Jack Pine vs Shoji White

Jack PineBenjamin MoorevsShoji WhiteSherwin-WilliamsΔE 45.0Very different colors

Jack Pine is a Benjamin Moore color while Shoji White comes from Sherwin-Williams. Jack Pine reads as green-grey, while Shoji White reads as beige-greige — two distinct hue families, not close cousins. At LRV 74 vs 16, Shoji White will read as the brighter of the two — a 58-point gap that matters most in north-facing or low-light rooms. The tonal difference — Jack Pine's cool character against Shoji White's warm — becomes most visible against white trim or in morning light. At ΔE 45.0, these are genuinely distinct colors — a strong contrast if used together, or a meaningful choice between two different directions. Below, 5 simulated room previews show how each color reads at scale — real-room photos will be added as they become available.

Color Details

Jack Pine
Benjamin Moore · CC-660
Hex#5A7169
LRV16.4
BrandBenjamin Moore
NumberCC-660
Undertone
TemperatureCool
BrightnessDark
Shoji White
Sherwin-Williams · 7042
Hex#E6DFD3
LRV74.3
BrandSherwin-Williams
Number7042
Undertone
TemperatureWarm
BrightnessLight

Jack Pine vs Shoji White Simulated Comparison

5 simulated room previews — drag the slider on each to see Jack Pine on one side and Shoji White on the other.

Bathroom
Bedroom
House
Kitchen Cabinets
Living Room

Digital color is approximate. These simulations are generated from the manufacturer's hex values and overlaid on grayscale room photos — your screen's calibration, brightness, and viewing angle all affect how they render. Before committing to either color, test physical samples in your own space under the light you actually live with.

More Jack Pine comparisons

See how Jack Pine stacks up against other well-photographed colors across different brands and tones.

White Dove
Jack Pine
White Dove
Benjamin Moore
Jack Pine
CC-660 · LRV 16

White Dove reflects far more light (LRV 83 vs 16), opening up a space where Jack Pine encloses it.

Ammonite
Jack Pine
Ammonite
Benjamin Moore
Jack Pine
CC-660 · LRV 16
Farrow & Ball
Ammonite
LRV 69

At LRV 69 vs 16, Ammonite is decisively the brighter choice.

Iron Ore
Jack Pine
Iron Ore
Benjamin Moore
Jack Pine
CC-660 · LRV 16

Jack Pine reads slightly lighter (LRV 16 vs 6), a gap that shows most in low-lit rooms.

Purbeck Stone
Jack Pine
Purbeck Stone
Benjamin Moore
Jack Pine
CC-660 · LRV 16

At LRV 52 vs 16, Purbeck Stone is decisively the brighter choice.

Evergreen Fog
Jack Pine
Evergreen Fog
Benjamin Moore
Jack Pine
CC-660 · LRV 16

At LRV 30 vs 16, Evergreen Fog is decisively the brighter choice.

Mizzle
Jack Pine
Mizzle
Benjamin Moore
Jack Pine
CC-660 · LRV 16
Farrow & Ball
Mizzle
LRV 52

Mizzle reflects far more light (LRV 52 vs 16), opening up a space where Jack Pine encloses it.

Agreeable Gray
Jack Pine
Agreeable Gray
Benjamin Moore
Jack Pine
CC-660 · LRV 16

At LRV 60 vs 16, Agreeable Gray is decisively the brighter choice.

Accessible Beige
Jack Pine
Accessible Beige
Benjamin Moore
Jack Pine
CC-660 · LRV 16

Accessible Beige reflects far more light (LRV 58 vs 16), opening up a space where Jack Pine encloses it.

Denim Drift
Jack Pine
Denim Drift
Benjamin Moore
Jack Pine
CC-660 · LRV 16

Denim Drift reads slightly lighter (LRV 27 vs 16), a gap that shows most in low-lit rooms.

French Gray
Jack Pine
French Gray
Benjamin Moore
Jack Pine
CC-660 · LRV 16

At LRV 43 vs 16, French Gray is decisively the brighter choice.

Naval
Jack Pine
Naval
Benjamin Moore
Jack Pine
CC-660 · LRV 16
Sherwin-Williams
Naval
LRV 4

A 12-point LRV gap (16 vs 4) makes Jack Pine the marginally brighter of the two.

Tranquil Dawn
Jack Pine
Tranquil Dawn
Benjamin Moore
Jack Pine
CC-660 · LRV 16

Tranquil Dawn reflects far more light (LRV 55 vs 16), opening up a space where Jack Pine encloses it.

