Cromwell Gray vs Powell Buff
Both from Benjamin Moore's palette. Hue-wise, Cromwell Gray belongs to the greige-grey family and Powell Buff to the beige family. Powell Buff (LRV 59) reflects noticeably more light than Cromwell Gray (LRV 20), a difference of 40 points that becomes especially apparent in rooms with limited natural light. Both lean red, so they'll behave similarly in mixed or changing light conditions. With a ΔE of 34.0, the contrast is hard to miss. These aren't variations on a theme — they're two different answers to the same question. Below, 5 simulated room previews show how each color reads at scale — real-room photos will be added as they become available.
Color Details
Cromwell Gray vs Powell Buff Simulated Comparison
5 simulated room previews — drag the slider on each to see Cromwell Gray on one side and Powell Buff on the other.
Digital color is approximate. These simulations are generated from the manufacturer's hex values and overlaid on grayscale room photos — your screen's calibration, brightness, and viewing angle all affect how they render. Before committing to either color, test physical samples in your own space under the light you actually live with.
More Cromwell Gray comparisons
See how Cromwell Gray stacks up against other well-photographed colors across different brands and tones.
White Dove reflects far more light (LRV 83 vs 20), opening up a space where Cromwell Gray encloses it.
At LRV 69 vs 20, Ammonite is decisively the brighter choice.
Cromwell Gray reflects far more light (LRV 20 vs 6), opening up a space where Iron Ore encloses it.
At LRV 52 vs 20, Purbeck Stone is decisively the brighter choice.
A 11-point LRV gap (30 vs 20) makes Evergreen Fog the marginally brighter of the two.
Mizzle reflects far more light (LRV 52 vs 20), opening up a space where Cromwell Gray encloses it.
At LRV 60 vs 20, Agreeable Gray is decisively the brighter choice.
Accessible Beige reflects far more light (LRV 58 vs 20), opening up a space where Cromwell Gray encloses it.
Denim Drift reads slightly lighter (LRV 27 vs 20), a gap that shows most in low-lit rooms.
At LRV 43 vs 20, French Gray is decisively the brighter choice.
At LRV 20 vs 4, Cromwell Gray is decisively the brighter choice.
Tranquil Dawn reflects far more light (LRV 55 vs 20), opening up a space where Cromwell Gray encloses it.
Cromwell Gray reads slightly lighter (LRV 20 vs 13), a gap that shows most in low-lit rooms.
Hardwick White reflects far more light (LRV 44 vs 20), opening up a space where Cromwell Gray encloses it.
At LRV 84 vs 20, Pure White is decisively the brighter choice.
Their light reflectance is nearly identical (LRV 21 vs 20), so neither reads brighter in a room.
Balboa Mist reflects far more light (LRV 66 vs 20), opening up a space where Cromwell Gray encloses it.
Shoji White reflects far more light (LRV 74 vs 20), opening up a space where Cromwell Gray encloses it.
Snowbound reflects far more light (LRV 83 vs 20), opening up a space where Cromwell Gray encloses it.
Cromwell Gray reads slightly lighter (LRV 20 vs 12), a gap that shows most in low-lit rooms.
Skimming Stone reflects far more light (LRV 68 vs 20), opening up a space where Cromwell Gray encloses it.
At LRV 41 vs 20, Dix Blue is decisively the brighter choice.
At LRV 68 vs 20, Calamine is decisively the brighter choice.
A 5-point LRV gap (25 vs 20) makes Treron the marginally brighter of the two.
Cromwell Gray reads slightly lighter (LRV 20 vs 12), a gap that shows most in low-lit rooms.
Saybrook Sage reflects far more light (LRV 45 vs 20), opening up a space where Cromwell Gray encloses it.
A 12-point LRV gap (31 vs 20) makes Pale Green the marginally brighter of the two.
At LRV 20 vs 7, Cromwell Gray is decisively the brighter choice.
A 5-point LRV gap (24 vs 20) makes Cement grey the marginally brighter of the two.
At LRV 57 vs 20, Guilford Green is decisively the brighter choice.