After the Rain vs Beach Haven paint color comparison

After the Rain vs Beach Haven

Both are Benjamin Moore colors. Hue-wise, After the Rain belongs to the grey family and Beach Haven to the beige family. At LRV 78 vs 50, Beach Haven will read as the brighter of the two — a 28-point gap that matters most in north-facing or low-light rooms. They share a red quality — useful to know if you're layering them in the same space. At ΔE 23.0, these are genuinely distinct colors — a strong contrast if used together, or a meaningful choice between two different directions. Below, 5 simulated room previews show how each color reads at scale — real-room photos will be added as they become available.

Color Details

After the Rain
Benjamin Moore · 1452
Hex#C1B9BD
LRV49.7
BrandBenjamin Moore
Number1452
UndertoneRed
TemperatureNeutral
BrightnessMedium
Beach Haven
Benjamin Moore · 218
Hex#F2E7CB
LRV77.6
BrandBenjamin Moore
Number218
UndertoneRed
TemperatureWarm
BrightnessLight

After the Rain vs Beach Haven Simulated Comparison

5 simulated room previews — drag the slider on each to see After the Rain on one side and Beach Haven on the other.

Bathroom
Bedroom
House
Kitchen Cabinets
Living Room

Digital color is approximate. These simulations are generated from the manufacturer's hex values and overlaid on grayscale room photos — your screen's calibration, brightness, and viewing angle all affect how they render. Before committing to either color, test physical samples in your own space under the light you actually live with.

More After the Rain comparisons

See how After the Rain stacks up against other well-photographed colors across different brands and tones.

White Dove
After the Rain
White Dove
Benjamin Moore
After the Rain
1452 · LRV 50

White Dove reflects far more light (LRV 83 vs 50), opening up a space where After the Rain encloses it.

Ammonite
After the Rain
Ammonite
Benjamin Moore
After the Rain
1452 · LRV 50
Farrow & Ball
Ammonite
LRV 69

At LRV 69 vs 50, Ammonite is decisively the brighter choice.

Iron Ore
After the Rain
Iron Ore
Benjamin Moore
After the Rain
1452 · LRV 50

After the Rain reflects far more light (LRV 50 vs 6), opening up a space where Iron Ore encloses it.

Purbeck Stone
After the Rain
Purbeck Stone
Benjamin Moore
After the Rain
1452 · LRV 50

Their light reflectance is nearly identical (LRV 52 vs 50), so neither reads brighter in a room.

Evergreen Fog
After the Rain
Evergreen Fog
Benjamin Moore
After the Rain
1452 · LRV 50

At LRV 50 vs 30, After the Rain is decisively the brighter choice.

Mizzle
After the Rain
Mizzle
Benjamin Moore
After the Rain
1452 · LRV 50
Farrow & Ball
Mizzle
LRV 52

With LRVs of 52 and 50, the two reflect almost the same amount of light.

Agreeable Gray
After the Rain
Agreeable Gray
Benjamin Moore
After the Rain
1452 · LRV 50

A 11-point LRV gap (60 vs 50) makes Agreeable Gray the marginally brighter of the two.

Accessible Beige
After the Rain
Accessible Beige
Benjamin Moore
After the Rain
1452 · LRV 50

Accessible Beige reads slightly lighter (LRV 58 vs 50), a gap that shows most in low-lit rooms.

Denim Drift
After the Rain
Denim Drift
Benjamin Moore
After the Rain
1452 · LRV 50

After the Rain reflects far more light (LRV 50 vs 27), opening up a space where Denim Drift encloses it.

French Gray
After the Rain
French Gray
Benjamin Moore
After the Rain
1452 · LRV 50

A 6-point LRV gap (50 vs 43) makes After the Rain the marginally brighter of the two.

Naval
After the Rain
Naval
Benjamin Moore
After the Rain
1452 · LRV 50
Sherwin-Williams
Naval
LRV 4

At LRV 50 vs 4, After the Rain is decisively the brighter choice.

Tranquil Dawn
After the Rain
Tranquil Dawn
Benjamin Moore
After the Rain
1452 · LRV 50

Tranquil Dawn reads slightly lighter (LRV 55 vs 50), a gap that shows most in low-lit rooms.

