After the Rain vs Slaked Lime Deep
Where After the Rain belongs to Benjamin Moore's range, Slaked Lime Deep is a Little Greene color. After the Rain reads as grey, while Slaked Lime Deep reads as beige — two distinct hue families, not close cousins. After the Rain has an LRV of 50. Both lean red, so they'll behave similarly in mixed or changing light conditions. With a ΔE of 16.1, the contrast is hard to miss. These aren't variations on a theme — they're two different answers to the same question. Below, 5 simulated room previews show how each color reads at scale — real-room photos will be added as they become available.
Color Details
After the Rain vs Slaked Lime Deep Simulated Comparison
5 simulated room previews — drag the slider on each to see After the Rain on one side and Slaked Lime Deep on the other.
Digital color is approximate. These simulations are generated from the manufacturer's hex values and overlaid on grayscale room photos — your screen's calibration, brightness, and viewing angle all affect how they render. Before committing to either color, test physical samples in your own space under the light you actually live with.
More After the Rain comparisons
See how After the Rain stacks up against other well-photographed colors across different brands and tones.
At LRV 69 vs 50, Ammonite is decisively the brighter choice.
White Dove reflects far more light (LRV 83 vs 50), opening up a space where After the Rain encloses it.
After the Rain reflects far more light (LRV 50 vs 6), opening up a space where Iron Ore encloses it.
Their light reflectance is nearly identical (LRV 52 vs 50), so neither reads brighter in a room.
At LRV 50 vs 30, After the Rain is decisively the brighter choice.
With LRVs of 52 and 50, the two reflect almost the same amount of light.
A 11-point LRV gap (60 vs 50) makes Agreeable Gray the marginally brighter of the two.
Accessible Beige reads slightly lighter (LRV 58 vs 50), a gap that shows most in low-lit rooms.
After the Rain reflects far more light (LRV 50 vs 27), opening up a space where Denim Drift encloses it.
A 6-point LRV gap (50 vs 43) makes After the Rain the marginally brighter of the two.
At LRV 50 vs 4, After the Rain is decisively the brighter choice.
Tranquil Dawn reads slightly lighter (LRV 55 vs 50), a gap that shows most in low-lit rooms.
After the Rain reflects far more light (LRV 50 vs 13), opening up a space where Bancha encloses it.
After the Rain reads slightly lighter (LRV 50 vs 44), a gap that shows most in low-lit rooms.
At LRV 84 vs 50, Pure White is decisively the brighter choice.
At LRV 50 vs 21, After the Rain is decisively the brighter choice.
Balboa Mist reflects far more light (LRV 66 vs 50), opening up a space where After the Rain encloses it.
Shoji White reflects far more light (LRV 74 vs 50), opening up a space where After the Rain encloses it.
Snowbound reflects far more light (LRV 83 vs 50), opening up a space where After the Rain encloses it.
Their light reflectance is nearly identical (LRV 51 vs 50), so neither reads brighter in a room.
After the Rain reflects far more light (LRV 50 vs 12), opening up a space where Pewter Green encloses it.
After the Rain reflects far more light (LRV 50 vs 8), opening up a space where Duck Green encloses it.
Skimming Stone reflects far more light (LRV 68 vs 50), opening up a space where After the Rain encloses it.
A 9-point LRV gap (50 vs 41) makes After the Rain the marginally brighter of the two.
After the Rain reflects far more light (LRV 50 vs 12), opening up a space where Vintage Vogue encloses it.
After the Rain reads slightly lighter (LRV 50 vs 45), a gap that shows most in low-lit rooms.
At LRV 50 vs 31, After the Rain is decisively the brighter choice.
At LRV 50 vs 7, After the Rain is decisively the brighter choice.