Beneath the Clouds vs Stardew
Where Beneath the Clouds belongs to Benjamin Moore's range, Stardew is a Sherwin-Williams color. Both sit in the blue-grey family, which is useful context if you're narrowing within a single hue direction. They have nearly identical light reflectance values (42 vs 43), so they'll read as similarly Medium in most lighting conditions. Beneath the Clouds runs blue while Stardew is decidedly cool, which means they'll respond very differently to warm vs cool light sources. At ΔE 1.5, these are close — the kind of difference that matters when choosing between them, but doesn't read strongly in a finished room. Below you'll find 6 real-room photo comparisons where both colors appear side by side, plus 5 simulated room previews.
Beneath the Clouds vs Stardew in Real Spaces
6 real rooms side by side. Beneath the Clouds and Stardew are close enough that the difference can be hard to judge from a chip alone — these photos show how each reads at scale, across different spaces and lighting conditions.
Living Room
In a living room, color works across both daylight and evening light — the same wall can read very differently at noon and at 8pm. The two are close enough that the choice comes down to finer qualities — undertone, texture, what the color sits next to.
Bedroom
The context that matters most in a bedroom is how a color reads under a bedside lamp at night, not under noon daylight. At this scale the difference is subtle — you'd need them side by side, as shown here, to reliably tell them apart.
Bathroom
Bathrooms are one of the few spaces where you're genuinely enclosed by the paint color, which makes the choice between these two more consequential. At this scale the difference is subtle — you'd need them side by side, as shown here, to reliably tell them apart.
Mudroom
Mudrooms are seen in passing, often under whatever light comes through the door — a context that favors colors with some depth. In photos like these you're seeing the difference at its most direct. In a finished room, the distinction is there but not dramatic.
House
Seen across an entire facade, subtle tonal differences become pronounced. What reads as nearly the same on a chip often reads as clearly different at scale. At this scale the difference is subtle — you'd need them side by side, as shown here, to reliably tell them apart.
Front Door
A front door is a focal point — small color differences read clearly at this concentrated scale. The two are close enough that the choice comes down to finer qualities — undertone, texture, what the color sits next to.
Color Details
Beneath the Clouds vs Stardew Simulated Comparison
5 simulated room previews — drag the slider on each to see Beneath the Clouds on one side and Stardew on the other.
Digital color is approximate. These simulations are generated from the manufacturer's hex values and overlaid on grayscale room photos — your screen's calibration, brightness, and viewing angle all affect how they render. Before committing to either color, test physical samples in your own space under the light you actually live with.
More Beneath the Clouds comparisons
See how Beneath the Clouds stacks up against other well-photographed colors across different brands and tones.
White Dove reflects far more light (LRV 83 vs 42), opening up a space where Beneath the Clouds encloses it.
At LRV 69 vs 42, Ammonite is decisively the brighter choice.
Beneath the Clouds reflects far more light (LRV 42 vs 6), opening up a space where Iron Ore encloses it.
A 10-point LRV gap (52 vs 42) makes Purbeck Stone the marginally brighter of the two.
A 11-point LRV gap (42 vs 30) makes Beneath the Clouds the marginally brighter of the two.
Mizzle reads slightly lighter (LRV 52 vs 42), a gap that shows most in low-lit rooms.
At LRV 60 vs 42, Agreeable Gray is decisively the brighter choice.
Accessible Beige reflects far more light (LRV 58 vs 42), opening up a space where Beneath the Clouds encloses it.
Beneath the Clouds reflects far more light (LRV 42 vs 27), opening up a space where Denim Drift encloses it.
Their light reflectance is nearly identical (LRV 43 vs 42), so neither reads brighter in a room.
At LRV 42 vs 4, Beneath the Clouds is decisively the brighter choice.
Tranquil Dawn reflects far more light (LRV 55 vs 42), opening up a space where Beneath the Clouds encloses it.
Beneath the Clouds reflects far more light (LRV 42 vs 13), opening up a space where Bancha encloses it.
With LRVs of 44 and 42, the two reflect almost the same amount of light.
At LRV 84 vs 42, Pure White is decisively the brighter choice.
At LRV 42 vs 21, Beneath the Clouds is decisively the brighter choice.
Balboa Mist reflects far more light (LRV 66 vs 42), opening up a space where Beneath the Clouds encloses it.
Shoji White reflects far more light (LRV 74 vs 42), opening up a space where Beneath the Clouds encloses it.
Snowbound reflects far more light (LRV 83 vs 42), opening up a space where Beneath the Clouds encloses it.
Beneath the Clouds reflects far more light (LRV 42 vs 12), opening up a space where Pewter Green encloses it.
Skimming Stone reflects far more light (LRV 68 vs 42), opening up a space where Beneath the Clouds encloses it.
Their light reflectance is nearly identical (LRV 42 vs 41), so neither reads brighter in a room.
At LRV 68 vs 42, Calamine is decisively the brighter choice.
At LRV 42 vs 25, Beneath the Clouds is decisively the brighter choice.
Beneath the Clouds reflects far more light (LRV 42 vs 12), opening up a space where Vintage Vogue encloses it.
Saybrook Sage reads slightly lighter (LRV 45 vs 42), a gap that shows most in low-lit rooms.
A 11-point LRV gap (42 vs 31) makes Beneath the Clouds the marginally brighter of the two.
At LRV 42 vs 7, Beneath the Clouds is decisively the brighter choice.
At LRV 42 vs 24, Beneath the Clouds is decisively the brighter choice.
At LRV 57 vs 42, Guilford Green is decisively the brighter choice.