Fine Wine vs Iron Ore
Where Fine Wine belongs to Behr's range, Iron Ore is a Sherwin-Williams color. Hue-wise, Fine Wine belongs to the pink family and Iron Ore to the grey family. Fine Wine (LRV 11) reflects noticeably more light than Iron Ore (LRV 6), a difference of 5 points that becomes especially apparent in rooms with limited natural light. Fine Wine runs red while Iron Ore is decidedly neutral, which means they'll respond very differently to warm vs cool light sources. With a ΔE of 20.9, the contrast is hard to miss. These aren't variations on a theme — they're two different answers to the same question. Below you'll find 1 real-room photo comparison where both colors appear side by side, plus 5 simulated room previews.
Fine Wine vs Iron Ore in Real Spaces
1 real room side by side. Seeing Fine Wine and Iron Ore in actual rooms makes the difference concrete; browse the spaces below to get a feel for how each color lives on a wall.
Color Details
Fine Wine vs Iron Ore Simulated Comparison
5 simulated room previews — drag the slider on each to see Fine Wine on one side and Iron Ore on the other.
Digital color is approximate. These simulations are generated from the manufacturer's hex values and overlaid on grayscale room photos — your screen's calibration, brightness, and viewing angle all affect how they render. Before committing to either color, test physical samples in your own space under the light you actually live with.
More Fine Wine comparisons
See how Fine Wine stacks up against other well-photographed colors across different brands and tones.
White Dove reflects far more light (LRV 83 vs 11), opening up a space where Fine Wine encloses it.
At LRV 52 vs 11, Purbeck Stone is decisively the brighter choice.
At LRV 30 vs 11, Evergreen Fog is decisively the brighter choice.
At LRV 60 vs 11, Agreeable Gray is decisively the brighter choice.
Accessible Beige reflects far more light (LRV 58 vs 11), opening up a space where Fine Wine encloses it.
Denim Drift reflects far more light (LRV 27 vs 11), opening up a space where Fine Wine encloses it.
At LRV 43 vs 11, French Gray is decisively the brighter choice.
Tranquil Dawn reflects far more light (LRV 55 vs 11), opening up a space where Fine Wine encloses it.
Hardwick White reflects far more light (LRV 44 vs 11), opening up a space where Fine Wine encloses it.
At LRV 84 vs 11, Pure White is decisively the brighter choice.
Balboa Mist reflects far more light (LRV 66 vs 11), opening up a space where Fine Wine encloses it.
Shoji White reflects far more light (LRV 74 vs 11), opening up a space where Fine Wine encloses it.
With LRVs of 12 and 11, the two reflect almost the same amount of light.
Skimming Stone reflects far more light (LRV 68 vs 11), opening up a space where Fine Wine encloses it.
With LRVs of 12 and 11, the two reflect almost the same amount of light.
Saybrook Sage reflects far more light (LRV 45 vs 11), opening up a space where Fine Wine encloses it.
At LRV 31 vs 11, Pale Green is decisively the brighter choice.
A 4-point LRV gap (11 vs 7) makes Fine Wine the marginally brighter of the two.
At LRV 24 vs 11, Cement grey is decisively the brighter choice.
At LRV 57 vs 11, Guilford Green is decisively the brighter choice.
At LRV 72 vs 11, Just Walnut is decisively the brighter choice.