Jet Black vs Onyx
Jet Black and Onyx come from the same Benjamin Moore collection. Both sit in the grey family, which is useful context if you're narrowing within a single hue direction. Their light reflectance values are nearly the same — 5 vs 5 — so neither will read significantly brighter or darker than the other. Where Jet Black leans blue and purple, Onyx reads red — a distinction that shifts noticeably depending on the light source and surrounding finishes. A ΔE of 1.0 puts them in subtle territory — distinguishable in direct comparison, less so from across a room. Below you'll find 3 real-room photo comparisons where both colors appear side by side, plus 5 simulated room previews.
Jet Black vs Onyx in Real Spaces
3 real rooms side by side. Jet Black and Onyx are close enough that the difference can be hard to judge from a chip alone — these photos show how each reads at scale, across different spaces and lighting conditions.
Living Room
A living room wall sees more varied light than almost any other surface in the house, which makes the choice between these two more nuanced than a chip suggests. At this scale the difference is subtle — you'd need them side by side, as shown here, to reliably tell them apart.
House
A full exterior is the most demanding test for a paint color — scale and outdoor light both amplify differences that seem small on a swatch. In photos like these you're seeing the difference at its most direct. In a finished room, the distinction is there but not dramatic.
Kitchen Cabinets
Cabinet color is always seen in context — against countertops, backsplash, and hardware — which amplifies undertone differences that might disappear on a plain wall. In photos like these you're seeing the difference at its most direct. In a finished room, the distinction is there but not dramatic.
Color Details
Jet Black vs Onyx Simulated Comparison
5 simulated room previews — drag the slider on each to see Jet Black on one side and Onyx on the other.
Digital color is approximate. These simulations are generated from the manufacturer's hex values and overlaid on grayscale room photos — your screen's calibration, brightness, and viewing angle all affect how they render. Before committing to either color, test physical samples in your own space under the light you actually live with.
More Jet Black comparisons
See how Jet Black stacks up against other well-photographed colors across different brands and tones.
At LRV 83 vs 5, White Dove is decisively the brighter choice.
Purbeck Stone reflects far more light (LRV 52 vs 5), opening up a space where Jet Black encloses it.
Evergreen Fog reflects far more light (LRV 30 vs 5), opening up a space where Jet Black encloses it.
Agreeable Gray reflects far more light (LRV 60 vs 5), opening up a space where Jet Black encloses it.
At LRV 58 vs 5, Accessible Beige is decisively the brighter choice.
At LRV 27 vs 5, Denim Drift is decisively the brighter choice.
French Gray reflects far more light (LRV 43 vs 5), opening up a space where Jet Black encloses it.
At LRV 55 vs 5, Tranquil Dawn is decisively the brighter choice.
At LRV 44 vs 5, Hardwick White is decisively the brighter choice.
Pure White reflects far more light (LRV 84 vs 5), opening up a space where Jet Black encloses it.
At LRV 66 vs 5, Balboa Mist is decisively the brighter choice.
At LRV 74 vs 5, Shoji White is decisively the brighter choice.
A 7-point LRV gap (12 vs 5) makes Pewter Green the marginally brighter of the two.
At LRV 68 vs 5, Skimming Stone is decisively the brighter choice.
A 7-point LRV gap (12 vs 5) makes Vintage Vogue the marginally brighter of the two.
At LRV 45 vs 5, Saybrook Sage is decisively the brighter choice.
Pale Green reflects far more light (LRV 31 vs 5), opening up a space where Jet Black encloses it.
With LRVs of 7 and 5, the two reflect almost the same amount of light.
Cement grey reflects far more light (LRV 24 vs 5), opening up a space where Jet Black encloses it.
Guilford Green reflects far more light (LRV 57 vs 5), opening up a space where Jet Black encloses it.