Midnight Blue vs Studio Clay
Both are Behr colors. Hue-wise, Midnight Blue belongs to the blue-grey family and Studio Clay to the beige family. At LRV 61 vs 9, Studio Clay will read as the brighter of the two — a 52-point gap that matters most in north-facing or low-light rooms. The tonal difference — Midnight Blue's blue character against Studio Clay's red — becomes most visible against white trim or in morning light. At ΔE 49.9, these are genuinely distinct colors — a strong contrast if used together, or a meaningful choice between two different directions. Below you'll find 1 real-room photo comparison where both colors appear side by side, plus 5 simulated room previews.
Midnight Blue vs Studio Clay in Real Spaces
1 real room side by side. Seeing Midnight Blue and Studio Clay in actual rooms makes the difference concrete; browse the spaces below to get a feel for how each color lives on a wall.
Living Room
Living rooms test a color across a full range of conditions — morning sun, afternoon shade, and evening lamp light all shift how both of these read. Studio Clay returns significantly more light to the room — in a smaller or darker space, that difference in perceived brightness is hard to miss.
Color Details
Midnight Blue vs Studio Clay Simulated Comparison
5 simulated room previews — drag the slider on each to see Midnight Blue on one side and Studio Clay on the other.
Digital color is approximate. These simulations are generated from the manufacturer's hex values and overlaid on grayscale room photos — your screen's calibration, brightness, and viewing angle all affect how they render. Before committing to either color, test physical samples in your own space under the light you actually live with.
More Midnight Blue comparisons
See how Midnight Blue stacks up against other well-photographed colors across different brands and tones.
At LRV 83 vs 9, White Dove is decisively the brighter choice.
Ammonite reflects far more light (LRV 69 vs 9), opening up a space where Midnight Blue encloses it.
A 4-point LRV gap (9 vs 6) makes Midnight Blue the marginally brighter of the two.
Purbeck Stone reflects far more light (LRV 52 vs 9), opening up a space where Midnight Blue encloses it.
Evergreen Fog reflects far more light (LRV 30 vs 9), opening up a space where Midnight Blue encloses it.
At LRV 52 vs 9, Mizzle is decisively the brighter choice.
Agreeable Gray reflects far more light (LRV 60 vs 9), opening up a space where Midnight Blue encloses it.
At LRV 58 vs 9, Accessible Beige is decisively the brighter choice.
At LRV 27 vs 9, Denim Drift is decisively the brighter choice.
French Gray reflects far more light (LRV 43 vs 9), opening up a space where Midnight Blue encloses it.
Midnight Blue reads slightly lighter (LRV 9 vs 4), a gap that shows most in low-lit rooms.
At LRV 55 vs 9, Tranquil Dawn is decisively the brighter choice.
A 4-point LRV gap (13 vs 9) makes Bancha the marginally brighter of the two.
At LRV 44 vs 9, Hardwick White is decisively the brighter choice.
Pure White reflects far more light (LRV 84 vs 9), opening up a space where Midnight Blue encloses it.
Artichoke reflects far more light (LRV 21 vs 9), opening up a space where Midnight Blue encloses it.
At LRV 66 vs 9, Balboa Mist is decisively the brighter choice.
At LRV 74 vs 9, Shoji White is decisively the brighter choice.
At LRV 83 vs 9, Snowbound is decisively the brighter choice.
Their light reflectance is nearly identical (LRV 12 vs 9), so neither reads brighter in a room.
At LRV 68 vs 9, Skimming Stone is decisively the brighter choice.
Dix Blue reflects far more light (LRV 41 vs 9), opening up a space where Midnight Blue encloses it.
Calamine reflects far more light (LRV 68 vs 9), opening up a space where Midnight Blue encloses it.
Treron reflects far more light (LRV 25 vs 9), opening up a space where Midnight Blue encloses it.
Their light reflectance is nearly identical (LRV 12 vs 9), so neither reads brighter in a room.
At LRV 45 vs 9, Saybrook Sage is decisively the brighter choice.
Pale Green reflects far more light (LRV 31 vs 9), opening up a space where Midnight Blue encloses it.
With LRVs of 9 and 7, the two reflect almost the same amount of light.
Cement grey reflects far more light (LRV 24 vs 9), opening up a space where Midnight Blue encloses it.
Guilford Green reflects far more light (LRV 57 vs 9), opening up a space where Midnight Blue encloses it.