Distant Gray vs Denim Drift

Distant GrayBenjamin MoorevsDenim DriftDuluxΔE 39.3Very different colors

Distant Gray is a Benjamin Moore color while Denim Drift comes from Dulux. Hue-wise, Distant Gray belongs to the green-grey family and Denim Drift to the blue-grey family. At LRV 88 vs 27, Distant Gray will read as the brighter of the two — a 61-point gap that matters most in north-facing or low-light rooms. The tonal difference — Distant Gray's green character against Denim Drift's cool — becomes most visible against white trim or in morning light. At ΔE 39.3, these are genuinely distinct colors — a strong contrast if used together, or a meaningful choice between two different directions. Below you'll find 1 real-room photo comparison where both colors appear side by side, plus 5 simulated room previews.

Distant Gray vs Denim Drift in Real Spaces

1 real room side by side. Seeing Distant Gray and Denim Drift in actual rooms makes the difference concrete; browse the spaces below to get a feel for how each color lives on a wall.

Bedroom

Bedroom walls are often seen under warm artificial light, a context that shifts both colors from how they look on a chip. The LRV gap is large enough that Distant Gray will make the room feel meaningfully brighter than Denim Drift would.

Distant GrayDistant Gray Bedroom

@heartandhome.ypa

Denim DriftDulux Denim Drift bedroom color review

@the_interior_lens

Color Details

Distant Gray
Benjamin Moore · OC-68
Hex#F2F4F1
LRV88.1
BrandBenjamin Moore
NumberOC-68
UndertoneGreen
TemperatureNeutral
BrightnessLight
Denim Drift
Dulux · 87BG 27/077
Hex#7c8d95
LRV27.0
BrandDulux
Number87BG 27/077
Undertone
TemperatureCool
BrightnessMedium

Distant Gray vs Denim Drift Simulated Comparison

5 simulated room previews — drag the slider on each to see Distant Gray on one side and Denim Drift on the other.

Bathroom
Bedroom
House
Kitchen Cabinets
Living Room

Digital color is approximate. These simulations are generated from the manufacturer's hex values and overlaid on grayscale room photos — your screen's calibration, brightness, and viewing angle all affect how they render. Before committing to either color, test physical samples in your own space under the light you actually live with.

More Distant Gray comparisons

See how Distant Gray stacks up against other well-photographed colors across different brands and tones.

Distant Gray
White Dove
Distant Gray
White Dove
Benjamin Moore
Distant Gray
OC-68 · LRV 88

A 5-point LRV gap (88 vs 83) makes Distant Gray the marginally brighter of the two.

Distant Gray
Ammonite
Distant Gray
Ammonite
Benjamin Moore
Distant Gray
OC-68 · LRV 88
Farrow & Ball
Ammonite
LRV 69

Distant Gray reflects far more light (LRV 88 vs 69), opening up a space where Ammonite encloses it.

Distant Gray
Iron Ore
Distant Gray
Iron Ore
Benjamin Moore
Distant Gray
OC-68 · LRV 88

At LRV 88 vs 6, Distant Gray is decisively the brighter choice.

Distant Gray
Purbeck Stone
Distant Gray
Purbeck Stone
Benjamin Moore
Distant Gray
OC-68 · LRV 88

Distant Gray reflects far more light (LRV 88 vs 52), opening up a space where Purbeck Stone encloses it.

Distant Gray
Evergreen Fog
Distant Gray
Evergreen Fog
Benjamin Moore
Distant Gray
OC-68 · LRV 88

Distant Gray reflects far more light (LRV 88 vs 30), opening up a space where Evergreen Fog encloses it.

Distant Gray
Mizzle
Distant Gray
Mizzle
Benjamin Moore
Distant Gray
OC-68 · LRV 88
Farrow & Ball
Mizzle
LRV 52

At LRV 88 vs 52, Distant Gray is decisively the brighter choice.

Distant Gray
Agreeable Gray
Distant Gray
Agreeable Gray
Benjamin Moore
Distant Gray
OC-68 · LRV 88

Distant Gray reflects far more light (LRV 88 vs 60), opening up a space where Agreeable Gray encloses it.

Distant Gray
Accessible Beige
Distant Gray
Accessible Beige
Benjamin Moore
Distant Gray
OC-68 · LRV 88

At LRV 88 vs 58, Distant Gray is decisively the brighter choice.

Distant Gray
French Gray
Distant Gray
French Gray
Benjamin Moore
Distant Gray
OC-68 · LRV 88

Distant Gray reflects far more light (LRV 88 vs 43), opening up a space where French Gray encloses it.

Distant Gray
Naval
Distant Gray
Naval
Benjamin Moore
Distant Gray
OC-68 · LRV 88
Sherwin-Williams
Naval
LRV 4

Distant Gray reflects far more light (LRV 88 vs 4), opening up a space where Naval encloses it.

