High Park vs Evergreen Fog
High Park (Benjamin Moore) and Evergreen Fog (Sherwin-Williams) come from different manufacturers. Both sit in the green-grey family, which is useful context if you're narrowing within a single hue direction. Their light reflectance values are nearly the same — 30 vs 30 — so neither will read significantly brighter or darker than the other. Where High Park leans green, Evergreen Fog reads neutral — a distinction that shifts noticeably depending on the light source and surrounding finishes. ΔE 5.8 means they're clearly different, but not dramatically so — they'd pair well in the same room. Below you'll find 2 real-room photo comparisons where both colors appear side by side, plus 5 simulated room previews.
High Park vs Evergreen Fog in Real Spaces
2 real rooms side by side. High Park and Evergreen Fog are close enough that the difference can be hard to judge from a chip alone — these photos show how each reads at scale, across different spaces and lighting conditions.
Living Room
A living room wall sees more varied light than almost any other surface in the house, which makes the choice between these two more nuanced than a chip suggests. The distinction reads clearly at room scale, making the choice between them concrete.
Kitchen Cabinets
Cabinet color is always seen in context — against countertops, backsplash, and hardware — which amplifies undertone differences that might disappear on a plain wall. At this scale, the choice between them becomes clear in a way that a swatch alone can't communicate.
Color Details
High Park vs Evergreen Fog Simulated Comparison
5 simulated room previews — drag the slider on each to see High Park on one side and Evergreen Fog on the other.
Digital color is approximate. These simulations are generated from the manufacturer's hex values and overlaid on grayscale room photos — your screen's calibration, brightness, and viewing angle all affect how they render. Before committing to either color, test physical samples in your own space under the light you actually live with.
More High Park comparisons
See how High Park stacks up against other well-photographed colors across different brands and tones.
At LRV 83 vs 30, White Dove is decisively the brighter choice.
Purbeck Stone reflects far more light (LRV 52 vs 30), opening up a space where High Park encloses it.
Agreeable Gray reflects far more light (LRV 60 vs 30), opening up a space where High Park encloses it.
At LRV 58 vs 30, Accessible Beige is decisively the brighter choice.
A 3-point LRV gap (30 vs 27) makes High Park the marginally brighter of the two.
French Gray reflects far more light (LRV 43 vs 30), opening up a space where High Park encloses it.
At LRV 55 vs 30, Tranquil Dawn is decisively the brighter choice.
At LRV 44 vs 30, Hardwick White is decisively the brighter choice.
Pure White reflects far more light (LRV 84 vs 30), opening up a space where High Park encloses it.
At LRV 66 vs 30, Balboa Mist is decisively the brighter choice.
At LRV 74 vs 30, Shoji White is decisively the brighter choice.
At LRV 30 vs 12, High Park is decisively the brighter choice.
At LRV 68 vs 30, Skimming Stone is decisively the brighter choice.
At LRV 30 vs 12, High Park is decisively the brighter choice.
At LRV 45 vs 30, Saybrook Sage is decisively the brighter choice.
With LRVs of 31 and 30, the two reflect almost the same amount of light.
High Park reflects far more light (LRV 30 vs 7), opening up a space where Pine Needle encloses it.
High Park reads slightly lighter (LRV 30 vs 24), a gap that shows most in low-lit rooms.
Guilford Green reflects far more light (LRV 57 vs 30), opening up a space where High Park encloses it.
Just Walnut reflects far more light (LRV 72 vs 30), opening up a space where High Park encloses it.