Old Celadon vs Hicks' Blue
Old Celadon (Behr) and Hicks' Blue (Little Greene) come from different manufacturers. Hue-wise, Old Celadon belongs to the grey family and Hicks' Blue to the blue family. Old Celadon has an LRV of 39. Where Old Celadon leans yellow, Hicks' Blue reads blue — a distinction that shifts noticeably depending on the light source and surrounding finishes. A ΔE of 17.1 puts these firmly in different territory — two distinct design choices rather than close alternatives. Below you'll find 2 real-room photo comparisons where both colors appear side by side, plus 5 simulated room previews.
Old Celadon vs Hicks' Blue in Real Spaces
2 real rooms side by side. Seeing Old Celadon and Hicks' Blue in actual rooms makes the difference concrete; browse the spaces below to get a feel for how each color lives on a wall.
Living Room
A living room wall sees more varied light than almost any other surface in the house, which makes the choice between these two more nuanced than a chip suggests. The distinction reads clearly at room scale, making the choice between them concrete.
Bedroom
Bedrooms are typically lit with warmer, lower light than the rest of the house — a condition that flatters warm tones and deepens cool ones. At this scale, the choice between them becomes clear in a way that a swatch alone can't communicate.
Color Details
Old Celadon vs Hicks' Blue Simulated Comparison
5 simulated room previews — drag the slider on each to see Old Celadon on one side and Hicks' Blue on the other.
Digital color is approximate. These simulations are generated from the manufacturer's hex values and overlaid on grayscale room photos — your screen's calibration, brightness, and viewing angle all affect how they render. Before committing to either color, test physical samples in your own space under the light you actually live with.
More Old Celadon comparisons
See how Old Celadon stacks up against other well-photographed colors across different brands and tones.
At LRV 69 vs 39, Ammonite is decisively the brighter choice.
White Dove reflects far more light (LRV 83 vs 39), opening up a space where Old Celadon encloses it.
Old Celadon reflects far more light (LRV 39 vs 6), opening up a space where Iron Ore encloses it.
At LRV 52 vs 39, Purbeck Stone is decisively the brighter choice.
A 9-point LRV gap (39 vs 30) makes Old Celadon the marginally brighter of the two.
Mizzle reflects far more light (LRV 52 vs 39), opening up a space where Old Celadon encloses it.
At LRV 60 vs 39, Agreeable Gray is decisively the brighter choice.
Accessible Beige reflects far more light (LRV 58 vs 39), opening up a space where Old Celadon encloses it.
Old Celadon reflects far more light (LRV 39 vs 27), opening up a space where Denim Drift encloses it.
A 4-point LRV gap (43 vs 39) makes French Gray the marginally brighter of the two.
Tranquil Dawn reflects far more light (LRV 55 vs 39), opening up a space where Old Celadon encloses it.
Old Celadon reflects far more light (LRV 39 vs 13), opening up a space where Bancha encloses it.
Hardwick White reads slightly lighter (LRV 44 vs 39), a gap that shows most in low-lit rooms.
At LRV 84 vs 39, Pure White is decisively the brighter choice.
At LRV 39 vs 21, Old Celadon is decisively the brighter choice.
Balboa Mist reflects far more light (LRV 66 vs 39), opening up a space where Old Celadon encloses it.
Shoji White reflects far more light (LRV 74 vs 39), opening up a space where Old Celadon encloses it.
Snowbound reflects far more light (LRV 83 vs 39), opening up a space where Old Celadon encloses it.
A 12-point LRV gap (51 vs 39) makes Pigeon the marginally brighter of the two.
Old Celadon reflects far more light (LRV 39 vs 12), opening up a space where Pewter Green encloses it.
Old Celadon reflects far more light (LRV 39 vs 8), opening up a space where Duck Green encloses it.
Skimming Stone reflects far more light (LRV 68 vs 39), opening up a space where Old Celadon encloses it.
Their light reflectance is nearly identical (LRV 41 vs 39), so neither reads brighter in a room.
Old Celadon reflects far more light (LRV 39 vs 12), opening up a space where Vintage Vogue encloses it.
Saybrook Sage reads slightly lighter (LRV 45 vs 39), a gap that shows most in low-lit rooms.
A 8-point LRV gap (39 vs 31) makes Old Celadon the marginally brighter of the two.
At LRV 39 vs 7, Old Celadon is decisively the brighter choice.