Atmospheric vs Mystic Lake
Both from Benjamin Moore's palette. These are both blue-greys, so the question isn't which hue to choose — it's where within blue-grey to land. They have nearly identical light reflectance values (33 vs 33), so they'll read as similarly Medium in most lighting conditions. Both lean green and blue, so they'll behave similarly in mixed or changing light conditions. At ΔE 0.9, these are close — the kind of difference that matters when choosing between them, but doesn't read strongly in a finished room. Below, 5 simulated room previews show how each color reads at scale — real-room photos will be added as they become available.
Color Details
Atmospheric vs Mystic Lake Simulated Comparison
5 simulated room previews — drag the slider on each to see Atmospheric on one side and Mystic Lake on the other.
Digital color is approximate. These simulations are generated from the manufacturer's hex values and overlaid on grayscale room photos — your screen's calibration, brightness, and viewing angle all affect how they render. Before committing to either color, test physical samples in your own space under the light you actually live with.
More Atmospheric comparisons
See how Atmospheric stacks up against other well-photographed colors across different brands and tones.
At LRV 83 vs 33, White Dove is decisively the brighter choice.
Ammonite reflects far more light (LRV 69 vs 33), opening up a space where Atmospheric encloses it.
At LRV 33 vs 6, Atmospheric is decisively the brighter choice.
Purbeck Stone reflects far more light (LRV 52 vs 33), opening up a space where Atmospheric encloses it.
With LRVs of 33 and 30, the two reflect almost the same amount of light.
At LRV 52 vs 33, Mizzle is decisively the brighter choice.
Agreeable Gray reflects far more light (LRV 60 vs 33), opening up a space where Atmospheric encloses it.
At LRV 58 vs 33, Accessible Beige is decisively the brighter choice.
A 6-point LRV gap (33 vs 27) makes Atmospheric the marginally brighter of the two.
French Gray reads slightly lighter (LRV 43 vs 33), a gap that shows most in low-lit rooms.
Atmospheric reflects far more light (LRV 33 vs 4), opening up a space where Naval encloses it.
At LRV 55 vs 33, Tranquil Dawn is decisively the brighter choice.
At LRV 33 vs 13, Atmospheric is decisively the brighter choice.
A 11-point LRV gap (44 vs 33) makes Hardwick White the marginally brighter of the two.
Pure White reflects far more light (LRV 84 vs 33), opening up a space where Atmospheric encloses it.
Atmospheric reads slightly lighter (LRV 33 vs 21), a gap that shows most in low-lit rooms.
At LRV 66 vs 33, Balboa Mist is decisively the brighter choice.
At LRV 74 vs 33, Shoji White is decisively the brighter choice.
At LRV 83 vs 33, Snowbound is decisively the brighter choice.
At LRV 33 vs 12, Atmospheric is decisively the brighter choice.
At LRV 68 vs 33, Skimming Stone is decisively the brighter choice.
Dix Blue reads slightly lighter (LRV 41 vs 33), a gap that shows most in low-lit rooms.
Calamine reflects far more light (LRV 68 vs 33), opening up a space where Atmospheric encloses it.
Atmospheric reads slightly lighter (LRV 33 vs 25), a gap that shows most in low-lit rooms.
At LRV 33 vs 12, Atmospheric is decisively the brighter choice.
At LRV 45 vs 33, Saybrook Sage is decisively the brighter choice.
With LRVs of 33 and 31, the two reflect almost the same amount of light.
Atmospheric reflects far more light (LRV 33 vs 7), opening up a space where Pine Needle encloses it.
Atmospheric reads slightly lighter (LRV 33 vs 24), a gap that shows most in low-lit rooms.
Guilford Green reflects far more light (LRV 57 vs 33), opening up a space where Atmospheric encloses it.