Studio Clay vs Skimming Stone
Where Studio Clay belongs to Behr's range, Skimming Stone is a Farrow & Ball color. Studio Clay reads as beige, while Skimming Stone reads as beige-greige — two distinct hue families, not close cousins. Skimming Stone (LRV 68) reflects noticeably more light than Studio Clay (LRV 61), a difference of 7 points that becomes especially apparent in rooms with limited natural light. Studio Clay runs red while Skimming Stone is decidedly warm, which means they'll respond very differently to warm vs cool light sources. The ΔE 6.1 gap is real but not dramatic — close enough to use together, distinct enough to matter as a choice. Below you'll find 1 real-room photo comparison where both colors appear side by side, plus 5 simulated room previews.
Studio Clay vs Skimming Stone in Real Spaces
1 real room side by side. Studio Clay and Skimming Stone are close enough that the difference can be hard to judge from a chip alone — these photos show how each reads at scale, across different spaces and lighting conditions.
Living Room
In a living room, color works across both daylight and evening light — the same wall can read very differently at noon and at 8pm. The brightness difference is modest but present — Skimming Stone gives the walls a little more lift.
Color Details
Studio Clay vs Skimming Stone Simulated Comparison
5 simulated room previews — drag the slider on each to see Studio Clay on one side and Skimming Stone on the other.
Digital color is approximate. These simulations are generated from the manufacturer's hex values and overlaid on grayscale room photos — your screen's calibration, brightness, and viewing angle all affect how they render. Before committing to either color, test physical samples in your own space under the light you actually live with.
More Studio Clay comparisons
See how Studio Clay stacks up against other well-photographed colors across different brands and tones.


A 8-point LRV gap (69 vs 61) makes Ammonite the marginally brighter of the two.


White Dove reflects far more light (LRV 83 vs 61), opening up a space where Studio Clay encloses it.


Studio Clay reflects far more light (LRV 61 vs 6), opening up a space where Iron Ore encloses it.


A 9-point LRV gap (61 vs 52) makes Studio Clay the marginally brighter of the two.


At LRV 61 vs 30, Studio Clay is decisively the brighter choice.


Studio Clay reads slightly lighter (LRV 61 vs 52), a gap that shows most in low-lit rooms.


Their light reflectance is nearly identical (LRV 61 vs 60), so neither reads brighter in a room.


Studio Clay reads slightly lighter (LRV 61 vs 58), a gap that shows most in low-lit rooms.


Studio Clay reflects far more light (LRV 61 vs 27), opening up a space where Denim Drift encloses it.


At LRV 61 vs 43, Studio Clay is decisively the brighter choice.


At LRV 61 vs 4, Studio Clay is decisively the brighter choice.


Studio Clay reads slightly lighter (LRV 61 vs 55), a gap that shows most in low-lit rooms.


Studio Clay reflects far more light (LRV 61 vs 13), opening up a space where Bancha encloses it.


Studio Clay reflects far more light (LRV 61 vs 44), opening up a space where Hardwick White encloses it.


At LRV 84 vs 61, Pure White is decisively the brighter choice.


At LRV 61 vs 21, Studio Clay is decisively the brighter choice.


Balboa Mist reads slightly lighter (LRV 66 vs 61), a gap that shows most in low-lit rooms.


Shoji White reflects far more light (LRV 74 vs 61), opening up a space where Studio Clay encloses it.


Snowbound reflects far more light (LRV 83 vs 61), opening up a space where Studio Clay encloses it.


A 11-point LRV gap (61 vs 51) makes Studio Clay the marginally brighter of the two.


Studio Clay reflects far more light (LRV 61 vs 12), opening up a space where Pewter Green encloses it.


Studio Clay reflects far more light (LRV 61 vs 8), opening up a space where Duck Green encloses it.


At LRV 61 vs 41, Studio Clay is decisively the brighter choice.


Studio Clay reflects far more light (LRV 61 vs 12), opening up a space where Vintage Vogue encloses it.


Studio Clay reflects far more light (LRV 61 vs 45), opening up a space where Saybrook Sage encloses it.


At LRV 61 vs 31, Studio Clay is decisively the brighter choice.


At LRV 61 vs 7, Studio Clay is decisively the brighter choice.















