Full Bloom vs Shoji White

Full BloomBenjamin MoorevsShoji WhiteSherwin-WilliamsΔE 33.8Very different colors

Where Full Bloom belongs to Benjamin Moore's range, Shoji White is a Sherwin-Williams color. Full Bloom reads as pink-red, while Shoji White reads as beige-greige — two distinct hue families, not close cousins. Shoji White (LRV 74) reflects noticeably more light than Full Bloom (LRV 53), a difference of 21 points that becomes especially apparent in rooms with limited natural light. Full Bloom runs red while Shoji White is decidedly warm, which means they'll respond very differently to warm vs cool light sources. With a ΔE of 33.8, the contrast is hard to miss. These aren't variations on a theme — they're two different answers to the same question. Below, 5 simulated room previews show how each color reads at scale — real-room photos will be added as they become available.

Color Details

Full Bloom
Benjamin Moore · 2001-50
Hex#FEACBD
LRV53.4
BrandBenjamin Moore
Number2001-50
UndertoneRed
TemperatureWarm
BrightnessMedium
Shoji White
Sherwin-Williams · 7042
Hex#E6DFD3
LRV74.3
BrandSherwin-Williams
Number7042
Undertone
TemperatureWarm
BrightnessLight

Full Bloom vs Shoji White Simulated Comparison

5 simulated room previews — drag the slider on each to see Full Bloom on one side and Shoji White on the other.

Bathroom
Bedroom
House
Kitchen Cabinets
Living Room

Digital color is approximate. These simulations are generated from the manufacturer's hex values and overlaid on grayscale room photos — your screen's calibration, brightness, and viewing angle all affect how they render. Before committing to either color, test physical samples in your own space under the light you actually live with.

More Full Bloom comparisons

See how Full Bloom stacks up against other well-photographed colors across different brands and tones.

White Dove
Full Bloom
White Dove
Benjamin Moore
Full Bloom
2001-50 · LRV 53

At LRV 83 vs 53, White Dove is decisively the brighter choice.

Ammonite
Full Bloom
Ammonite
Benjamin Moore
Full Bloom
2001-50 · LRV 53
Farrow & Ball
Ammonite
LRV 69

Ammonite reflects far more light (LRV 69 vs 53), opening up a space where Full Bloom encloses it.

Iron Ore
Full Bloom
Iron Ore
Benjamin Moore
Full Bloom
2001-50 · LRV 53

At LRV 53 vs 6, Full Bloom is decisively the brighter choice.

Purbeck Stone
Full Bloom
Purbeck Stone
Benjamin Moore
Full Bloom
2001-50 · LRV 53

With LRVs of 53 and 52, the two reflect almost the same amount of light.

Evergreen Fog
Full Bloom
Evergreen Fog
Benjamin Moore
Full Bloom
2001-50 · LRV 53

Full Bloom reflects far more light (LRV 53 vs 30), opening up a space where Evergreen Fog encloses it.

Mizzle
Full Bloom
Mizzle
Benjamin Moore
Full Bloom
2001-50 · LRV 53
Farrow & Ball
Mizzle
LRV 52

Their light reflectance is nearly identical (LRV 53 vs 52), so neither reads brighter in a room.

Agreeable Gray
Full Bloom
Agreeable Gray
Benjamin Moore
Full Bloom
2001-50 · LRV 53

Agreeable Gray reads slightly lighter (LRV 60 vs 53), a gap that shows most in low-lit rooms.

Accessible Beige
Full Bloom
Accessible Beige
Benjamin Moore
Full Bloom
2001-50 · LRV 53

A 4-point LRV gap (58 vs 53) makes Accessible Beige the marginally brighter of the two.

Denim Drift
Full Bloom
Denim Drift
Benjamin Moore
Full Bloom
2001-50 · LRV 53

At LRV 53 vs 27, Full Bloom is decisively the brighter choice.

French Gray
Full Bloom
French Gray
Benjamin Moore
Full Bloom
2001-50 · LRV 53

Full Bloom reads slightly lighter (LRV 53 vs 43), a gap that shows most in low-lit rooms.

Naval
Full Bloom
Naval
Benjamin Moore
Full Bloom
2001-50 · LRV 53
Sherwin-Williams
Naval
LRV 4

Full Bloom reflects far more light (LRV 53 vs 4), opening up a space where Naval encloses it.

