Chopped Dill vs Shady Lane
Both from Benjamin Moore's palette. These are both beige-greiges, so the question isn't which hue to choose — it's where within beige-greige to land. Chopped Dill (LRV 21) reflects noticeably more light than Shady Lane (LRV 18), a difference of 3 points that becomes especially apparent in rooms with limited natural light. Both lean yellow, so they'll behave similarly in mixed or changing light conditions. The ΔE 4.2 gap is real but not dramatic — close enough to use together, distinct enough to matter as a choice. Below, 5 simulated room previews show how each color reads at scale — real-room photos will be added as they become available.
Color Details
Chopped Dill vs Shady Lane Simulated Comparison
5 simulated room previews — drag the slider on each to see Chopped Dill on one side and Shady Lane on the other.
Digital color is approximate. These simulations are generated from the manufacturer's hex values and overlaid on grayscale room photos — your screen's calibration, brightness, and viewing angle all affect how they render. Before committing to either color, test physical samples in your own space under the light you actually live with.
More Chopped Dill comparisons
See how Chopped Dill stacks up against other well-photographed colors across different brands and tones.
At LRV 83 vs 21, White Dove is decisively the brighter choice.
Ammonite reflects far more light (LRV 69 vs 21), opening up a space where Chopped Dill encloses it.
At LRV 21 vs 6, Chopped Dill is decisively the brighter choice.
Purbeck Stone reflects far more light (LRV 52 vs 21), opening up a space where Chopped Dill encloses it.
Evergreen Fog reads slightly lighter (LRV 30 vs 21), a gap that shows most in low-lit rooms.
At LRV 52 vs 21, Mizzle is decisively the brighter choice.
Agreeable Gray reflects far more light (LRV 60 vs 21), opening up a space where Chopped Dill encloses it.
At LRV 58 vs 21, Accessible Beige is decisively the brighter choice.
A 6-point LRV gap (27 vs 21) makes Denim Drift the marginally brighter of the two.
French Gray reflects far more light (LRV 43 vs 21), opening up a space where Chopped Dill encloses it.
Chopped Dill reflects far more light (LRV 21 vs 4), opening up a space where Naval encloses it.
At LRV 55 vs 21, Tranquil Dawn is decisively the brighter choice.
A 8-point LRV gap (21 vs 13) makes Chopped Dill the marginally brighter of the two.
At LRV 44 vs 21, Hardwick White is decisively the brighter choice.
Pure White reflects far more light (LRV 84 vs 21), opening up a space where Chopped Dill encloses it.
With LRVs of 21 and 21, the two reflect almost the same amount of light.
At LRV 66 vs 21, Balboa Mist is decisively the brighter choice.
At LRV 74 vs 21, Shoji White is decisively the brighter choice.
At LRV 83 vs 21, Snowbound is decisively the brighter choice.
A 9-point LRV gap (21 vs 12) makes Chopped Dill the marginally brighter of the two.
At LRV 68 vs 21, Skimming Stone is decisively the brighter choice.
Dix Blue reflects far more light (LRV 41 vs 21), opening up a space where Chopped Dill encloses it.
Calamine reflects far more light (LRV 68 vs 21), opening up a space where Chopped Dill encloses it.
Treron reads slightly lighter (LRV 25 vs 21), a gap that shows most in low-lit rooms.
A 9-point LRV gap (21 vs 12) makes Chopped Dill the marginally brighter of the two.
At LRV 45 vs 21, Saybrook Sage is decisively the brighter choice.
Pale Green reads slightly lighter (LRV 31 vs 21), a gap that shows most in low-lit rooms.
Chopped Dill reflects far more light (LRV 21 vs 7), opening up a space where Pine Needle encloses it.
Cement grey reads slightly lighter (LRV 24 vs 21), a gap that shows most in low-lit rooms.
Guilford Green reflects far more light (LRV 57 vs 21), opening up a space where Chopped Dill encloses it.