Pencil Point vs Flint
Where Pencil Point belongs to Behr's range, Flint is a Benjamin Moore color. These are both greys, so the question isn't which hue to choose — it's where within grey to land. They have nearly identical light reflectance values (11 vs 12), so they'll read as similarly Dark in most lighting conditions. Both lean blue, so they'll behave similarly in mixed or changing light conditions. At ΔE 1.6, these are close — the kind of difference that matters when choosing between them, but doesn't read strongly in a finished room. Below you'll find 1 real-room photo comparison where both colors appear side by side, plus 5 simulated room previews.
Pencil Point vs Flint in Real Spaces
1 real room side by side. Pencil Point and Flint are close enough that the difference can be hard to judge from a chip alone — these photos show how each reads at scale, across different spaces and lighting conditions.
Living Room
In a living room, color works across both daylight and evening light — the same wall can read very differently at noon and at 8pm. The two are close enough that the choice comes down to finer qualities — undertone, texture, what the color sits next to.
Color Details
Pencil Point vs Flint Simulated Comparison
5 simulated room previews — drag the slider on each to see Pencil Point on one side and Flint on the other.
Digital color is approximate. These simulations are generated from the manufacturer's hex values and overlaid on grayscale room photos — your screen's calibration, brightness, and viewing angle all affect how they render. Before committing to either color, test physical samples in your own space under the light you actually live with.
More Pencil Point comparisons
See how Pencil Point stacks up against other well-photographed colors across different brands and tones.
At LRV 69 vs 11, Ammonite is decisively the brighter choice.
White Dove reflects far more light (LRV 83 vs 11), opening up a space where Pencil Point encloses it.
Pencil Point reads slightly lighter (LRV 11 vs 6), a gap that shows most in low-lit rooms.
At LRV 52 vs 11, Purbeck Stone is decisively the brighter choice.
At LRV 30 vs 11, Evergreen Fog is decisively the brighter choice.
Mizzle reflects far more light (LRV 52 vs 11), opening up a space where Pencil Point encloses it.
At LRV 60 vs 11, Agreeable Gray is decisively the brighter choice.
Accessible Beige reflects far more light (LRV 58 vs 11), opening up a space where Pencil Point encloses it.
Denim Drift reflects far more light (LRV 27 vs 11), opening up a space where Pencil Point encloses it.
At LRV 43 vs 11, French Gray is decisively the brighter choice.
A 6-point LRV gap (11 vs 4) makes Pencil Point the marginally brighter of the two.
Tranquil Dawn reflects far more light (LRV 55 vs 11), opening up a space where Pencil Point encloses it.
With LRVs of 13 and 11, the two reflect almost the same amount of light.
Hardwick White reflects far more light (LRV 44 vs 11), opening up a space where Pencil Point encloses it.
At LRV 84 vs 11, Pure White is decisively the brighter choice.
A 10-point LRV gap (21 vs 11) makes Artichoke the marginally brighter of the two.
Balboa Mist reflects far more light (LRV 66 vs 11), opening up a space where Pencil Point encloses it.
Shoji White reflects far more light (LRV 74 vs 11), opening up a space where Pencil Point encloses it.
Snowbound reflects far more light (LRV 83 vs 11), opening up a space where Pencil Point encloses it.
At LRV 51 vs 11, Pigeon is decisively the brighter choice.
With LRVs of 12 and 11, the two reflect almost the same amount of light.
With LRVs of 11 and 8, the two reflect almost the same amount of light.
Skimming Stone reflects far more light (LRV 68 vs 11), opening up a space where Pencil Point encloses it.
At LRV 41 vs 11, Dix Blue is decisively the brighter choice.
With LRVs of 12 and 11, the two reflect almost the same amount of light.
Saybrook Sage reflects far more light (LRV 45 vs 11), opening up a space where Pencil Point encloses it.
At LRV 31 vs 11, Pale Green is decisively the brighter choice.