Cherry Wine vs Hardwick White
Where Cherry Wine belongs to Benjamin Moore's range, Hardwick White is a Farrow & Ball color. Hue-wise, Cherry Wine belongs to the pink-red family and Hardwick White to the greige-grey family. Hardwick White (LRV 44) reflects noticeably more light than Cherry Wine (LRV 16), a difference of 28 points that becomes especially apparent in rooms with limited natural light. Cherry Wine runs red while Hardwick White is decidedly warm, which means they'll respond very differently to warm vs cool light sources. With a ΔE of 51.2, the contrast is hard to miss. These aren't variations on a theme — they're two different answers to the same question. Below, 5 simulated room previews show how each color reads at scale — real-room photos will be added as they become available.
Color Details
Cherry Wine vs Hardwick White Simulated Comparison
5 simulated room previews — drag the slider on each to see Cherry Wine on one side and Hardwick White on the other.
Digital color is approximate. These simulations are generated from the manufacturer's hex values and overlaid on grayscale room photos — your screen's calibration, brightness, and viewing angle all affect how they render. Before committing to either color, test physical samples in your own space under the light you actually live with.
More Cherry Wine comparisons
See how Cherry Wine stacks up against other well-photographed colors across different brands and tones.
White Dove reflects far more light (LRV 83 vs 16), opening up a space where Cherry Wine encloses it.
At LRV 69 vs 16, Ammonite is decisively the brighter choice.
Cherry Wine reads slightly lighter (LRV 16 vs 6), a gap that shows most in low-lit rooms.
At LRV 52 vs 16, Purbeck Stone is decisively the brighter choice.
At LRV 30 vs 16, Evergreen Fog is decisively the brighter choice.
Mizzle reflects far more light (LRV 52 vs 16), opening up a space where Cherry Wine encloses it.
At LRV 60 vs 16, Agreeable Gray is decisively the brighter choice.
Accessible Beige reflects far more light (LRV 58 vs 16), opening up a space where Cherry Wine encloses it.
Denim Drift reads slightly lighter (LRV 27 vs 16), a gap that shows most in low-lit rooms.
At LRV 43 vs 16, French Gray is decisively the brighter choice.
A 11-point LRV gap (16 vs 4) makes Cherry Wine the marginally brighter of the two.
Tranquil Dawn reflects far more light (LRV 55 vs 16), opening up a space where Cherry Wine encloses it.
With LRVs of 16 and 13, the two reflect almost the same amount of light.
At LRV 84 vs 16, Pure White is decisively the brighter choice.
A 6-point LRV gap (21 vs 16) makes Artichoke the marginally brighter of the two.
Balboa Mist reflects far more light (LRV 66 vs 16), opening up a space where Cherry Wine encloses it.
Shoji White reflects far more light (LRV 74 vs 16), opening up a space where Cherry Wine encloses it.
Snowbound reflects far more light (LRV 83 vs 16), opening up a space where Cherry Wine encloses it.
Cherry Wine reads slightly lighter (LRV 16 vs 12), a gap that shows most in low-lit rooms.
Skimming Stone reflects far more light (LRV 68 vs 16), opening up a space where Cherry Wine encloses it.
At LRV 41 vs 16, Dix Blue is decisively the brighter choice.
At LRV 68 vs 16, Calamine is decisively the brighter choice.
A 9-point LRV gap (25 vs 16) makes Treron the marginally brighter of the two.
Cherry Wine reads slightly lighter (LRV 16 vs 12), a gap that shows most in low-lit rooms.
Saybrook Sage reflects far more light (LRV 45 vs 16), opening up a space where Cherry Wine encloses it.
At LRV 31 vs 16, Pale Green is decisively the brighter choice.
A 9-point LRV gap (16 vs 7) makes Cherry Wine the marginally brighter of the two.
A 8-point LRV gap (24 vs 16) makes Cement grey the marginally brighter of the two.
At LRV 57 vs 16, Guilford Green is decisively the brighter choice.
At LRV 72 vs 16, Just Walnut is decisively the brighter choice.