Happily Ever After vs Denim Drift
Where Happily Ever After belongs to Benjamin Moore's range, Denim Drift is a Dulux color. Hue-wise, Happily Ever After belongs to the beige family and Denim Drift to the blue-grey family. Happily Ever After (LRV 60) reflects noticeably more light than Denim Drift (LRV 27), a difference of 33 points that becomes especially apparent in rooms with limited natural light. Happily Ever After runs red while Denim Drift is decidedly cool, which means they'll respond very differently to warm vs cool light sources. With a ΔE of 69.9, the contrast is hard to miss. These aren't variations on a theme — they're two different answers to the same question. Below, 5 simulated room previews show how each color reads at scale — real-room photos will be added as they become available.
Color Details
Happily Ever After vs Denim Drift Simulated Comparison
5 simulated room previews — drag the slider on each to see Happily Ever After on one side and Denim Drift on the other.
Digital color is approximate. These simulations are generated from the manufacturer's hex values and overlaid on grayscale room photos — your screen's calibration, brightness, and viewing angle all affect how they render. Before committing to either color, test physical samples in your own space under the light you actually live with.
More Happily Ever After comparisons
See how Happily Ever After stacks up against other well-photographed colors across different brands and tones.
At LRV 83 vs 60, White Dove is decisively the brighter choice.
Ammonite reads slightly lighter (LRV 69 vs 60), a gap that shows most in low-lit rooms.
At LRV 60 vs 6, Happily Ever After is decisively the brighter choice.
Happily Ever After reads slightly lighter (LRV 60 vs 52), a gap that shows most in low-lit rooms.
Happily Ever After reflects far more light (LRV 60 vs 30), opening up a space where Evergreen Fog encloses it.
A 9-point LRV gap (60 vs 52) makes Happily Ever After the marginally brighter of the two.
With LRVs of 60 and 60, the two reflect almost the same amount of light.
Their light reflectance is nearly identical (LRV 60 vs 58), so neither reads brighter in a room.
Happily Ever After reflects far more light (LRV 60 vs 43), opening up a space where French Gray encloses it.
Happily Ever After reflects far more light (LRV 60 vs 4), opening up a space where Naval encloses it.
A 5-point LRV gap (60 vs 55) makes Happily Ever After the marginally brighter of the two.
At LRV 60 vs 13, Happily Ever After is decisively the brighter choice.
At LRV 60 vs 44, Happily Ever After is decisively the brighter choice.
Pure White reflects far more light (LRV 84 vs 60), opening up a space where Happily Ever After encloses it.
Happily Ever After reflects far more light (LRV 60 vs 21), opening up a space where Artichoke encloses it.
A 5-point LRV gap (66 vs 60) makes Balboa Mist the marginally brighter of the two.
At LRV 74 vs 60, Shoji White is decisively the brighter choice.
At LRV 83 vs 60, Snowbound is decisively the brighter choice.
At LRV 60 vs 12, Happily Ever After is decisively the brighter choice.
A 8-point LRV gap (68 vs 60) makes Skimming Stone the marginally brighter of the two.
Happily Ever After reflects far more light (LRV 60 vs 41), opening up a space where Dix Blue encloses it.
Calamine reads slightly lighter (LRV 68 vs 60), a gap that shows most in low-lit rooms.
Happily Ever After reflects far more light (LRV 60 vs 25), opening up a space where Treron encloses it.
At LRV 60 vs 12, Happily Ever After is decisively the brighter choice.
At LRV 60 vs 45, Happily Ever After is decisively the brighter choice.
Happily Ever After reflects far more light (LRV 60 vs 31), opening up a space where Pale Green encloses it.
Happily Ever After reflects far more light (LRV 60 vs 7), opening up a space where Pine Needle encloses it.
Happily Ever After reflects far more light (LRV 60 vs 24), opening up a space where Cement grey encloses it.
With LRVs of 60 and 57, the two reflect almost the same amount of light.
Just Walnut reads slightly lighter (LRV 72 vs 60), a gap that shows most in low-lit rooms.