After Midnight vs Soot
Both from Benjamin Moore's palette. These are both blue-greys, so the question isn't which hue to choose — it's where within blue-grey to land. They have nearly identical light reflectance values (6 vs 6), so they'll read as similarly Dark in most lighting conditions. Both lean blue, so they'll behave similarly in mixed or changing light conditions. At ΔE 1.9, these are close — the kind of difference that matters when choosing between them, but doesn't read strongly in a finished room. Below, 5 simulated room previews show how each color reads at scale — real-room photos will be added as they become available.
Color Details
After Midnight vs Soot Simulated Comparison
5 simulated room previews — drag the slider on each to see After Midnight on one side and Soot on the other.
Digital color is approximate. These simulations are generated from the manufacturer's hex values and overlaid on grayscale room photos — your screen's calibration, brightness, and viewing angle all affect how they render. Before committing to either color, test physical samples in your own space under the light you actually live with.
More After Midnight comparisons
See how After Midnight stacks up against other well-photographed colors across different brands and tones.
At LRV 69 vs 6, Ammonite is decisively the brighter choice.
White Dove reflects far more light (LRV 83 vs 6), opening up a space where After Midnight encloses it.
With LRVs of 6 and 6, the two reflect almost the same amount of light.
At LRV 52 vs 6, Purbeck Stone is decisively the brighter choice.
At LRV 30 vs 6, Evergreen Fog is decisively the brighter choice.
Mizzle reflects far more light (LRV 52 vs 6), opening up a space where After Midnight encloses it.
At LRV 60 vs 6, Agreeable Gray is decisively the brighter choice.
Accessible Beige reflects far more light (LRV 58 vs 6), opening up a space where After Midnight encloses it.
Denim Drift reflects far more light (LRV 27 vs 6), opening up a space where After Midnight encloses it.
At LRV 43 vs 6, French Gray is decisively the brighter choice.
Their light reflectance is nearly identical (LRV 6 vs 4), so neither reads brighter in a room.
Tranquil Dawn reflects far more light (LRV 55 vs 6), opening up a space where After Midnight encloses it.
Bancha reads slightly lighter (LRV 13 vs 6), a gap that shows most in low-lit rooms.
Hardwick White reflects far more light (LRV 44 vs 6), opening up a space where After Midnight encloses it.
At LRV 84 vs 6, Pure White is decisively the brighter choice.
At LRV 21 vs 6, Artichoke is decisively the brighter choice.
Balboa Mist reflects far more light (LRV 66 vs 6), opening up a space where After Midnight encloses it.
Shoji White reflects far more light (LRV 74 vs 6), opening up a space where After Midnight encloses it.
Snowbound reflects far more light (LRV 83 vs 6), opening up a space where After Midnight encloses it.
At LRV 51 vs 6, Pigeon is decisively the brighter choice.
Pewter Green reads slightly lighter (LRV 12 vs 6), a gap that shows most in low-lit rooms.
With LRVs of 8 and 6, the two reflect almost the same amount of light.
Skimming Stone reflects far more light (LRV 68 vs 6), opening up a space where After Midnight encloses it.
At LRV 41 vs 6, Dix Blue is decisively the brighter choice.
Vintage Vogue reads slightly lighter (LRV 12 vs 6), a gap that shows most in low-lit rooms.
Saybrook Sage reflects far more light (LRV 45 vs 6), opening up a space where After Midnight encloses it.
At LRV 31 vs 6, Pale Green is decisively the brighter choice.