Distant Gray
Tranquil Dawn
Distant Gray
Tranquil Dawn
Benjamin Moore
Distant Gray
OC-68 · LRV 88

At LRV 88 vs 55, Distant Gray is decisively the brighter choice.

Distant Gray
Bancha
Distant Gray
Bancha
Benjamin Moore
Distant Gray
OC-68 · LRV 88
Farrow & Ball
Bancha
LRV 13

At LRV 88 vs 13, Distant Gray is decisively the brighter choice.

Distant Gray
Hardwick White
Distant Gray
Hardwick White
Benjamin Moore
Distant Gray
OC-68 · LRV 88

At LRV 88 vs 44, Distant Gray is decisively the brighter choice.

Distant Gray
Pure White
Distant Gray
Pure White
Benjamin Moore
Distant Gray
OC-68 · LRV 88

Distant Gray reads slightly lighter (LRV 88 vs 84), a gap that shows most in low-lit rooms.

Distant Gray
Artichoke
Distant Gray
Artichoke
Benjamin Moore
Distant Gray
OC-68 · LRV 88
Sherwin-Williams
Artichoke
LRV 21

Distant Gray reflects far more light (LRV 88 vs 21), opening up a space where Artichoke encloses it.

Balboa Mist
Distant Gray
Balboa Mist
Distant Gray
Benjamin Moore
Distant Gray
OC-68 · LRV 88

At LRV 88 vs 66, Distant Gray is decisively the brighter choice.

Distant Gray
Shoji White
Distant Gray
Shoji White
Benjamin Moore
Distant Gray
OC-68 · LRV 88

At LRV 88 vs 74, Distant Gray is decisively the brighter choice.

Distant Gray
Snowbound
Distant Gray
Snowbound
Benjamin Moore
Distant Gray
OC-68 · LRV 88
Sherwin-Williams
Snowbound
LRV 83

A 5-point LRV gap (88 vs 83) makes Distant Gray the marginally brighter of the two.

Distant Gray
Pewter Green
Distant Gray
Pewter Green
Benjamin Moore
Distant Gray
OC-68 · LRV 88

At LRV 88 vs 12, Distant Gray is decisively the brighter choice.

Distant Gray
Skimming Stone
Distant Gray
Skimming Stone
Benjamin Moore
Distant Gray
OC-68 · LRV 88

At LRV 88 vs 68, Distant Gray is decisively the brighter choice.

Distant Gray
Dix Blue
Distant Gray
Dix Blue
Benjamin Moore
Distant Gray
OC-68 · LRV 88
Farrow & Ball
Dix Blue
LRV 41

Distant Gray reflects far more light (LRV 88 vs 41), opening up a space where Dix Blue encloses it.

Distant Gray
Calamine
Distant Gray
Calamine
Benjamin Moore
Distant Gray
OC-68 · LRV 88
Farrow & Ball
Calamine
LRV 68

Distant Gray reflects far more light (LRV 88 vs 68), opening up a space where Calamine encloses it.

Distant Gray
Treron
Distant Gray
Treron
Benjamin Moore
Distant Gray
OC-68 · LRV 88
Farrow & Ball
Treron
LRV 25

Distant Gray reflects far more light (LRV 88 vs 25), opening up a space where Treron encloses it.

Distant Gray
Vintage Vogue
Distant Gray
Vintage Vogue
Benjamin Moore
Distant Gray
OC-68 · LRV 88

At LRV 88 vs 12, Distant Gray is decisively the brighter choice.

Distant Gray
Saybrook Sage
Distant Gray
Saybrook Sage
Benjamin Moore
Distant Gray
OC-68 · LRV 88

At LRV 88 vs 45, Distant Gray is decisively the brighter choice.

Distant Gray
Pale Green
Distant Gray
Pale Green
Benjamin Moore
Distant Gray
OC-68 · LRV 88
RAL ClassicClassic
Pale Green
LRV 31

Distant Gray reflects far more light (LRV 88 vs 31), opening up a space where Pale Green encloses it.

Distant Gray
Pine Needle
Distant Gray
Pine Needle
Benjamin Moore
Distant Gray
OC-68 · LRV 88

Distant Gray reflects far more light (LRV 88 vs 7), opening up a space where Pine Needle encloses it.

Distant Gray
Cement grey
Distant Gray
Cement grey
Benjamin Moore
Distant Gray
OC-68 · LRV 88
RAL ClassicClassic
Cement grey
LRV 24

Distant Gray reflects far more light (LRV 88 vs 24), opening up a space where Cement grey encloses it.

Distant Gray
Guilford Green
Distant Gray
Guilford Green
Benjamin Moore
Distant Gray
OC-68 · LRV 88

Distant Gray reflects far more light (LRV 88 vs 57), opening up a space where Guilford Green encloses it.

Distant Gray
Just Walnut
Distant Gray
Just Walnut
Benjamin Moore
Distant Gray
OC-68 · LRV 88

Distant Gray reflects far more light (LRV 88 vs 72), opening up a space where Just Walnut encloses it.