Fine Wine vs Chilled Wine
Fine Wine (Behr) and Chilled Wine (PPG) come from different manufacturers. Both sit in the pink family, which is useful context if you're narrowing within a single hue direction. The 3-point LRV gap — 11 for Fine Wine vs 8 for Chilled Wine — means Fine Wine will open up a space more effectively. ΔE 6.4 means they're clearly different, but not dramatically so — they'd pair well in the same room. Below you'll find 1 real-room photo comparison where both colors appear side by side, plus 5 simulated room previews.
Fine Wine vs Chilled Wine in Real Spaces
1 real room side by side. Fine Wine and Chilled Wine are close enough that the difference can be hard to judge from a chip alone — these photos show how each reads at scale, across different spaces and lighting conditions.
Bedroom
Bedrooms are typically lit with warmer, lower light than the rest of the house — a condition that flatters warm tones and deepens cool ones. At this scale, the choice between them becomes clear in a way that a swatch alone can't communicate.
Color Details
Fine Wine vs Chilled Wine Simulated Comparison
5 simulated room previews — drag the slider on each to see Fine Wine on one side and Chilled Wine on the other.
Digital color is approximate. These simulations are generated from the manufacturer's hex values and overlaid on grayscale room photos — your screen's calibration, brightness, and viewing angle all affect how they render. Before committing to either color, test physical samples in your own space under the light you actually live with.
More Fine Wine comparisons
See how Fine Wine stacks up against other well-photographed colors across different brands and tones.
White Dove reflects far more light (LRV 83 vs 11), opening up a space where Fine Wine encloses it.
At LRV 52 vs 11, Purbeck Stone is decisively the brighter choice.
At LRV 30 vs 11, Evergreen Fog is decisively the brighter choice.
At LRV 60 vs 11, Agreeable Gray is decisively the brighter choice.
Accessible Beige reflects far more light (LRV 58 vs 11), opening up a space where Fine Wine encloses it.
Denim Drift reflects far more light (LRV 27 vs 11), opening up a space where Fine Wine encloses it.
At LRV 43 vs 11, French Gray is decisively the brighter choice.
Tranquil Dawn reflects far more light (LRV 55 vs 11), opening up a space where Fine Wine encloses it.
Hardwick White reflects far more light (LRV 44 vs 11), opening up a space where Fine Wine encloses it.
At LRV 84 vs 11, Pure White is decisively the brighter choice.
Balboa Mist reflects far more light (LRV 66 vs 11), opening up a space where Fine Wine encloses it.
Shoji White reflects far more light (LRV 74 vs 11), opening up a space where Fine Wine encloses it.
With LRVs of 12 and 11, the two reflect almost the same amount of light.
With LRVs of 11 and 8, the two reflect almost the same amount of light.
Skimming Stone reflects far more light (LRV 68 vs 11), opening up a space where Fine Wine encloses it.
With LRVs of 12 and 11, the two reflect almost the same amount of light.
Saybrook Sage reflects far more light (LRV 45 vs 11), opening up a space where Fine Wine encloses it.
At LRV 31 vs 11, Pale Green is decisively the brighter choice.