From the Archives vs White Blush
From the Archives and White Blush come from the same Benjamin Moore collection. Hue-wise, From the Archives belongs to the beige family and White Blush to the beige-white family. The 24-point LRV gap — 85 for White Blush vs 61 for From the Archives — means White Blush will open up a space more effectively. Both share a red character, which means they'll respond to light and surrounding materials in similar ways. A ΔE of 16.4 puts these firmly in different territory — two distinct design choices rather than close alternatives. Below, 5 simulated room previews show how each color reads at scale — real-room photos will be added as they become available.
Color Details
From the Archives vs White Blush Simulated Comparison
5 simulated room previews — drag the slider on each to see From the Archives on one side and White Blush on the other.
Digital color is approximate. These simulations are generated from the manufacturer's hex values and overlaid on grayscale room photos — your screen's calibration, brightness, and viewing angle all affect how they render. Before committing to either color, test physical samples in your own space under the light you actually live with.
More From the Archives comparisons
See how From the Archives stacks up against other well-photographed colors across different brands and tones.
Ammonite reads slightly lighter (LRV 69 vs 61), a gap that shows most in low-lit rooms.
At LRV 83 vs 61, White Dove is decisively the brighter choice.
At LRV 61 vs 6, From the Archives is decisively the brighter choice.
From the Archives reads slightly lighter (LRV 61 vs 52), a gap that shows most in low-lit rooms.
From the Archives reflects far more light (LRV 61 vs 30), opening up a space where Evergreen Fog encloses it.
A 9-point LRV gap (61 vs 52) makes From the Archives the marginally brighter of the two.
With LRVs of 61 and 60, the two reflect almost the same amount of light.
A 3-point LRV gap (61 vs 58) makes From the Archives the marginally brighter of the two.
At LRV 61 vs 27, From the Archives is decisively the brighter choice.
From the Archives reflects far more light (LRV 61 vs 43), opening up a space where French Gray encloses it.
From the Archives reflects far more light (LRV 61 vs 4), opening up a space where Naval encloses it.
A 6-point LRV gap (61 vs 55) makes From the Archives the marginally brighter of the two.
At LRV 61 vs 13, From the Archives is decisively the brighter choice.
At LRV 61 vs 44, From the Archives is decisively the brighter choice.
Pure White reflects far more light (LRV 84 vs 61), opening up a space where From the Archives encloses it.
From the Archives reflects far more light (LRV 61 vs 21), opening up a space where Artichoke encloses it.
A 4-point LRV gap (66 vs 61) makes Balboa Mist the marginally brighter of the two.
At LRV 74 vs 61, Shoji White is decisively the brighter choice.
At LRV 83 vs 61, Snowbound is decisively the brighter choice.
From the Archives reads slightly lighter (LRV 61 vs 51), a gap that shows most in low-lit rooms.
At LRV 61 vs 12, From the Archives is decisively the brighter choice.
At LRV 61 vs 8, From the Archives is decisively the brighter choice.
A 7-point LRV gap (68 vs 61) makes Skimming Stone the marginally brighter of the two.
From the Archives reflects far more light (LRV 61 vs 41), opening up a space where Dix Blue encloses it.
At LRV 61 vs 12, From the Archives is decisively the brighter choice.
At LRV 61 vs 45, From the Archives is decisively the brighter choice.
From the Archives reflects far more light (LRV 61 vs 31), opening up a space where Pale Green encloses it.