Beacon Hill Damask vs Seashell
Both from Benjamin Moore's palette. Both sit in the beige-yellow family, which is useful context if you're narrowing within a single hue direction. Seashell (LRV 80) reflects noticeably more light than Beacon Hill Damask (LRV 68), a difference of 12 points that becomes especially apparent in rooms with limited natural light. Both lean yellow, so they'll behave similarly in mixed or changing light conditions. With a ΔE of 17.2, the contrast is hard to miss. These aren't variations on a theme — they're two different answers to the same question. Below, 5 simulated room previews show how each color reads at scale — real-room photos will be added as they become available.
Color Details
Beacon Hill Damask vs Seashell Simulated Comparison
5 simulated room previews — drag the slider on each to see Beacon Hill Damask on one side and Seashell on the other.
Digital color is approximate. These simulations are generated from the manufacturer's hex values and overlaid on grayscale room photos — your screen's calibration, brightness, and viewing angle all affect how they render. Before committing to either color, test physical samples in your own space under the light you actually live with.
More Beacon Hill Damask comparisons
See how Beacon Hill Damask stacks up against other well-photographed colors across different brands and tones.
At LRV 83 vs 68, White Dove is decisively the brighter choice.
With LRVs of 69 and 68, the two reflect almost the same amount of light.
At LRV 68 vs 6, Beacon Hill Damask is decisively the brighter choice.
Beacon Hill Damask reflects far more light (LRV 68 vs 52), opening up a space where Purbeck Stone encloses it.
Beacon Hill Damask reflects far more light (LRV 68 vs 30), opening up a space where Evergreen Fog encloses it.
At LRV 68 vs 52, Beacon Hill Damask is decisively the brighter choice.
Beacon Hill Damask reads slightly lighter (LRV 68 vs 60), a gap that shows most in low-lit rooms.
A 10-point LRV gap (68 vs 58) makes Beacon Hill Damask the marginally brighter of the two.
At LRV 68 vs 27, Beacon Hill Damask is decisively the brighter choice.
Beacon Hill Damask reflects far more light (LRV 68 vs 43), opening up a space where French Gray encloses it.
Beacon Hill Damask reflects far more light (LRV 68 vs 4), opening up a space where Naval encloses it.
At LRV 68 vs 55, Beacon Hill Damask is decisively the brighter choice.
At LRV 68 vs 13, Beacon Hill Damask is decisively the brighter choice.
At LRV 68 vs 44, Beacon Hill Damask is decisively the brighter choice.
Pure White reflects far more light (LRV 84 vs 68), opening up a space where Beacon Hill Damask encloses it.
Beacon Hill Damask reflects far more light (LRV 68 vs 21), opening up a space where Artichoke encloses it.
Their light reflectance is nearly identical (LRV 68 vs 66), so neither reads brighter in a room.
A 6-point LRV gap (74 vs 68) makes Shoji White the marginally brighter of the two.
At LRV 83 vs 68, Snowbound is decisively the brighter choice.
At LRV 68 vs 12, Beacon Hill Damask is decisively the brighter choice.
Their light reflectance is nearly identical (LRV 68 vs 68), so neither reads brighter in a room.
Beacon Hill Damask reflects far more light (LRV 68 vs 41), opening up a space where Dix Blue encloses it.
With LRVs of 68 and 68, the two reflect almost the same amount of light.
Beacon Hill Damask reflects far more light (LRV 68 vs 25), opening up a space where Treron encloses it.
At LRV 68 vs 12, Beacon Hill Damask is decisively the brighter choice.
At LRV 68 vs 45, Beacon Hill Damask is decisively the brighter choice.
Beacon Hill Damask reflects far more light (LRV 68 vs 31), opening up a space where Pale Green encloses it.
Beacon Hill Damask reflects far more light (LRV 68 vs 7), opening up a space where Pine Needle encloses it.
Beacon Hill Damask reflects far more light (LRV 68 vs 24), opening up a space where Cement grey encloses it.
Beacon Hill Damask reads slightly lighter (LRV 68 vs 57), a gap that shows most in low-lit rooms.