Tranquil Dawn
Full Bloom
Tranquil Dawn
Benjamin Moore
Full Bloom
2001-50 · LRV 53

Their light reflectance is nearly identical (LRV 55 vs 53), so neither reads brighter in a room.

Bancha
Full Bloom
Bancha
Benjamin Moore
Full Bloom
2001-50 · LRV 53
Farrow & Ball
Bancha
LRV 13

At LRV 53 vs 13, Full Bloom is decisively the brighter choice.

Hardwick White
Full Bloom
Hardwick White
Benjamin Moore
Full Bloom
2001-50 · LRV 53

A 10-point LRV gap (53 vs 44) makes Full Bloom the marginally brighter of the two.

Pure White
Full Bloom
Pure White
Benjamin Moore
Full Bloom
2001-50 · LRV 53

Pure White reflects far more light (LRV 84 vs 53), opening up a space where Full Bloom encloses it.

Artichoke
Full Bloom
Artichoke
Benjamin Moore
Full Bloom
2001-50 · LRV 53
Sherwin-Williams
Artichoke
LRV 21

Full Bloom reflects far more light (LRV 53 vs 21), opening up a space where Artichoke encloses it.

Balboa Mist
Balboa Mist
Full Bloom
Benjamin Moore
Full Bloom
2001-50 · LRV 53

At LRV 66 vs 53, Balboa Mist is decisively the brighter choice.

Snowbound
Full Bloom
Snowbound
Benjamin Moore
Full Bloom
2001-50 · LRV 53
Sherwin-Williams
Snowbound
LRV 83

At LRV 83 vs 53, Snowbound is decisively the brighter choice.

Pewter Green
Full Bloom
Pewter Green
Benjamin Moore
Full Bloom
2001-50 · LRV 53

At LRV 53 vs 12, Full Bloom is decisively the brighter choice.

Skimming Stone
Full Bloom
Skimming Stone
Benjamin Moore
Full Bloom
2001-50 · LRV 53

At LRV 68 vs 53, Skimming Stone is decisively the brighter choice.

Dix Blue
Full Bloom
Dix Blue
Benjamin Moore
Full Bloom
2001-50 · LRV 53
Farrow & Ball
Dix Blue
LRV 41

Full Bloom reflects far more light (LRV 53 vs 41), opening up a space where Dix Blue encloses it.

Calamine
Full Bloom
Calamine
Benjamin Moore
Full Bloom
2001-50 · LRV 53
Farrow & Ball
Calamine
LRV 68

Calamine reflects far more light (LRV 68 vs 53), opening up a space where Full Bloom encloses it.

Treron
Full Bloom
Treron
Benjamin Moore
Full Bloom
2001-50 · LRV 53
Farrow & Ball
Treron
LRV 25

Full Bloom reflects far more light (LRV 53 vs 25), opening up a space where Treron encloses it.

Vintage Vogue
Full Bloom
Vintage Vogue
Benjamin Moore
Full Bloom
2001-50 · LRV 53

At LRV 53 vs 12, Full Bloom is decisively the brighter choice.

Saybrook Sage
Full Bloom
Saybrook Sage
Benjamin Moore
Full Bloom
2001-50 · LRV 53

A 8-point LRV gap (53 vs 45) makes Full Bloom the marginally brighter of the two.

Pale Green
Full Bloom
Pale Green
Benjamin Moore
Full Bloom
2001-50 · LRV 53
RAL ClassicClassic
Pale Green
LRV 31

Full Bloom reflects far more light (LRV 53 vs 31), opening up a space where Pale Green encloses it.

Pine Needle
Full Bloom
Pine Needle
Benjamin Moore
Full Bloom
2001-50 · LRV 53

Full Bloom reflects far more light (LRV 53 vs 7), opening up a space where Pine Needle encloses it.

Cement grey
Full Bloom
Cement grey
Benjamin Moore
Full Bloom
2001-50 · LRV 53
RAL ClassicClassic
Cement grey
LRV 24

Full Bloom reflects far more light (LRV 53 vs 24), opening up a space where Cement grey encloses it.

Guilford Green
Full Bloom
Guilford Green
Benjamin Moore
Full Bloom
2001-50 · LRV 53

Guilford Green reads slightly lighter (LRV 57 vs 53), a gap that shows most in low-lit rooms.

Just Walnut
Full Bloom
Just Walnut
Benjamin Moore
Full Bloom
2001-50 · LRV 53

Just Walnut reflects far more light (LRV 72 vs 53), opening up a space where Full Bloom encloses it.