Granny Smith vs Pine Needle
Where Granny Smith belongs to Benjamin Moore's range, Pine Needle is a Dulux color. Hue-wise, Granny Smith belongs to the beige-yellow family and Pine Needle to the green family. Granny Smith (LRV 57) reflects noticeably more light than Pine Needle (LRV 7), a difference of 50 points that becomes especially apparent in rooms with limited natural light. Granny Smith runs yellow while Pine Needle is decidedly cool, which means they'll respond very differently to warm vs cool light sources. With a ΔE of 78.1, the contrast is hard to miss. These aren't variations on a theme — they're two different answers to the same question. Below, 5 simulated room previews show how each color reads at scale — real-room photos will be added as they become available.
Color Details
Granny Smith vs Pine Needle Simulated Comparison
5 simulated room previews — drag the slider on each to see Granny Smith on one side and Pine Needle on the other.
Digital color is approximate. These simulations are generated from the manufacturer's hex values and overlaid on grayscale room photos — your screen's calibration, brightness, and viewing angle all affect how they render. Before committing to either color, test physical samples in your own space under the light you actually live with.
More Granny Smith comparisons
See how Granny Smith stacks up against other well-photographed colors across different brands and tones.
At LRV 83 vs 57, White Dove is decisively the brighter choice.
Ammonite reads slightly lighter (LRV 69 vs 57), a gap that shows most in low-lit rooms.
At LRV 57 vs 6, Granny Smith is decisively the brighter choice.
Granny Smith reads slightly lighter (LRV 57 vs 52), a gap that shows most in low-lit rooms.
Granny Smith reflects far more light (LRV 57 vs 30), opening up a space where Evergreen Fog encloses it.
A 5-point LRV gap (57 vs 52) makes Granny Smith the marginally brighter of the two.
Agreeable Gray reads slightly lighter (LRV 60 vs 57), a gap that shows most in low-lit rooms.
Their light reflectance is nearly identical (LRV 58 vs 57), so neither reads brighter in a room.
At LRV 57 vs 27, Granny Smith is decisively the brighter choice.
Granny Smith reflects far more light (LRV 57 vs 43), opening up a space where French Gray encloses it.
Granny Smith reflects far more light (LRV 57 vs 4), opening up a space where Naval encloses it.
Their light reflectance is nearly identical (LRV 57 vs 55), so neither reads brighter in a room.
At LRV 57 vs 13, Granny Smith is decisively the brighter choice.
At LRV 57 vs 44, Granny Smith is decisively the brighter choice.
Pure White reflects far more light (LRV 84 vs 57), opening up a space where Granny Smith encloses it.
Granny Smith reflects far more light (LRV 57 vs 21), opening up a space where Artichoke encloses it.
A 8-point LRV gap (66 vs 57) makes Balboa Mist the marginally brighter of the two.
At LRV 74 vs 57, Shoji White is decisively the brighter choice.
At LRV 83 vs 57, Snowbound is decisively the brighter choice.
At LRV 57 vs 12, Granny Smith is decisively the brighter choice.
A 11-point LRV gap (68 vs 57) makes Skimming Stone the marginally brighter of the two.
Granny Smith reflects far more light (LRV 57 vs 41), opening up a space where Dix Blue encloses it.
Calamine reads slightly lighter (LRV 68 vs 57), a gap that shows most in low-lit rooms.
Granny Smith reflects far more light (LRV 57 vs 25), opening up a space where Treron encloses it.
At LRV 57 vs 12, Granny Smith is decisively the brighter choice.
A 12-point LRV gap (57 vs 45) makes Granny Smith the marginally brighter of the two.
Granny Smith reflects far more light (LRV 57 vs 31), opening up a space where Pale Green encloses it.
Granny Smith reflects far more light (LRV 57 vs 24), opening up a space where Cement grey encloses it.
With LRVs of 57 and 57, the two reflect almost the same amount of light.
Just Walnut reflects far more light (LRV 72 vs 57), opening up a space where Granny Smith encloses it.