Dusty Olive vs Manhattan Blue
Both from Behr's palette. Hue-wise, Dusty Olive belongs to the greige-grey family and Manhattan Blue to the blue family. Dusty Olive (LRV 31) reflects noticeably more light than Manhattan Blue (LRV 6), a difference of 25 points that becomes especially apparent in rooms with limited natural light. Dusty Olive runs yellow while Manhattan Blue is decidedly blue, which means they'll respond very differently to warm vs cool light sources. With a ΔE of 40.7, the contrast is hard to miss. These aren't variations on a theme — they're two different answers to the same question. Below, 5 simulated room previews show how each color reads at scale — real-room photos will be added as they become available.
Color Details
Dusty Olive vs Manhattan Blue Simulated Comparison
5 simulated room previews — drag the slider on each to see Dusty Olive on one side and Manhattan Blue on the other.
Digital color is approximate. These simulations are generated from the manufacturer's hex values and overlaid on grayscale room photos — your screen's calibration, brightness, and viewing angle all affect how they render. Before committing to either color, test physical samples in your own space under the light you actually live with.
More Dusty Olive comparisons
See how Dusty Olive stacks up against other well-photographed colors across different brands and tones.
At LRV 83 vs 31, White Dove is decisively the brighter choice.
Ammonite reflects far more light (LRV 69 vs 31), opening up a space where Dusty Olive encloses it.
At LRV 31 vs 6, Dusty Olive is decisively the brighter choice.
Purbeck Stone reflects far more light (LRV 52 vs 31), opening up a space where Dusty Olive encloses it.
With LRVs of 31 and 30, the two reflect almost the same amount of light.
At LRV 52 vs 31, Mizzle is decisively the brighter choice.
Agreeable Gray reflects far more light (LRV 60 vs 31), opening up a space where Dusty Olive encloses it.
At LRV 58 vs 31, Accessible Beige is decisively the brighter choice.
A 4-point LRV gap (31 vs 27) makes Dusty Olive the marginally brighter of the two.
French Gray reads slightly lighter (LRV 43 vs 31), a gap that shows most in low-lit rooms.
Dusty Olive reflects far more light (LRV 31 vs 4), opening up a space where Naval encloses it.
At LRV 55 vs 31, Tranquil Dawn is decisively the brighter choice.
At LRV 31 vs 13, Dusty Olive is decisively the brighter choice.
At LRV 44 vs 31, Hardwick White is decisively the brighter choice.
Pure White reflects far more light (LRV 84 vs 31), opening up a space where Dusty Olive encloses it.
Dusty Olive reads slightly lighter (LRV 31 vs 21), a gap that shows most in low-lit rooms.
At LRV 66 vs 31, Balboa Mist is decisively the brighter choice.
At LRV 74 vs 31, Shoji White is decisively the brighter choice.
At LRV 83 vs 31, Snowbound is decisively the brighter choice.
At LRV 31 vs 12, Dusty Olive is decisively the brighter choice.
At LRV 68 vs 31, Skimming Stone is decisively the brighter choice.
Dix Blue reads slightly lighter (LRV 41 vs 31), a gap that shows most in low-lit rooms.
Calamine reflects far more light (LRV 68 vs 31), opening up a space where Dusty Olive encloses it.
Dusty Olive reads slightly lighter (LRV 31 vs 25), a gap that shows most in low-lit rooms.
At LRV 31 vs 12, Dusty Olive is decisively the brighter choice.
At LRV 45 vs 31, Saybrook Sage is decisively the brighter choice.
With LRVs of 31 and 31, the two reflect almost the same amount of light.
Dusty Olive reflects far more light (LRV 31 vs 7), opening up a space where Pine Needle encloses it.
Dusty Olive reads slightly lighter (LRV 31 vs 24), a gap that shows most in low-lit rooms.
Guilford Green reflects far more light (LRV 57 vs 31), opening up a space where Dusty Olive encloses it.