Easter Lily vs Saybrook Sage
Both are Benjamin Moore colors. Easter Lily reads as beige-yellow, while Saybrook Sage reads as grey — two distinct hue families, not close cousins. At LRV 88 vs 45, Easter Lily will read as the brighter of the two — a 43-point gap that matters most in north-facing or low-light rooms. The tonal difference — Easter Lily's yellow character against Saybrook Sage's green — becomes most visible against white trim or in morning light. At ΔE 22.9, these are genuinely distinct colors — a strong contrast if used together, or a meaningful choice between two different directions. Below, 5 simulated room previews show how each color reads at scale — real-room photos will be added as they become available.
Color Details
Easter Lily vs Saybrook Sage Simulated Comparison
5 simulated room previews — drag the slider on each to see Easter Lily on one side and Saybrook Sage on the other.
Digital color is approximate. These simulations are generated from the manufacturer's hex values and overlaid on grayscale room photos — your screen's calibration, brightness, and viewing angle all affect how they render. Before committing to either color, test physical samples in your own space under the light you actually live with.
More Easter Lily comparisons
See how Easter Lily stacks up against other well-photographed colors across different brands and tones.
Easter Lily reads slightly lighter (LRV 88 vs 83), a gap that shows most in low-lit rooms.
At LRV 88 vs 69, Easter Lily is decisively the brighter choice.
Easter Lily reflects far more light (LRV 88 vs 6), opening up a space where Iron Ore encloses it.
At LRV 88 vs 52, Easter Lily is decisively the brighter choice.
At LRV 88 vs 30, Easter Lily is decisively the brighter choice.
Easter Lily reflects far more light (LRV 88 vs 52), opening up a space where Mizzle encloses it.
At LRV 88 vs 60, Easter Lily is decisively the brighter choice.
Easter Lily reflects far more light (LRV 88 vs 58), opening up a space where Accessible Beige encloses it.
Easter Lily reflects far more light (LRV 88 vs 27), opening up a space where Denim Drift encloses it.
At LRV 88 vs 43, Easter Lily is decisively the brighter choice.
At LRV 88 vs 4, Easter Lily is decisively the brighter choice.
Easter Lily reflects far more light (LRV 88 vs 55), opening up a space where Tranquil Dawn encloses it.
Easter Lily reflects far more light (LRV 88 vs 13), opening up a space where Bancha encloses it.
Easter Lily reflects far more light (LRV 88 vs 44), opening up a space where Hardwick White encloses it.
A 4-point LRV gap (88 vs 84) makes Easter Lily the marginally brighter of the two.
At LRV 88 vs 21, Easter Lily is decisively the brighter choice.
Easter Lily reflects far more light (LRV 88 vs 66), opening up a space where Balboa Mist encloses it.
Easter Lily reflects far more light (LRV 88 vs 74), opening up a space where Shoji White encloses it.
Easter Lily reads slightly lighter (LRV 88 vs 83), a gap that shows most in low-lit rooms.
Easter Lily reflects far more light (LRV 88 vs 12), opening up a space where Pewter Green encloses it.
Easter Lily reflects far more light (LRV 88 vs 68), opening up a space where Skimming Stone encloses it.
At LRV 88 vs 41, Easter Lily is decisively the brighter choice.
At LRV 88 vs 68, Easter Lily is decisively the brighter choice.
At LRV 88 vs 25, Easter Lily is decisively the brighter choice.
Easter Lily reflects far more light (LRV 88 vs 12), opening up a space where Vintage Vogue encloses it.
At LRV 88 vs 31, Easter Lily is decisively the brighter choice.
At LRV 88 vs 7, Easter Lily is decisively the brighter choice.
At LRV 88 vs 24, Easter Lily is decisively the brighter choice.
At LRV 88 vs 57, Easter Lily is decisively the brighter choice.
At LRV 88 vs 72, Easter Lily is decisively the brighter choice.