Iced Marble vs Raindance
Both are Benjamin Moore colors. Both sit in the green-grey family, which is useful context if you're narrowing within a single hue direction. At LRV 47 vs 43, Iced Marble will read as the brighter of the two — a 4-point gap that matters most in north-facing or low-light rooms. They share a green quality — useful to know if you're layering them in the same space. At ΔE 3.2, the difference is perceptible but not dramatic — the two can work harmoniously in the same space. Below you'll find 1 real-room photo comparison where both colors appear side by side, plus 5 simulated room previews.
Iced Marble vs Raindance in Real Spaces
1 real room side by side. Iced Marble and Raindance are close enough that the difference can be hard to judge from a chip alone — these photos show how each reads at scale, across different spaces and lighting conditions.
Kitchen Cabinets
On cabinetry, undertone and temperature become more pronounced against countertops and hardware. The brightness difference is modest but present — Iced Marble gives the walls a little more lift.
Color Details
Iced Marble vs Raindance Simulated Comparison
5 simulated room previews — drag the slider on each to see Iced Marble on one side and Raindance on the other.
Digital color is approximate. These simulations are generated from the manufacturer's hex values and overlaid on grayscale room photos — your screen's calibration, brightness, and viewing angle all affect how they render. Before committing to either color, test physical samples in your own space under the light you actually live with.
More Iced Marble comparisons
See how Iced Marble stacks up against other well-photographed colors across different brands and tones.
At LRV 83 vs 47, White Dove is decisively the brighter choice.
Ammonite reflects far more light (LRV 69 vs 47), opening up a space where Iced Marble encloses it.
At LRV 47 vs 6, Iced Marble is decisively the brighter choice.
Purbeck Stone reads slightly lighter (LRV 52 vs 47), a gap that shows most in low-lit rooms.
Iced Marble reflects far more light (LRV 47 vs 30), opening up a space where Evergreen Fog encloses it.
A 4-point LRV gap (52 vs 47) makes Mizzle the marginally brighter of the two.
Agreeable Gray reflects far more light (LRV 60 vs 47), opening up a space where Iced Marble encloses it.
A 10-point LRV gap (58 vs 47) makes Accessible Beige the marginally brighter of the two.
At LRV 47 vs 27, Iced Marble is decisively the brighter choice.
Iced Marble reads slightly lighter (LRV 47 vs 43), a gap that shows most in low-lit rooms.
Iced Marble reflects far more light (LRV 47 vs 4), opening up a space where Naval encloses it.
A 8-point LRV gap (55 vs 47) makes Tranquil Dawn the marginally brighter of the two.
At LRV 47 vs 13, Iced Marble is decisively the brighter choice.
A 4-point LRV gap (47 vs 44) makes Iced Marble the marginally brighter of the two.
Pure White reflects far more light (LRV 84 vs 47), opening up a space where Iced Marble encloses it.
Iced Marble reflects far more light (LRV 47 vs 21), opening up a space where Artichoke encloses it.
At LRV 66 vs 47, Balboa Mist is decisively the brighter choice.
At LRV 74 vs 47, Shoji White is decisively the brighter choice.
At LRV 83 vs 47, Snowbound is decisively the brighter choice.
At LRV 47 vs 12, Iced Marble is decisively the brighter choice.
At LRV 68 vs 47, Skimming Stone is decisively the brighter choice.
Iced Marble reads slightly lighter (LRV 47 vs 41), a gap that shows most in low-lit rooms.
Calamine reflects far more light (LRV 68 vs 47), opening up a space where Iced Marble encloses it.
Iced Marble reflects far more light (LRV 47 vs 25), opening up a space where Treron encloses it.
At LRV 47 vs 12, Iced Marble is decisively the brighter choice.
Their light reflectance is nearly identical (LRV 47 vs 45), so neither reads brighter in a room.
Iced Marble reflects far more light (LRV 47 vs 31), opening up a space where Pale Green encloses it.
Iced Marble reflects far more light (LRV 47 vs 7), opening up a space where Pine Needle encloses it.
Iced Marble reflects far more light (LRV 47 vs 24), opening up a space where Cement grey encloses it.
Guilford Green reads slightly lighter (LRV 57 vs 47), a gap that shows most in low-lit rooms.