Old Celadon vs Slaked Lime Deep
Old Celadon is a Behr color while Slaked Lime Deep comes from Little Greene. Old Celadon reads as grey, while Slaked Lime Deep reads as beige — two distinct hue families, not close cousins. Old Celadon has an LRV of 39. The tonal difference — Old Celadon's yellow character against Slaked Lime Deep's red — becomes most visible against white trim or in morning light. At ΔE 54.3, these are genuinely distinct colors — a strong contrast if used together, or a meaningful choice between two different directions. Below you'll find 2 real-room photo comparisons where both colors appear side by side, plus 5 simulated room previews.
Old Celadon vs Slaked Lime Deep in Real Spaces
2 real rooms side by side. Seeing Old Celadon and Slaked Lime Deep in actual rooms makes the difference concrete; browse the spaces below to get a feel for how each color lives on a wall.
Living Room
Living rooms test a color across a full range of conditions — morning sun, afternoon shade, and evening lamp light all shift how both of these read. At this scale, the choice between them becomes clear in a way that a swatch alone can't communicate.
Bedroom
Bedroom walls are often seen under warm artificial light, a context that shifts both colors from how they look on a chip. Side by side like this, the difference is easy to read — which is exactly why seeing them in a real space is more useful than comparing chips.
Color Details
Old Celadon vs Slaked Lime Deep Simulated Comparison
5 simulated room previews — drag the slider on each to see Old Celadon on one side and Slaked Lime Deep on the other.
Digital color is approximate. These simulations are generated from the manufacturer's hex values and overlaid on grayscale room photos — your screen's calibration, brightness, and viewing angle all affect how they render. Before committing to either color, test physical samples in your own space under the light you actually live with.
More Old Celadon comparisons
See how Old Celadon stacks up against other well-photographed colors across different brands and tones.
At LRV 69 vs 39, Ammonite is decisively the brighter choice.
White Dove reflects far more light (LRV 83 vs 39), opening up a space where Old Celadon encloses it.
Old Celadon reflects far more light (LRV 39 vs 6), opening up a space where Iron Ore encloses it.
At LRV 52 vs 39, Purbeck Stone is decisively the brighter choice.
A 9-point LRV gap (39 vs 30) makes Old Celadon the marginally brighter of the two.
Mizzle reflects far more light (LRV 52 vs 39), opening up a space where Old Celadon encloses it.
At LRV 60 vs 39, Agreeable Gray is decisively the brighter choice.
Accessible Beige reflects far more light (LRV 58 vs 39), opening up a space where Old Celadon encloses it.
Old Celadon reflects far more light (LRV 39 vs 27), opening up a space where Denim Drift encloses it.
A 4-point LRV gap (43 vs 39) makes French Gray the marginally brighter of the two.
Tranquil Dawn reflects far more light (LRV 55 vs 39), opening up a space where Old Celadon encloses it.
Old Celadon reflects far more light (LRV 39 vs 13), opening up a space where Bancha encloses it.
Hardwick White reads slightly lighter (LRV 44 vs 39), a gap that shows most in low-lit rooms.
At LRV 84 vs 39, Pure White is decisively the brighter choice.
At LRV 39 vs 21, Old Celadon is decisively the brighter choice.
Balboa Mist reflects far more light (LRV 66 vs 39), opening up a space where Old Celadon encloses it.
Shoji White reflects far more light (LRV 74 vs 39), opening up a space where Old Celadon encloses it.
Snowbound reflects far more light (LRV 83 vs 39), opening up a space where Old Celadon encloses it.
A 12-point LRV gap (51 vs 39) makes Pigeon the marginally brighter of the two.
Old Celadon reflects far more light (LRV 39 vs 12), opening up a space where Pewter Green encloses it.
Old Celadon reflects far more light (LRV 39 vs 8), opening up a space where Duck Green encloses it.
Skimming Stone reflects far more light (LRV 68 vs 39), opening up a space where Old Celadon encloses it.
Their light reflectance is nearly identical (LRV 41 vs 39), so neither reads brighter in a room.
Old Celadon reflects far more light (LRV 39 vs 12), opening up a space where Vintage Vogue encloses it.
Saybrook Sage reads slightly lighter (LRV 45 vs 39), a gap that shows most in low-lit rooms.
A 8-point LRV gap (39 vs 31) makes Old Celadon the marginally brighter of the two.
At LRV 39 vs 7, Old Celadon is decisively the brighter choice.