I've Got the Blues vs San Francisco Bay
Both from Benjamin Moore's palette. Both sit in the blue family, which is useful context if you're narrowing within a single hue direction. San Francisco Bay (LRV 38) reflects noticeably more light than I've Got the Blues (LRV 35), a difference of 3 points that becomes especially apparent in rooms with limited natural light. I've Got the Blues runs cool while San Francisco Bay is decidedly blue, which means they'll respond very differently to warm vs cool light sources. The ΔE 4.7 gap is real but not dramatic — close enough to use together, distinct enough to matter as a choice. Below, 5 simulated room previews show how each color reads at scale — real-room photos will be added as they become available.
Color Details
I've Got the Blues vs San Francisco Bay Simulated Comparison
5 simulated room previews — drag the slider on each to see I've Got the Blues on one side and San Francisco Bay on the other.
Digital color is approximate. These simulations are generated from the manufacturer's hex values and overlaid on grayscale room photos — your screen's calibration, brightness, and viewing angle all affect how they render. Before committing to either color, test physical samples in your own space under the light you actually live with.
More I've Got the Blues comparisons
See how I've Got the Blues stacks up against other well-photographed colors across different brands and tones.
