Sage reflects far more light (LRV 45 vs 9), opening up a space where Dark Crimson encloses it.
At LRV 31 vs 9, Pale Green is decisively the brighter choice.
Their light reflectance is nearly identical (LRV 9 vs 7), so neither reads brighter in a room.