Gold Mine vs White Heaven
Gold Mine and White Heaven come from the same Benjamin Moore collection. Hue-wise, Gold Mine belongs to the beige family and White Heaven to the blue-white family. The 43-point LRV gap — 77 for White Heaven vs 34 for Gold Mine — means White Heaven will open up a space more effectively. Where Gold Mine leans red, White Heaven reads blue — a distinction that shifts noticeably depending on the light source and surrounding finishes. A ΔE of 77.2 puts these firmly in different territory — two distinct design choices rather than close alternatives. Below, 5 simulated room previews show how each color reads at scale — real-room photos will be added as they become available.
Color Details
Gold Mine vs White Heaven Simulated Comparison
5 simulated room previews — drag the slider on each to see Gold Mine on one side and White Heaven on the other.
Digital color is approximate. These simulations are generated from the manufacturer's hex values and overlaid on grayscale room photos — your screen's calibration, brightness, and viewing angle all affect how they render. Before committing to either color, test physical samples in your own space under the light you actually live with.
More Gold Mine comparisons
See how Gold Mine stacks up against other well-photographed colors across different brands and tones.
