Goodwin Green vs Jack Pine
Both from Benjamin Moore's palette. Hue-wise, Goodwin Green belongs to the blue-green family and Jack Pine to the green-grey family. Jack Pine (LRV 16) reflects noticeably more light than Goodwin Green (LRV 11), a difference of 6 points that becomes especially apparent in rooms with limited natural light. Both lean green, so they'll behave similarly in mixed or changing light conditions. With a ΔE of 10.1, the contrast is hard to miss. These aren't variations on a theme — they're two different answers to the same question. Below you'll find 2 real-room photo comparisons where both colors appear side by side, plus 5 simulated room previews.
Goodwin Green vs Jack Pine in Real Spaces
2 real rooms side by side. Seeing Goodwin Green and Jack Pine in actual rooms makes the difference concrete; browse the spaces below to get a feel for how each color lives on a wall.
Bathroom
Bathrooms are one of the few spaces where you're genuinely enclosed by the paint color, which makes the choice between these two more consequential. Jack Pine reads slightly lighter here — a subtle but real difference in how open the space feels.
Kitchen Cabinets
Kitchen cabinets are constantly compared against adjacent materials, which means subtle differences between these two become much more visible. Jack Pine reads slightly lighter here — a subtle but real difference in how open the space feels.
Color Details
Goodwin Green vs Jack Pine Simulated Comparison
5 simulated room previews — drag the slider on each to see Goodwin Green on one side and Jack Pine on the other.
Digital color is approximate. These simulations are generated from the manufacturer's hex values and overlaid on grayscale room photos — your screen's calibration, brightness, and viewing angle all affect how they render. Before committing to either color, test physical samples in your own space under the light you actually live with.
More Goodwin Green comparisons
See how Goodwin Green stacks up against other well-photographed colors across different brands and tones.
White Dove reflects far more light (LRV 83 vs 11), opening up a space where Goodwin Green encloses it.
At LRV 69 vs 11, Ammonite is decisively the brighter choice.
Goodwin Green reads slightly lighter (LRV 11 vs 6), a gap that shows most in low-lit rooms.
At LRV 52 vs 11, Purbeck Stone is decisively the brighter choice.
At LRV 30 vs 11, Evergreen Fog is decisively the brighter choice.
Mizzle reflects far more light (LRV 52 vs 11), opening up a space where Goodwin Green encloses it.
At LRV 60 vs 11, Agreeable Gray is decisively the brighter choice.
Accessible Beige reflects far more light (LRV 58 vs 11), opening up a space where Goodwin Green encloses it.
Denim Drift reflects far more light (LRV 27 vs 11), opening up a space where Goodwin Green encloses it.
At LRV 43 vs 11, French Gray is decisively the brighter choice.
A 6-point LRV gap (11 vs 4) makes Goodwin Green the marginally brighter of the two.
Tranquil Dawn reflects far more light (LRV 55 vs 11), opening up a space where Goodwin Green encloses it.
With LRVs of 13 and 11, the two reflect almost the same amount of light.
Hardwick White reflects far more light (LRV 44 vs 11), opening up a space where Goodwin Green encloses it.
At LRV 84 vs 11, Pure White is decisively the brighter choice.
A 11-point LRV gap (21 vs 11) makes Artichoke the marginally brighter of the two.
Balboa Mist reflects far more light (LRV 66 vs 11), opening up a space where Goodwin Green encloses it.
Shoji White reflects far more light (LRV 74 vs 11), opening up a space where Goodwin Green encloses it.
Snowbound reflects far more light (LRV 83 vs 11), opening up a space where Goodwin Green encloses it.
With LRVs of 12 and 11, the two reflect almost the same amount of light.
Skimming Stone reflects far more light (LRV 68 vs 11), opening up a space where Goodwin Green encloses it.
At LRV 41 vs 11, Dix Blue is decisively the brighter choice.
At LRV 68 vs 11, Calamine is decisively the brighter choice.
At LRV 25 vs 11, Treron is decisively the brighter choice.
With LRVs of 12 and 11, the two reflect almost the same amount of light.
Saybrook Sage reflects far more light (LRV 45 vs 11), opening up a space where Goodwin Green encloses it.
At LRV 31 vs 11, Pale Green is decisively the brighter choice.
A 4-point LRV gap (11 vs 7) makes Goodwin Green the marginally brighter of the two.
At LRV 24 vs 11, Cement grey is decisively the brighter choice.
At LRV 57 vs 11, Guilford Green is decisively the brighter choice.