Clay vs Slaked Lime Deep

ClayBenjamin MoorevsSlaked Lime DeepLittle GreeneΔE 21.4Distinct difference

Clay (Benjamin Moore) and Slaked Lime Deep (Little Greene) come from different manufacturers. Clay reads as beige-greige, while Slaked Lime Deep reads as beige — two distinct hue families, not close cousins. Clay has an LRV of 28. Both share a red character, which means they'll respond to light and surrounding materials in similar ways. A ΔE of 21.4 puts these firmly in different territory — two distinct design choices rather than close alternatives. Below, 5 simulated room previews show how each color reads at scale — real-room photos will be added as they become available.

Color Details

Clay
Benjamin Moore · 1034
LRV27.9
BrandBenjamin Moore
Number1034
UndertoneRed
TemperatureWarm
BrightnessMedium
Slaked Lime Deep
Little Greene · 150
LRV
BrandLittle Greene
Number150
UndertoneRed
Temperature
Brightness

Clay vs Slaked Lime Deep Simulated Comparison

5 simulated room previews — drag the slider on each to see Clay on one side and Slaked Lime Deep on the other.

Bathroom
Bedroom
House
Kitchen Cabinets
Living Room

Digital color is approximate. These simulations are generated from the manufacturer's hex values and overlaid on grayscale room photos — your screen's calibration, brightness, and viewing angle all affect how they render. Before committing to either color, test physical samples in your own space under the light you actually live with.

More Clay comparisons

See how Clay stacks up against other well-photographed colors across different brands and tones.

Ammonite
Clay
Ammonite
Benjamin Moore
Clay
1034 · LRV 28
Farrow & Ball
Ammonite
LRV 69

At LRV 69 vs 28, Ammonite is decisively the brighter choice.

White Dove
Clay
White Dove
Benjamin Moore
Clay
1034 · LRV 28

White Dove reflects far more light (LRV 83 vs 28), opening up a space where Clay encloses it.

Iron Ore
Clay
Iron Ore
Benjamin Moore
Clay
1034 · LRV 28

Clay reflects far more light (LRV 28 vs 6), opening up a space where Iron Ore encloses it.

Purbeck Stone
Clay
Purbeck Stone
Benjamin Moore
Clay
1034 · LRV 28

At LRV 52 vs 28, Purbeck Stone is decisively the brighter choice.

Evergreen Fog
Clay
Evergreen Fog
Benjamin Moore
Clay
1034 · LRV 28

Their light reflectance is nearly identical (LRV 30 vs 28), so neither reads brighter in a room.

Mizzle
Clay
Mizzle
Benjamin Moore
Clay
1034 · LRV 28
Farrow & Ball
Mizzle
LRV 52

Mizzle reflects far more light (LRV 52 vs 28), opening up a space where Clay encloses it.

Agreeable Gray
Clay
Agreeable Gray
Benjamin Moore
Clay
1034 · LRV 28

At LRV 60 vs 28, Agreeable Gray is decisively the brighter choice.

Accessible Beige
Clay
Accessible Beige
Benjamin Moore
Clay
1034 · LRV 28

Accessible Beige reflects far more light (LRV 58 vs 28), opening up a space where Clay encloses it.

Denim Drift
Clay
Denim Drift
Benjamin Moore
Clay
1034 · LRV 28

With LRVs of 28 and 27, the two reflect almost the same amount of light.

French Gray
Clay
French Gray
Benjamin Moore
Clay
1034 · LRV 28

At LRV 43 vs 28, French Gray is decisively the brighter choice.

Naval
Clay
Naval
Benjamin Moore
Clay
1034 · LRV 28
Sherwin-Williams
Naval
LRV 4

At LRV 28 vs 4, Clay is decisively the brighter choice.

Tranquil Dawn
Clay
Tranquil Dawn
Benjamin Moore
Clay
1034 · LRV 28

Tranquil Dawn reflects far more light (LRV 55 vs 28), opening up a space where Clay encloses it.

Bancha
Clay
Bancha
Benjamin Moore
Clay
1034 · LRV 28
Farrow & Ball
Bancha
LRV 13

Clay reflects far more light (LRV 28 vs 13), opening up a space where Bancha encloses it.

Hardwick White
Clay
Hardwick White
Benjamin Moore
Clay
1034 · LRV 28

Hardwick White reflects far more light (LRV 44 vs 28), opening up a space where Clay encloses it.

Pure White
Clay
Pure White
Benjamin Moore
Clay
1034 · LRV 28

At LRV 84 vs 28, Pure White is decisively the brighter choice.

Artichoke
Clay
Artichoke
Benjamin Moore
Clay
1034 · LRV 28
Sherwin-Williams
Artichoke
LRV 21

A 6-point LRV gap (28 vs 21) makes Clay the marginally brighter of the two.

Balboa Mist
Balboa Mist
Clay
Benjamin Moore
Clay
1034 · LRV 28

Balboa Mist reflects far more light (LRV 66 vs 28), opening up a space where Clay encloses it.

Shoji White
Clay
Shoji White
Benjamin Moore
Clay
1034 · LRV 28

Shoji White reflects far more light (LRV 74 vs 28), opening up a space where Clay encloses it.

Snowbound
Clay
Snowbound
Benjamin Moore
Clay
1034 · LRV 28
Sherwin-Williams
Snowbound
LRV 83

Snowbound reflects far more light (LRV 83 vs 28), opening up a space where Clay encloses it.

Pigeon
Clay
Pigeon
Benjamin Moore
Clay
1034 · LRV 28
Farrow & Ball
Pigeon
LRV 51

At LRV 51 vs 28, Pigeon is decisively the brighter choice.

Pewter Green
Clay
Pewter Green
Benjamin Moore
Clay
1034 · LRV 28

Clay reflects far more light (LRV 28 vs 12), opening up a space where Pewter Green encloses it.

Duck Green
Clay
Duck Green
Benjamin Moore
Clay
1034 · LRV 28

Clay reflects far more light (LRV 28 vs 8), opening up a space where Duck Green encloses it.

Skimming Stone
Clay
Skimming Stone
Benjamin Moore
Clay
1034 · LRV 28

Skimming Stone reflects far more light (LRV 68 vs 28), opening up a space where Clay encloses it.

Dix Blue
Clay
Dix Blue
Benjamin Moore
Clay
1034 · LRV 28
Farrow & Ball
Dix Blue
LRV 41

At LRV 41 vs 28, Dix Blue is decisively the brighter choice.

Hicks' Blue
Clay
Hicks' Blue
Benjamin Moore
Clay
1034 · LRV 28

Clay vs Hicks' Blue

Vintage Vogue
Clay
Vintage Vogue
Benjamin Moore
Clay
1034 · LRV 28

Clay reflects far more light (LRV 28 vs 12), opening up a space where Vintage Vogue encloses it.

Livid
Clay
Livid
Benjamin Moore
Clay
1034 · LRV 28

Clay vs Livid

Saybrook Sage
Clay
Saybrook Sage
Benjamin Moore
Clay
1034 · LRV 28

Saybrook Sage reflects far more light (LRV 45 vs 28), opening up a space where Clay encloses it.

Pale Green
Clay
Pale Green
Benjamin Moore
Clay
1034 · LRV 28
RAL ClassicClassic
Pale Green
LRV 31

A 3-point LRV gap (31 vs 28) makes Pale Green the marginally brighter of the two.

Pine Needle
Clay
Pine Needle
Benjamin Moore
Clay
1034 · LRV 28

At LRV 28 vs 7, Clay is decisively the brighter choice.