Brewster Gray vs Stonybrook
Both from Benjamin Moore's palette. Hue-wise, Brewster Gray belongs to the blue-grey family and Stonybrook to the grey family. They have nearly identical light reflectance values (30 vs 29), so they'll read as similarly Medium in most lighting conditions. Brewster Gray runs blue while Stonybrook is decidedly green, which means they'll respond very differently to warm vs cool light sources. At ΔE 2.6, these are close — the kind of difference that matters when choosing between them, but doesn't read strongly in a finished room. Below you'll find 3 real-room photo comparisons where both colors appear side by side, plus 5 simulated room previews.
Brewster Gray vs Stonybrook in Real Spaces
3 real rooms side by side. Brewster Gray and Stonybrook are close enough that the difference can be hard to judge from a chip alone — these photos show how each reads at scale, across different spaces and lighting conditions.
Living Room
In a living room, color works across both daylight and evening light — the same wall can read very differently at noon and at 8pm. The two are close enough that the choice comes down to finer qualities — undertone, texture, what the color sits next to.
Bathroom
Bathrooms are one of the few spaces where you're genuinely enclosed by the paint color, which makes the choice between these two more consequential. At this scale the difference is subtle — you'd need them side by side, as shown here, to reliably tell them apart.
House
Seen across an entire facade, subtle tonal differences become pronounced. What reads as nearly the same on a chip often reads as clearly different at scale. At this scale the difference is subtle — you'd need them side by side, as shown here, to reliably tell them apart.
Color Details
Brewster Gray vs Stonybrook Simulated Comparison
5 simulated room previews — drag the slider on each to see Brewster Gray on one side and Stonybrook on the other.
Digital color is approximate. These simulations are generated from the manufacturer's hex values and overlaid on grayscale room photos — your screen's calibration, brightness, and viewing angle all affect how they render. Before committing to either color, test physical samples in your own space under the light you actually live with.
More Brewster Gray comparisons
See how Brewster Gray stacks up against other well-photographed colors across different brands and tones.
White Dove reflects far more light (LRV 83 vs 30), opening up a space where Brewster Gray encloses it.
At LRV 69 vs 30, Ammonite is decisively the brighter choice.
Brewster Gray reflects far more light (LRV 30 vs 6), opening up a space where Iron Ore encloses it.
At LRV 52 vs 30, Purbeck Stone is decisively the brighter choice.
Their light reflectance is nearly identical (LRV 30 vs 30), so neither reads brighter in a room.
Mizzle reflects far more light (LRV 52 vs 30), opening up a space where Brewster Gray encloses it.
At LRV 60 vs 30, Agreeable Gray is decisively the brighter choice.
Accessible Beige reflects far more light (LRV 58 vs 30), opening up a space where Brewster Gray encloses it.
With LRVs of 30 and 27, the two reflect almost the same amount of light.
At LRV 43 vs 30, French Gray is decisively the brighter choice.
At LRV 30 vs 4, Brewster Gray is decisively the brighter choice.
Tranquil Dawn reflects far more light (LRV 55 vs 30), opening up a space where Brewster Gray encloses it.
Brewster Gray reflects far more light (LRV 30 vs 13), opening up a space where Bancha encloses it.
Hardwick White reflects far more light (LRV 44 vs 30), opening up a space where Brewster Gray encloses it.
At LRV 84 vs 30, Pure White is decisively the brighter choice.
A 9-point LRV gap (30 vs 21) makes Brewster Gray the marginally brighter of the two.
Balboa Mist reflects far more light (LRV 66 vs 30), opening up a space where Brewster Gray encloses it.
Shoji White reflects far more light (LRV 74 vs 30), opening up a space where Brewster Gray encloses it.
Snowbound reflects far more light (LRV 83 vs 30), opening up a space where Brewster Gray encloses it.
Brewster Gray reflects far more light (LRV 30 vs 12), opening up a space where Pewter Green encloses it.
Skimming Stone reflects far more light (LRV 68 vs 30), opening up a space where Brewster Gray encloses it.
A 11-point LRV gap (41 vs 30) makes Dix Blue the marginally brighter of the two.
At LRV 68 vs 30, Calamine is decisively the brighter choice.
A 5-point LRV gap (30 vs 25) makes Brewster Gray the marginally brighter of the two.
Brewster Gray reflects far more light (LRV 30 vs 12), opening up a space where Vintage Vogue encloses it.
Saybrook Sage reflects far more light (LRV 45 vs 30), opening up a space where Brewster Gray encloses it.
Their light reflectance is nearly identical (LRV 31 vs 30), so neither reads brighter in a room.
At LRV 30 vs 7, Brewster Gray is decisively the brighter choice.
A 6-point LRV gap (30 vs 24) makes Brewster Gray the marginally brighter of the two.
At LRV 57 vs 30, Guilford Green is decisively the brighter choice.