Flint vs Graphite
Both from Benjamin Moore's palette. Both sit in the grey family, which is useful context if you're narrowing within a single hue direction. Flint (LRV 12) reflects noticeably more light than Graphite (LRV 8), a difference of 4 points that becomes especially apparent in rooms with limited natural light. Both lean blue, so they'll behave similarly in mixed or changing light conditions. The ΔE 9.2 gap is real but not dramatic — close enough to use together, distinct enough to matter as a choice. Below you'll find 5 real-room photo comparisons where both colors appear side by side, plus 5 simulated room previews.
Flint vs Graphite in Real Spaces
5 real rooms side by side. Flint and Graphite are close enough that the difference can be hard to judge from a chip alone — these photos show how each reads at scale, across different spaces and lighting conditions.
Living Room
In a living room, color works across both daylight and evening light — the same wall can read very differently at noon and at 8pm. The brightness difference is modest but present — Flint gives the walls a little more lift.
Bedroom
The context that matters most in a bedroom is how a color reads under a bedside lamp at night, not under noon daylight. Flint reads slightly lighter here — a subtle but real difference in how open the space feels.
Bathroom
Bathrooms are one of the few spaces where you're genuinely enclosed by the paint color, which makes the choice between these two more consequential. Flint reads slightly lighter here — a subtle but real difference in how open the space feels.
House
Seen across an entire facade, subtle tonal differences become pronounced. What reads as nearly the same on a chip often reads as clearly different at scale. Flint reads slightly lighter here — a subtle but real difference in how open the space feels.
Kitchen Cabinets
Kitchen cabinets are constantly compared against adjacent materials, which means subtle differences between these two become much more visible. Flint reads slightly lighter here — a subtle but real difference in how open the space feels.
Color Details
Flint vs Graphite Simulated Comparison
5 simulated room previews — drag the slider on each to see Flint on one side and Graphite on the other.
Digital color is approximate. These simulations are generated from the manufacturer's hex values and overlaid on grayscale room photos — your screen's calibration, brightness, and viewing angle all affect how they render. Before committing to either color, test physical samples in your own space under the light you actually live with.
More Flint comparisons
See how Flint stacks up against other well-photographed colors across different brands and tones.
At LRV 83 vs 12, White Dove is decisively the brighter choice.
Purbeck Stone reflects far more light (LRV 52 vs 12), opening up a space where Flint encloses it.
Evergreen Fog reflects far more light (LRV 30 vs 12), opening up a space where Flint encloses it.
Agreeable Gray reflects far more light (LRV 60 vs 12), opening up a space where Flint encloses it.
At LRV 58 vs 12, Accessible Beige is decisively the brighter choice.
At LRV 27 vs 12, Denim Drift is decisively the brighter choice.
French Gray reflects far more light (LRV 43 vs 12), opening up a space where Flint encloses it.
At LRV 55 vs 12, Tranquil Dawn is decisively the brighter choice.
At LRV 44 vs 12, Hardwick White is decisively the brighter choice.
Pure White reflects far more light (LRV 84 vs 12), opening up a space where Flint encloses it.
At LRV 66 vs 12, Balboa Mist is decisively the brighter choice.
At LRV 74 vs 12, Shoji White is decisively the brighter choice.
Their light reflectance is nearly identical (LRV 12 vs 12), so neither reads brighter in a room.
At LRV 68 vs 12, Skimming Stone is decisively the brighter choice.
Their light reflectance is nearly identical (LRV 12 vs 12), so neither reads brighter in a room.
At LRV 45 vs 12, Saybrook Sage is decisively the brighter choice.
Pale Green reflects far more light (LRV 31 vs 12), opening up a space where Flint encloses it.
Flint reads slightly lighter (LRV 12 vs 7), a gap that shows most in low-lit rooms.
Cement grey reflects far more light (LRV 24 vs 12), opening up a space where Flint encloses it.
Guilford Green reflects far more light (LRV 57 vs 12), opening up a space where Flint encloses it.