Black Ink vs Upper West Side
Both from Benjamin Moore's palette. Black Ink reads as blue-grey, while Upper West Side reads as greige-grey — two distinct hue families, not close cousins. Upper West Side (LRV 39) reflects noticeably more light than Black Ink (LRV 6), a difference of 33 points that becomes especially apparent in rooms with limited natural light. Black Ink runs blue while Upper West Side is decidedly red, which means they'll respond very differently to warm vs cool light sources. With a ΔE of 45.6, the contrast is hard to miss. These aren't variations on a theme — they're two different answers to the same question. Below, 5 simulated room previews show how each color reads at scale — real-room photos will be added as they become available.
Color Details
Black Ink vs Upper West Side Simulated Comparison
5 simulated room previews — drag the slider on each to see Black Ink on one side and Upper West Side on the other.
Digital color is approximate. These simulations are generated from the manufacturer's hex values and overlaid on grayscale room photos — your screen's calibration, brightness, and viewing angle all affect how they render. Before committing to either color, test physical samples in your own space under the light you actually live with.
More Black Ink comparisons
See how Black Ink stacks up against other well-photographed colors across different brands and tones.
White Dove reflects far more light (LRV 83 vs 6), opening up a space where Black Ink encloses it.
At LRV 52 vs 6, Purbeck Stone is decisively the brighter choice.
At LRV 30 vs 6, Evergreen Fog is decisively the brighter choice.
At LRV 60 vs 6, Agreeable Gray is decisively the brighter choice.
Accessible Beige reflects far more light (LRV 58 vs 6), opening up a space where Black Ink encloses it.
Denim Drift reflects far more light (LRV 27 vs 6), opening up a space where Black Ink encloses it.
At LRV 43 vs 6, French Gray is decisively the brighter choice.
Tranquil Dawn reflects far more light (LRV 55 vs 6), opening up a space where Black Ink encloses it.
Hardwick White reflects far more light (LRV 44 vs 6), opening up a space where Black Ink encloses it.
At LRV 84 vs 6, Pure White is decisively the brighter choice.
Balboa Mist reflects far more light (LRV 66 vs 6), opening up a space where Black Ink encloses it.
Shoji White reflects far more light (LRV 74 vs 6), opening up a space where Black Ink encloses it.
Pewter Green reads slightly lighter (LRV 12 vs 6), a gap that shows most in low-lit rooms.
With LRVs of 8 and 6, the two reflect almost the same amount of light.
Skimming Stone reflects far more light (LRV 68 vs 6), opening up a space where Black Ink encloses it.
Vintage Vogue reads slightly lighter (LRV 12 vs 6), a gap that shows most in low-lit rooms.
Saybrook Sage reflects far more light (LRV 45 vs 6), opening up a space where Black Ink encloses it.
At LRV 31 vs 6, Pale Green is decisively the brighter choice.