Bancha
After the Rain
Bancha
Benjamin Moore
After the Rain
1452 · LRV 50
Farrow & Ball
Bancha
LRV 13

After the Rain reflects far more light (LRV 50 vs 13), opening up a space where Bancha encloses it.

Hardwick White
After the Rain
Hardwick White
Benjamin Moore
After the Rain
1452 · LRV 50

After the Rain reads slightly lighter (LRV 50 vs 44), a gap that shows most in low-lit rooms.

Pure White
After the Rain
Pure White
Benjamin Moore
After the Rain
1452 · LRV 50

At LRV 84 vs 50, Pure White is decisively the brighter choice.

Artichoke
After the Rain
Artichoke
Benjamin Moore
After the Rain
1452 · LRV 50
Sherwin-Williams
Artichoke
LRV 21

At LRV 50 vs 21, After the Rain is decisively the brighter choice.

Balboa Mist
After the Rain
Balboa Mist
Benjamin Moore
After the Rain
1452 · LRV 50

Balboa Mist reflects far more light (LRV 66 vs 50), opening up a space where After the Rain encloses it.

Shoji White
After the Rain
Shoji White
Benjamin Moore
After the Rain
1452 · LRV 50

Shoji White reflects far more light (LRV 74 vs 50), opening up a space where After the Rain encloses it.

Snowbound
After the Rain
Snowbound
Benjamin Moore
After the Rain
1452 · LRV 50
Sherwin-Williams
Snowbound
LRV 83

Snowbound reflects far more light (LRV 83 vs 50), opening up a space where After the Rain encloses it.

Pewter Green
After the Rain
Pewter Green
Benjamin Moore
After the Rain
1452 · LRV 50

After the Rain reflects far more light (LRV 50 vs 12), opening up a space where Pewter Green encloses it.

Skimming Stone
After the Rain
Skimming Stone
Benjamin Moore
After the Rain
1452 · LRV 50

Skimming Stone reflects far more light (LRV 68 vs 50), opening up a space where After the Rain encloses it.

Dix Blue
After the Rain
Dix Blue
Benjamin Moore
After the Rain
1452 · LRV 50
Farrow & Ball
Dix Blue
LRV 41

A 9-point LRV gap (50 vs 41) makes After the Rain the marginally brighter of the two.

Calamine
After the Rain
Calamine
Benjamin Moore
After the Rain
1452 · LRV 50
Farrow & Ball
Calamine
LRV 68

At LRV 68 vs 50, Calamine is decisively the brighter choice.

Treron
After the Rain
Treron
Benjamin Moore
After the Rain
1452 · LRV 50
Farrow & Ball
Treron
LRV 25

At LRV 50 vs 25, After the Rain is decisively the brighter choice.

Vintage Vogue
After the Rain
Vintage Vogue
Benjamin Moore
After the Rain
1452 · LRV 50

After the Rain reflects far more light (LRV 50 vs 12), opening up a space where Vintage Vogue encloses it.

Saybrook Sage
After the Rain
Saybrook Sage
Benjamin Moore
After the Rain
1452 · LRV 50

After the Rain reads slightly lighter (LRV 50 vs 45), a gap that shows most in low-lit rooms.

Pale Green
After the Rain
Pale Green
Benjamin Moore
After the Rain
1452 · LRV 50
RAL ClassicClassic
Pale Green
LRV 31

At LRV 50 vs 31, After the Rain is decisively the brighter choice.

Pine Needle
After the Rain
Pine Needle
Benjamin Moore
After the Rain
1452 · LRV 50

At LRV 50 vs 7, After the Rain is decisively the brighter choice.

Cement grey
After the Rain
Cement grey
Benjamin Moore
After the Rain
1452 · LRV 50
RAL ClassicClassic
Cement grey
LRV 24

At LRV 50 vs 24, After the Rain is decisively the brighter choice.

Guilford Green
After the Rain
Guilford Green
Benjamin Moore
After the Rain
1452 · LRV 50

A 8-point LRV gap (57 vs 50) makes Guilford Green the marginally brighter of the two.