Monet vs Telegrey 4
Monet is a Behr color while Telegrey 4 comes from RAL Classic. Hue-wise, Monet belongs to the blue family and Telegrey 4 to the grey family. With LRVs of 61 and 59, they'll behave almost identically in terms of how much light they reflect back into a room. At ΔE 8.1, the difference is perceptible but not dramatic — the two can work harmoniously in the same space. Below you'll find 3 real-room photo comparisons where both colors appear side by side, plus 5 simulated room previews.
Monet vs Telegrey 4 in Real Spaces
3 real rooms side by side. Monet and Telegrey 4 are close enough that the difference can be hard to judge from a chip alone — these photos show how each reads at scale, across different spaces and lighting conditions.
Bedroom
Bedroom walls are often seen under warm artificial light, a context that shifts both colors from how they look on a chip. Side by side like this, the difference is easy to read — which is exactly why seeing them in a real space is more useful than comparing chips.
Kitchen
Kitchen lighting tends to be bright and directional, which sharpens contrast and makes undertone differences more apparent. Side by side like this, the difference is easy to read — which is exactly why seeing them in a real space is more useful than comparing chips.
Kitchen Cabinets
On cabinetry, undertone and temperature become more pronounced against countertops and hardware. Side by side like this, the difference is easy to read — which is exactly why seeing them in a real space is more useful than comparing chips.
Color Details
Monet vs Telegrey 4 Simulated Comparison
5 simulated room previews — drag the slider on each to see Monet on one side and Telegrey 4 on the other.
Digital color is approximate. These simulations are generated from the manufacturer's hex values and overlaid on grayscale room photos — your screen's calibration, brightness, and viewing angle all affect how they render. Before committing to either color, test physical samples in your own space under the light you actually live with.
More Monet comparisons
See how Monet stacks up against other well-photographed colors across different brands and tones.
At LRV 83 vs 61, White Dove is decisively the brighter choice.
Monet reads slightly lighter (LRV 61 vs 52), a gap that shows most in low-lit rooms.
Monet reflects far more light (LRV 61 vs 30), opening up a space where Evergreen Fog encloses it.
With LRVs of 61 and 60, the two reflect almost the same amount of light.
A 3-point LRV gap (61 vs 58) makes Monet the marginally brighter of the two.
At LRV 61 vs 27, Monet is decisively the brighter choice.
Monet reflects far more light (LRV 61 vs 43), opening up a space where French Gray encloses it.
A 6-point LRV gap (61 vs 55) makes Monet the marginally brighter of the two.
At LRV 61 vs 44, Monet is decisively the brighter choice.
Pure White reflects far more light (LRV 84 vs 61), opening up a space where Monet encloses it.
A 5-point LRV gap (66 vs 61) makes Balboa Mist the marginally brighter of the two.
At LRV 74 vs 61, Shoji White is decisively the brighter choice.
At LRV 61 vs 12, Monet is decisively the brighter choice.
A 7-point LRV gap (68 vs 61) makes Skimming Stone the marginally brighter of the two.
At LRV 61 vs 12, Monet is decisively the brighter choice.
At LRV 61 vs 45, Monet is decisively the brighter choice.
Monet reflects far more light (LRV 61 vs 31), opening up a space where Pale Green encloses it.
Monet reflects far more light (LRV 61 vs 7), opening up a space where Pine Needle encloses it.
Monet reflects far more light (LRV 61 vs 24), opening up a space where Cement grey encloses it.
Monet reads slightly lighter (LRV 61 vs 57), a gap that shows most in low-lit rooms.