
Beautiful in My Eyes vs Pensacola Pink
Both are Benjamin Moore colors. Hue-wise, Beautiful in My Eyes belongs to the beige family and Pensacola Pink to the beige-pink family. With LRVs of 76 and 77, they'll behave almost identically in terms of how much light they reflect back into a room. They share a red quality — useful to know if you're layering them in the same space. With a ΔE of 1.2, the difference is subtle — you'd need them side by side to reliably tell them apart. Below, 5 simulated room previews show how each color reads at scale — real-room photos will be added as they become available.
Color Details
Beautiful in My Eyes vs Pensacola Pink Simulated Comparison
5 simulated room previews — drag the slider on each to see Beautiful in My Eyes on one side and Pensacola Pink on the other.
Digital color is approximate. These simulations are generated from the manufacturer's hex values and overlaid on grayscale room photos — your screen's calibration, brightness, and viewing angle all affect how they render. Before committing to either color, test physical samples in your own space under the light you actually live with.
More Beautiful in My Eyes comparisons
See how Beautiful in My Eyes stacks up against other well-photographed colors across different brands and tones.

A 7-point LRV gap (83 vs 76) makes White Dove the marginally brighter of the two.

Beautiful in My Eyes reads slightly lighter (LRV 76 vs 69), a gap that shows most in low-lit rooms.

At LRV 76 vs 6, Beautiful in My Eyes is decisively the brighter choice.

Beautiful in My Eyes reflects far more light (LRV 76 vs 52), opening up a space where Purbeck Stone encloses it.

Beautiful in My Eyes reflects far more light (LRV 76 vs 30), opening up a space where Evergreen Fog encloses it.

At LRV 76 vs 52, Beautiful in My Eyes is decisively the brighter choice.

Beautiful in My Eyes reflects far more light (LRV 76 vs 60), opening up a space where Agreeable Gray encloses it.

At LRV 76 vs 58, Beautiful in My Eyes is decisively the brighter choice.

At LRV 76 vs 27, Beautiful in My Eyes is decisively the brighter choice.

Beautiful in My Eyes reflects far more light (LRV 76 vs 43), opening up a space where French Gray encloses it.

Beautiful in My Eyes reflects far more light (LRV 76 vs 4), opening up a space where Naval encloses it.

At LRV 76 vs 55, Beautiful in My Eyes is decisively the brighter choice.

At LRV 76 vs 13, Beautiful in My Eyes is decisively the brighter choice.

At LRV 76 vs 44, Beautiful in My Eyes is decisively the brighter choice.

Pure White reads slightly lighter (LRV 84 vs 76), a gap that shows most in low-lit rooms.

Beautiful in My Eyes reflects far more light (LRV 76 vs 21), opening up a space where Artichoke encloses it.

A 10-point LRV gap (76 vs 66) makes Beautiful in My Eyes the marginally brighter of the two.

Their light reflectance is nearly identical (LRV 76 vs 74), so neither reads brighter in a room.

A 7-point LRV gap (83 vs 76) makes Snowbound the marginally brighter of the two.

At LRV 76 vs 12, Beautiful in My Eyes is decisively the brighter choice.

A 8-point LRV gap (76 vs 68) makes Beautiful in My Eyes the marginally brighter of the two.

Beautiful in My Eyes reflects far more light (LRV 76 vs 41), opening up a space where Dix Blue encloses it.

Beautiful in My Eyes reads slightly lighter (LRV 76 vs 68), a gap that shows most in low-lit rooms.

Beautiful in My Eyes reflects far more light (LRV 76 vs 25), opening up a space where Treron encloses it.

At LRV 76 vs 12, Beautiful in My Eyes is decisively the brighter choice.

At LRV 76 vs 45, Beautiful in My Eyes is decisively the brighter choice.

Beautiful in My Eyes reflects far more light (LRV 76 vs 31), opening up a space where Pale Green encloses it.

Beautiful in My Eyes reflects far more light (LRV 76 vs 7), opening up a space where Pine Needle encloses it.

Beautiful in My Eyes reflects far more light (LRV 76 vs 24), opening up a space where Cement grey encloses it.

Beautiful in My Eyes reflects far more light (LRV 76 vs 57), opening up a space where Guilford Green encloses it.









