I've Got the Blues vs Super White
Both are Benjamin Moore colors. Hue-wise, I've Got the Blues belongs to the blue family and Super White to the white family. At LRV 87 vs 35, Super White will read as the brighter of the two — a 52-point gap that matters most in north-facing or low-light rooms. The tonal difference — I've Got the Blues's cool character against Super White's green — becomes most visible against white trim or in morning light. At ΔE 39.0, these are genuinely distinct colors — a strong contrast if used together, or a meaningful choice between two different directions. Below, 5 simulated room previews show how each color reads at scale — real-room photos will be added as they become available.
Color Details
I've Got the Blues vs Super White Simulated Comparison
5 simulated room previews — drag the slider on each to see I've Got the Blues on one side and Super White on the other.
Digital color is approximate. These simulations are generated from the manufacturer's hex values and overlaid on grayscale room photos — your screen's calibration, brightness, and viewing angle all affect how they render. Before committing to either color, test physical samples in your own space under the light you actually live with.
More I've Got the Blues comparisons
See how I've Got the Blues stacks up against other well-photographed colors across different brands and tones.
