Dark Crimson vs Juneberry
Dark Crimson is a Behr color while Juneberry comes from Sherwin-Williams. Hue-wise, Dark Crimson belongs to the pink-red family and Juneberry to the pink family. With LRVs of 9 and 9, they'll behave almost identically in terms of how much light they reflect back into a room. The tonal difference — Dark Crimson's red character against Juneberry's cool — becomes most visible against white trim or in morning light. At ΔE 12.1, these are genuinely distinct colors — a strong contrast if used together, or a meaningful choice between two different directions. Below you'll find 4 real-room photo comparisons where both colors appear side by side, plus 5 simulated room previews.
Dark Crimson vs Juneberry in Real Spaces
4 real rooms side by side. Seeing Dark Crimson and Juneberry in actual rooms makes the difference concrete; browse the spaces below to get a feel for how each color lives on a wall.
Living Room
Living rooms test a color across a full range of conditions — morning sun, afternoon shade, and evening lamp light all shift how both of these read. Juneberry reads more restrained here, while Dark Crimson adds a sense of enclosure and warmth.
Kitchen
Kitchen lighting tends to be bright and directional, which sharpens contrast and makes undertone differences more apparent. The temperature contrast between Dark Crimson and Juneberry is what sets these apart most in this context.
Home Office
In a home office, wall color sits in your peripheral vision for hours at a time, so temperature and undertone matter more than you might expect. The temperature contrast between Dark Crimson and Juneberry is what sets these apart most in this context.
Front Door
Front doors are seen in isolation against the rest of the facade, which makes them a high-stakes surface where even subtle differences matter. Juneberry reads more restrained here, while Dark Crimson adds a sense of enclosure and warmth.
Color Details
Dark Crimson vs Juneberry Simulated Comparison
5 simulated room previews — drag the slider on each to see Dark Crimson on one side and Juneberry on the other.
Digital color is approximate. These simulations are generated from the manufacturer's hex values and overlaid on grayscale room photos — your screen's calibration, brightness, and viewing angle all affect how they render. Before committing to either color, test physical samples in your own space under the light you actually live with.
More Dark Crimson comparisons
See how Dark Crimson stacks up against other well-photographed colors across different brands and tones.
At LRV 69 vs 9, Ammonite is decisively the brighter choice.
White Dove reflects far more light (LRV 83 vs 9), opening up a space where Dark Crimson encloses it.
Dark Crimson reads slightly lighter (LRV 9 vs 6), a gap that shows most in low-lit rooms.
At LRV 52 vs 9, Purbeck Stone is decisively the brighter choice.
At LRV 30 vs 9, Evergreen Fog is decisively the brighter choice.
Mizzle reflects far more light (LRV 52 vs 9), opening up a space where Dark Crimson encloses it.
At LRV 60 vs 9, Agreeable Gray is decisively the brighter choice.
Accessible Beige reflects far more light (LRV 58 vs 9), opening up a space where Dark Crimson encloses it.
Denim Drift reflects far more light (LRV 27 vs 9), opening up a space where Dark Crimson encloses it.
At LRV 43 vs 9, French Gray is decisively the brighter choice.
A 4-point LRV gap (9 vs 4) makes Dark Crimson the marginally brighter of the two.
Tranquil Dawn reflects far more light (LRV 55 vs 9), opening up a space where Dark Crimson encloses it.
Bancha reads slightly lighter (LRV 13 vs 9), a gap that shows most in low-lit rooms.
Hardwick White reflects far more light (LRV 44 vs 9), opening up a space where Dark Crimson encloses it.
At LRV 84 vs 9, Pure White is decisively the brighter choice.
At LRV 21 vs 9, Artichoke is decisively the brighter choice.
Balboa Mist reflects far more light (LRV 66 vs 9), opening up a space where Dark Crimson encloses it.
Shoji White reflects far more light (LRV 74 vs 9), opening up a space where Dark Crimson encloses it.
Snowbound reflects far more light (LRV 83 vs 9), opening up a space where Dark Crimson encloses it.
At LRV 51 vs 9, Pigeon is decisively the brighter choice.
Pewter Green reads slightly lighter (LRV 12 vs 9), a gap that shows most in low-lit rooms.
With LRVs of 9 and 8, the two reflect almost the same amount of light.
Skimming Stone reflects far more light (LRV 68 vs 9), opening up a space where Dark Crimson encloses it.
At LRV 41 vs 9, Dix Blue is decisively the brighter choice.
Vintage Vogue reads slightly lighter (LRV 12 vs 9), a gap that shows most in low-lit rooms.
Saybrook Sage reflects far more light (LRV 45 vs 9), opening up a space where Dark Crimson encloses it.
At LRV 31 vs 9, Pale Green is decisively the brighter choice.