Franklin White vs RAL 210-2
Franklin White is a Benjamin Moore color while RAL 210-2 comes from RAL Effect. Franklin White reads as beige-white, while RAL 210-2 reads as beige-yellow — two distinct hue families, not close cousins. With LRVs of 79 and 79, they'll behave almost identically in terms of how much light they reflect back into a room. With a ΔE of 2.2, the difference is subtle — you'd need them side by side to reliably tell them apart. Below, 5 simulated room previews show how each color reads at scale — real-room photos will be added as they become available.
Color Details
Franklin White vs RAL 210-2 Simulated Comparison
5 simulated room previews — drag the slider on each to see Franklin White on one side and RAL 210-2 on the other.
Digital color is approximate. These simulations are generated from the manufacturer's hex values and overlaid on grayscale room photos — your screen's calibration, brightness, and viewing angle all affect how they render. Before committing to either color, test physical samples in your own space under the light you actually live with.
More Franklin White comparisons
See how Franklin White stacks up against other well-photographed colors across different brands and tones.
Franklin White reads slightly lighter (LRV 79 vs 69), a gap that shows most in low-lit rooms.
A 4-point LRV gap (83 vs 79) makes White Dove the marginally brighter of the two.
At LRV 79 vs 6, Franklin White is decisively the brighter choice.
Franklin White reflects far more light (LRV 79 vs 52), opening up a space where Purbeck Stone encloses it.
Franklin White reflects far more light (LRV 79 vs 30), opening up a space where Evergreen Fog encloses it.
At LRV 79 vs 52, Franklin White is decisively the brighter choice.
Franklin White reflects far more light (LRV 79 vs 60), opening up a space where Agreeable Gray encloses it.
At LRV 79 vs 58, Franklin White is decisively the brighter choice.
At LRV 79 vs 27, Franklin White is decisively the brighter choice.
Franklin White reflects far more light (LRV 79 vs 43), opening up a space where French Gray encloses it.
Franklin White reflects far more light (LRV 79 vs 4), opening up a space where Naval encloses it.
At LRV 79 vs 55, Franklin White is decisively the brighter choice.
At LRV 79 vs 13, Franklin White is decisively the brighter choice.
At LRV 79 vs 44, Franklin White is decisively the brighter choice.
Pure White reads slightly lighter (LRV 84 vs 79), a gap that shows most in low-lit rooms.
Franklin White reflects far more light (LRV 79 vs 21), opening up a space where Artichoke encloses it.
At LRV 79 vs 66, Franklin White is decisively the brighter choice.
A 5-point LRV gap (79 vs 74) makes Franklin White the marginally brighter of the two.
A 4-point LRV gap (83 vs 79) makes Snowbound the marginally brighter of the two.
Franklin White reflects far more light (LRV 79 vs 51), opening up a space where Pigeon encloses it.
At LRV 79 vs 12, Franklin White is decisively the brighter choice.
At LRV 79 vs 8, Franklin White is decisively the brighter choice.
A 11-point LRV gap (79 vs 68) makes Franklin White the marginally brighter of the two.
Franklin White reflects far more light (LRV 79 vs 41), opening up a space where Dix Blue encloses it.
At LRV 79 vs 12, Franklin White is decisively the brighter choice.
At LRV 79 vs 45, Franklin White is decisively the brighter choice.
Franklin White reflects far more light (LRV 79 vs 31), opening up a space where Pale Green encloses it.