Finnie Gray vs Pure White
Where Finnie Gray belongs to Benjamin Moore's range, Pure White is a Sherwin-Williams color. Both sit in the beige-greige family, which is useful context if you're narrowing within a single hue direction. Pure White (LRV 84) reflects noticeably more light than Finnie Gray (LRV 42), a difference of 42 points that becomes especially apparent in rooms with limited natural light. Finnie Gray runs red while Pure White is decidedly warm, which means they'll respond very differently to warm vs cool light sources. With a ΔE of 24.1, the contrast is hard to miss. These aren't variations on a theme — they're two different answers to the same question. Below you'll find 3 real-room photo comparisons where both colors appear side by side, plus 5 simulated room previews.
Finnie Gray vs Pure White in Real Spaces
3 real rooms side by side. Seeing Finnie Gray and Pure White in actual rooms makes the difference concrete; browse the spaces below to get a feel for how each color lives on a wall.
Living Room
In a living room, color works across both daylight and evening light — the same wall can read very differently at noon and at 8pm. The LRV gap is large enough that Pure White will make the room feel meaningfully brighter than Finnie Gray would.
House
Seen across an entire facade, subtle tonal differences become pronounced. What reads as nearly the same on a chip often reads as clearly different at scale. Pure White reflects noticeably more light off the walls, making the space read more open than Finnie Gray.
Kitchen Cabinets
Kitchen cabinets are constantly compared against adjacent materials, which means subtle differences between these two become much more visible. Pure White reflects noticeably more light off the walls, making the space read more open than Finnie Gray.
Color Details
Finnie Gray vs Pure White Simulated Comparison
5 simulated room previews — drag the slider on each to see Finnie Gray on one side and Pure White on the other.
Digital color is approximate. These simulations are generated from the manufacturer's hex values and overlaid on grayscale room photos — your screen's calibration, brightness, and viewing angle all affect how they render. Before committing to either color, test physical samples in your own space under the light you actually live with.
More Finnie Gray comparisons
See how Finnie Gray stacks up against other well-photographed colors across different brands and tones.



At LRV 83 vs 42, White Dove is decisively the brighter choice.


Ammonite reflects far more light (LRV 69 vs 42), opening up a space where Finnie Gray encloses it.


At LRV 42 vs 6, Finnie Gray is decisively the brighter choice.


Purbeck Stone reads slightly lighter (LRV 52 vs 42), a gap that shows most in low-lit rooms.


Finnie Gray reads slightly lighter (LRV 42 vs 30), a gap that shows most in low-lit rooms.


A 10-point LRV gap (52 vs 42) makes Mizzle the marginally brighter of the two.


Agreeable Gray reflects far more light (LRV 60 vs 42), opening up a space where Finnie Gray encloses it.


At LRV 58 vs 42, Accessible Beige is decisively the brighter choice.


At LRV 42 vs 27, Finnie Gray is decisively the brighter choice.


With LRVs of 43 and 42, the two reflect almost the same amount of light.


Finnie Gray reflects far more light (LRV 42 vs 4), opening up a space where Naval encloses it.


At LRV 55 vs 42, Tranquil Dawn is decisively the brighter choice.


At LRV 42 vs 13, Finnie Gray is decisively the brighter choice.



Their light reflectance is nearly identical (LRV 44 vs 42), so neither reads brighter in a room.


Finnie Gray reflects far more light (LRV 42 vs 21), opening up a space where Artichoke encloses it.


At LRV 66 vs 42, Balboa Mist is decisively the brighter choice.


At LRV 74 vs 42, Shoji White is decisively the brighter choice.


At LRV 83 vs 42, Snowbound is decisively the brighter choice.


At LRV 42 vs 12, Finnie Gray is decisively the brighter choice.


At LRV 68 vs 42, Skimming Stone is decisively the brighter choice.


With LRVs of 42 and 41, the two reflect almost the same amount of light.


Calamine reflects far more light (LRV 68 vs 42), opening up a space where Finnie Gray encloses it.


Finnie Gray reflects far more light (LRV 42 vs 25), opening up a space where Treron encloses it.


At LRV 42 vs 12, Finnie Gray is decisively the brighter choice.


A 4-point LRV gap (45 vs 42) makes Saybrook Sage the marginally brighter of the two.


Finnie Gray reads slightly lighter (LRV 42 vs 31), a gap that shows most in low-lit rooms.


Finnie Gray reflects far more light (LRV 42 vs 7), opening up a space where Pine Needle encloses it.


Finnie Gray reflects far more light (LRV 42 vs 24), opening up a space where Cement grey encloses it.


Guilford Green reflects far more light (LRV 57 vs 42), opening up a space where Finnie Gray encloses it.


Just Walnut reflects far more light (LRV 72 vs 42), opening up a space where Finnie Gray encloses it.