Bancha
Jack Pine
Bancha
Benjamin Moore
Jack Pine
CC-660 · LRV 16
Farrow & Ball
Bancha
LRV 13

Jack Pine reads slightly lighter (LRV 16 vs 13), a gap that shows most in low-lit rooms.

Hardwick White
Jack Pine
Hardwick White
Benjamin Moore
Jack Pine
CC-660 · LRV 16

Hardwick White reflects far more light (LRV 44 vs 16), opening up a space where Jack Pine encloses it.

Pure White
Jack Pine
Pure White
Benjamin Moore
Jack Pine
CC-660 · LRV 16

At LRV 84 vs 16, Pure White is decisively the brighter choice.

Artichoke
Jack Pine
Artichoke
Benjamin Moore
Jack Pine
CC-660 · LRV 16
Sherwin-Williams
Artichoke
LRV 21

A 5-point LRV gap (21 vs 16) makes Artichoke the marginally brighter of the two.

Balboa Mist
Balboa Mist
Jack Pine
Benjamin Moore
Jack Pine
CC-660 · LRV 16

Balboa Mist reflects far more light (LRV 66 vs 16), opening up a space where Jack Pine encloses it.

Snowbound
Jack Pine
Snowbound
Benjamin Moore
Jack Pine
CC-660 · LRV 16
Sherwin-Williams
Snowbound
LRV 83

Snowbound reflects far more light (LRV 83 vs 16), opening up a space where Jack Pine encloses it.

Pewter Green
Jack Pine
Pewter Green
Benjamin Moore
Jack Pine
CC-660 · LRV 16

Jack Pine reads slightly lighter (LRV 16 vs 12), a gap that shows most in low-lit rooms.

Skimming Stone
Jack Pine
Skimming Stone
Benjamin Moore
Jack Pine
CC-660 · LRV 16

Skimming Stone reflects far more light (LRV 68 vs 16), opening up a space where Jack Pine encloses it.

Dix Blue
Jack Pine
Dix Blue
Benjamin Moore
Jack Pine
CC-660 · LRV 16
Farrow & Ball
Dix Blue
LRV 41

At LRV 41 vs 16, Dix Blue is decisively the brighter choice.

Calamine
Jack Pine
Calamine
Benjamin Moore
Jack Pine
CC-660 · LRV 16
Farrow & Ball
Calamine
LRV 68

At LRV 68 vs 16, Calamine is decisively the brighter choice.

Treron
Jack Pine
Treron
Benjamin Moore
Jack Pine
CC-660 · LRV 16
Farrow & Ball
Treron
LRV 25

A 8-point LRV gap (25 vs 16) makes Treron the marginally brighter of the two.

Vintage Vogue
Jack Pine
Vintage Vogue
Benjamin Moore
Jack Pine
CC-660 · LRV 16

Jack Pine reads slightly lighter (LRV 16 vs 12), a gap that shows most in low-lit rooms.

Saybrook Sage
Jack Pine
Saybrook Sage
Benjamin Moore
Jack Pine
CC-660 · LRV 16

Saybrook Sage reflects far more light (LRV 45 vs 16), opening up a space where Jack Pine encloses it.

Pale Green
Jack Pine
Pale Green
Benjamin Moore
Jack Pine
CC-660 · LRV 16
RAL ClassicClassic
Pale Green
LRV 31

At LRV 31 vs 16, Pale Green is decisively the brighter choice.

Pine Needle
Jack Pine
Pine Needle
Benjamin Moore
Jack Pine
CC-660 · LRV 16

A 9-point LRV gap (16 vs 7) makes Jack Pine the marginally brighter of the two.

Cement grey
Jack Pine
Cement grey
Benjamin Moore
Jack Pine
CC-660 · LRV 16
RAL ClassicClassic
Cement grey
LRV 24

A 8-point LRV gap (24 vs 16) makes Cement grey the marginally brighter of the two.

Guilford Green
Guilford Green
Jack Pine
Benjamin Moore
Jack Pine
CC-660 · LRV 16

At LRV 57 vs 16, Guilford Green is decisively the brighter choice.

Just Walnut
Jack Pine
Just Walnut
Benjamin Moore
Jack Pine
CC-660 · LRV 16

At LRV 72 vs 16, Just Walnut is decisively the brighter choice.