Goldsmith vs Smoke
Both from Benjamin Moore's palette. Hue-wise, Goldsmith belongs to the beige family and Smoke to the blue-grey family. Smoke (LRV 56) reflects noticeably more light than Goldsmith (LRV 30), a difference of 26 points that becomes especially apparent in rooms with limited natural light. Goldsmith runs yellow and red while Smoke is decidedly cool, which means they'll respond very differently to warm vs cool light sources. With a ΔE of 66.1, the contrast is hard to miss. These aren't variations on a theme — they're two different answers to the same question. Below, 5 simulated room previews show how each color reads at scale — real-room photos will be added as they become available.
Color Details
Goldsmith vs Smoke Simulated Comparison
5 simulated room previews — drag the slider on each to see Goldsmith on one side and Smoke on the other.
Digital color is approximate. These simulations are generated from the manufacturer's hex values and overlaid on grayscale room photos — your screen's calibration, brightness, and viewing angle all affect how they render. Before committing to either color, test physical samples in your own space under the light you actually live with.
More Goldsmith comparisons
See how Goldsmith stacks up against other well-photographed colors across different brands and tones.
