Good Vibrations vs Hicks' Blue
Good Vibrations is a Benjamin Moore color while Hicks' Blue comes from Little Greene. Good Vibrations reads as beige, while Hicks' Blue reads as blue — two distinct hue families, not close cousins. Good Vibrations has an LRV of 79. The tonal difference — Good Vibrations's red character against Hicks' Blue's blue — becomes most visible against white trim or in morning light. At ΔE 68.8, these are genuinely distinct colors — a strong contrast if used together, or a meaningful choice between two different directions. Below, 5 simulated room previews show how each color reads at scale — real-room photos will be added as they become available.
Color Details
Good Vibrations vs Hicks' Blue Simulated Comparison
5 simulated room previews — drag the slider on each to see Good Vibrations on one side and Hicks' Blue on the other.
Digital color is approximate. These simulations are generated from the manufacturer's hex values and overlaid on grayscale room photos — your screen's calibration, brightness, and viewing angle all affect how they render. Before committing to either color, test physical samples in your own space under the light you actually live with.
More Good Vibrations comparisons
See how Good Vibrations stacks up against other well-photographed colors across different brands and tones.
Good Vibrations reads slightly lighter (LRV 79 vs 69), a gap that shows most in low-lit rooms.
A 4-point LRV gap (83 vs 79) makes White Dove the marginally brighter of the two.
At LRV 79 vs 6, Good Vibrations is decisively the brighter choice.
Good Vibrations reflects far more light (LRV 79 vs 52), opening up a space where Purbeck Stone encloses it.
Good Vibrations reflects far more light (LRV 79 vs 30), opening up a space where Evergreen Fog encloses it.
At LRV 79 vs 52, Good Vibrations is decisively the brighter choice.
Good Vibrations reflects far more light (LRV 79 vs 60), opening up a space where Agreeable Gray encloses it.
At LRV 79 vs 58, Good Vibrations is decisively the brighter choice.
At LRV 79 vs 27, Good Vibrations is decisively the brighter choice.
Good Vibrations reflects far more light (LRV 79 vs 43), opening up a space where French Gray encloses it.
Good Vibrations reflects far more light (LRV 79 vs 4), opening up a space where Naval encloses it.
At LRV 79 vs 55, Good Vibrations is decisively the brighter choice.
At LRV 79 vs 13, Good Vibrations is decisively the brighter choice.
At LRV 79 vs 44, Good Vibrations is decisively the brighter choice.
Pure White reads slightly lighter (LRV 84 vs 79), a gap that shows most in low-lit rooms.
Good Vibrations reflects far more light (LRV 79 vs 21), opening up a space where Artichoke encloses it.
At LRV 79 vs 66, Good Vibrations is decisively the brighter choice.
A 4-point LRV gap (79 vs 74) makes Good Vibrations the marginally brighter of the two.
A 4-point LRV gap (83 vs 79) makes Snowbound the marginally brighter of the two.
Good Vibrations reflects far more light (LRV 79 vs 51), opening up a space where Pigeon encloses it.
At LRV 79 vs 12, Good Vibrations is decisively the brighter choice.
At LRV 79 vs 8, Good Vibrations is decisively the brighter choice.
A 11-point LRV gap (79 vs 68) makes Good Vibrations the marginally brighter of the two.
Good Vibrations reflects far more light (LRV 79 vs 41), opening up a space where Dix Blue encloses it.
At LRV 79 vs 12, Good Vibrations is decisively the brighter choice.
At LRV 79 vs 45, Good Vibrations is decisively the brighter choice.
Good Vibrations reflects far more light (LRV 79 vs 31), opening up a space where Pale Green encloses it.
Good Vibrations reflects far more light (LRV 79 vs 7), opening up a space where Pine Needle encloses it.