Beneath the Clouds vs Pale Cherry Blossom
Both from Benjamin Moore's palette. Beneath the Clouds reads as blue-grey, while Pale Cherry Blossom reads as pink-red — two distinct hue families, not close cousins. Pale Cherry Blossom (LRV 61) reflects noticeably more light than Beneath the Clouds (LRV 42), a difference of 20 points that becomes especially apparent in rooms with limited natural light. Beneath the Clouds runs blue while Pale Cherry Blossom is decidedly red, which means they'll respond very differently to warm vs cool light sources. With a ΔE of 18.9, the contrast is hard to miss. These aren't variations on a theme — they're two different answers to the same question. Below you'll find 1 real-room photo comparison where both colors appear side by side, plus 5 simulated room previews.
Beneath the Clouds vs Pale Cherry Blossom in Real Spaces
1 real room side by side. Seeing Beneath the Clouds and Pale Cherry Blossom in actual rooms makes the difference concrete; browse the spaces below to get a feel for how each color lives on a wall.
Dining Room
A dining room lit by a dimmed pendant or candles is one of the most forgiving environments for paint — warm light softens almost everything. Pale Cherry Blossom returns significantly more light to the room — in a smaller or darker space, that difference in perceived brightness is hard to miss.
Color Details
Beneath the Clouds vs Pale Cherry Blossom Simulated Comparison
5 simulated room previews — drag the slider on each to see Beneath the Clouds on one side and Pale Cherry Blossom on the other.
Digital color is approximate. These simulations are generated from the manufacturer's hex values and overlaid on grayscale room photos — your screen's calibration, brightness, and viewing angle all affect how they render. Before committing to either color, test physical samples in your own space under the light you actually live with.
More Beneath the Clouds comparisons
See how Beneath the Clouds stacks up against other well-photographed colors across different brands and tones.
At LRV 69 vs 42, Ammonite is decisively the brighter choice.
White Dove reflects far more light (LRV 83 vs 42), opening up a space where Beneath the Clouds encloses it.
Beneath the Clouds reflects far more light (LRV 42 vs 6), opening up a space where Iron Ore encloses it.
A 10-point LRV gap (52 vs 42) makes Purbeck Stone the marginally brighter of the two.
A 11-point LRV gap (42 vs 30) makes Beneath the Clouds the marginally brighter of the two.
Mizzle reads slightly lighter (LRV 52 vs 42), a gap that shows most in low-lit rooms.
At LRV 60 vs 42, Agreeable Gray is decisively the brighter choice.
Accessible Beige reflects far more light (LRV 58 vs 42), opening up a space where Beneath the Clouds encloses it.
Beneath the Clouds reflects far more light (LRV 42 vs 27), opening up a space where Denim Drift encloses it.
Their light reflectance is nearly identical (LRV 43 vs 42), so neither reads brighter in a room.
At LRV 42 vs 4, Beneath the Clouds is decisively the brighter choice.
Tranquil Dawn reflects far more light (LRV 55 vs 42), opening up a space where Beneath the Clouds encloses it.
Beneath the Clouds reflects far more light (LRV 42 vs 13), opening up a space where Bancha encloses it.
With LRVs of 44 and 42, the two reflect almost the same amount of light.
At LRV 84 vs 42, Pure White is decisively the brighter choice.
At LRV 42 vs 21, Beneath the Clouds is decisively the brighter choice.
Balboa Mist reflects far more light (LRV 66 vs 42), opening up a space where Beneath the Clouds encloses it.
Shoji White reflects far more light (LRV 74 vs 42), opening up a space where Beneath the Clouds encloses it.
Snowbound reflects far more light (LRV 83 vs 42), opening up a space where Beneath the Clouds encloses it.
A 9-point LRV gap (51 vs 42) makes Pigeon the marginally brighter of the two.
Beneath the Clouds reflects far more light (LRV 42 vs 12), opening up a space where Pewter Green encloses it.
Beneath the Clouds reflects far more light (LRV 42 vs 8), opening up a space where Duck Green encloses it.
Skimming Stone reflects far more light (LRV 68 vs 42), opening up a space where Beneath the Clouds encloses it.
Their light reflectance is nearly identical (LRV 42 vs 41), so neither reads brighter in a room.
Beneath the Clouds reflects far more light (LRV 42 vs 12), opening up a space where Vintage Vogue encloses it.
Saybrook Sage reads slightly lighter (LRV 45 vs 42), a gap that shows most in low-lit rooms.
A 11-point LRV gap (42 vs 31) makes Beneath the Clouds the marginally brighter of the two.