Butterscotch vs Persian Melon
Butterscotch and Persian Melon come from the same Benjamin Moore collection. These are both beiges, so the question isn't which hue to choose — it's where within beige to land. The 17-point LRV gap — 51 for Persian Melon vs 34 for Butterscotch — means Persian Melon will open up a space more effectively. Both share a red character, which means they'll respond to light and surrounding materials in similar ways. A ΔE of 21.3 puts these firmly in different territory — two distinct design choices rather than close alternatives. Below, 5 simulated room previews show how each color reads at scale — real-room photos will be added as they become available.
Color Details
Butterscotch vs Persian Melon Simulated Comparison
5 simulated room previews — drag the slider on each to see Butterscotch on one side and Persian Melon on the other.
Digital color is approximate. These simulations are generated from the manufacturer's hex values and overlaid on grayscale room photos — your screen's calibration, brightness, and viewing angle all affect how they render. Before committing to either color, test physical samples in your own space under the light you actually live with.
More Butterscotch comparisons
See how Butterscotch stacks up against other well-photographed colors across different brands and tones.
At LRV 69 vs 34, Ammonite is decisively the brighter choice.
White Dove reflects far more light (LRV 83 vs 34), opening up a space where Butterscotch encloses it.
Butterscotch reflects far more light (LRV 34 vs 6), opening up a space where Iron Ore encloses it.
At LRV 52 vs 34, Purbeck Stone is decisively the brighter choice.
A 4-point LRV gap (34 vs 30) makes Butterscotch the marginally brighter of the two.
Mizzle reflects far more light (LRV 52 vs 34), opening up a space where Butterscotch encloses it.
At LRV 60 vs 34, Agreeable Gray is decisively the brighter choice.
Accessible Beige reflects far more light (LRV 58 vs 34), opening up a space where Butterscotch encloses it.
Butterscotch reads slightly lighter (LRV 34 vs 27), a gap that shows most in low-lit rooms.
A 9-point LRV gap (43 vs 34) makes French Gray the marginally brighter of the two.
At LRV 34 vs 4, Butterscotch is decisively the brighter choice.
Tranquil Dawn reflects far more light (LRV 55 vs 34), opening up a space where Butterscotch encloses it.
Butterscotch reflects far more light (LRV 34 vs 13), opening up a space where Bancha encloses it.
Hardwick White reads slightly lighter (LRV 44 vs 34), a gap that shows most in low-lit rooms.
At LRV 84 vs 34, Pure White is decisively the brighter choice.
At LRV 34 vs 21, Butterscotch is decisively the brighter choice.
Balboa Mist reflects far more light (LRV 66 vs 34), opening up a space where Butterscotch encloses it.
Shoji White reflects far more light (LRV 74 vs 34), opening up a space where Butterscotch encloses it.
Snowbound reflects far more light (LRV 83 vs 34), opening up a space where Butterscotch encloses it.
At LRV 51 vs 34, Pigeon is decisively the brighter choice.
Butterscotch reflects far more light (LRV 34 vs 12), opening up a space where Pewter Green encloses it.
Butterscotch reflects far more light (LRV 34 vs 8), opening up a space where Duck Green encloses it.
Skimming Stone reflects far more light (LRV 68 vs 34), opening up a space where Butterscotch encloses it.
A 7-point LRV gap (41 vs 34) makes Dix Blue the marginally brighter of the two.
Butterscotch reflects far more light (LRV 34 vs 12), opening up a space where Vintage Vogue encloses it.
Saybrook Sage reads slightly lighter (LRV 45 vs 34), a gap that shows most in low-lit rooms.
A 3-point LRV gap (34 vs 31) makes Butterscotch the marginally brighter of the two.