Cloud Nine vs Denim Drift
Cloud Nine (Benjamin Moore) and Denim Drift (Dulux) come from different manufacturers. Cloud Nine reads as yellow, while Denim Drift reads as blue-grey — two distinct hue families, not close cousins. The 57-point LRV gap — 84 for Cloud Nine vs 27 for Denim Drift — means Cloud Nine will open up a space more effectively. Where Cloud Nine leans warm, Denim Drift reads cool — a distinction that shifts noticeably depending on the light source and surrounding finishes. A ΔE of 38.3 puts these firmly in different territory — two distinct design choices rather than close alternatives. Below, 5 simulated room previews show how each color reads at scale — real-room photos will be added as they become available.
Color Details
Cloud Nine vs Denim Drift Simulated Comparison
5 simulated room previews — drag the slider on each to see Cloud Nine on one side and Denim Drift on the other.
Digital color is approximate. These simulations are generated from the manufacturer's hex values and overlaid on grayscale room photos — your screen's calibration, brightness, and viewing angle all affect how they render. Before committing to either color, test physical samples in your own space under the light you actually live with.
More Cloud Nine comparisons
See how Cloud Nine stacks up against other well-photographed colors across different brands and tones.
Their light reflectance is nearly identical (LRV 84 vs 83), so neither reads brighter in a room.
Cloud Nine reflects far more light (LRV 84 vs 69), opening up a space where Ammonite encloses it.
At LRV 84 vs 6, Cloud Nine is decisively the brighter choice.
Cloud Nine reflects far more light (LRV 84 vs 52), opening up a space where Purbeck Stone encloses it.
Cloud Nine reflects far more light (LRV 84 vs 30), opening up a space where Evergreen Fog encloses it.
At LRV 84 vs 52, Cloud Nine is decisively the brighter choice.
Cloud Nine reflects far more light (LRV 84 vs 60), opening up a space where Agreeable Gray encloses it.
At LRV 84 vs 58, Cloud Nine is decisively the brighter choice.
Cloud Nine reflects far more light (LRV 84 vs 43), opening up a space where French Gray encloses it.
Cloud Nine reflects far more light (LRV 84 vs 4), opening up a space where Naval encloses it.
At LRV 84 vs 55, Cloud Nine is decisively the brighter choice.
At LRV 84 vs 13, Cloud Nine is decisively the brighter choice.
At LRV 84 vs 44, Cloud Nine is decisively the brighter choice.
With LRVs of 84 and 84, the two reflect almost the same amount of light.
Cloud Nine reflects far more light (LRV 84 vs 21), opening up a space where Artichoke encloses it.
At LRV 84 vs 66, Cloud Nine is decisively the brighter choice.
A 9-point LRV gap (84 vs 74) makes Cloud Nine the marginally brighter of the two.
Their light reflectance is nearly identical (LRV 84 vs 83), so neither reads brighter in a room.
At LRV 84 vs 12, Cloud Nine is decisively the brighter choice.
At LRV 84 vs 68, Cloud Nine is decisively the brighter choice.
Cloud Nine reflects far more light (LRV 84 vs 41), opening up a space where Dix Blue encloses it.
Cloud Nine reflects far more light (LRV 84 vs 68), opening up a space where Calamine encloses it.
Cloud Nine reflects far more light (LRV 84 vs 25), opening up a space where Treron encloses it.
At LRV 84 vs 12, Cloud Nine is decisively the brighter choice.
At LRV 84 vs 45, Cloud Nine is decisively the brighter choice.
Cloud Nine reflects far more light (LRV 84 vs 31), opening up a space where Pale Green encloses it.
Cloud Nine reflects far more light (LRV 84 vs 7), opening up a space where Pine Needle encloses it.
Cloud Nine reflects far more light (LRV 84 vs 24), opening up a space where Cement grey encloses it.
Cloud Nine reflects far more light (LRV 84 vs 57), opening up a space where Guilford Green encloses it.
Cloud Nine reads slightly lighter (LRV 84 vs 72), a gap that shows most in low-lit rooms.