Lucerne vs Hicks' Blue
Where Lucerne belongs to Benjamin Moore's range, Hicks' Blue is a Little Greene color. Both sit in the blue family, which is useful context if you're narrowing within a single hue direction. Lucerne has an LRV of 14. Both lean blue, so they'll behave similarly in mixed or changing light conditions. The ΔE 8.3 gap is real but not dramatic — close enough to use together, distinct enough to matter as a choice. Below you'll find 3 real-room photo comparisons where both colors appear side by side, plus 5 simulated room previews.
Lucerne vs Hicks' Blue in Real Spaces
3 real rooms side by side. Lucerne and Hicks' Blue are close enough that the difference can be hard to judge from a chip alone — these photos show how each reads at scale, across different spaces and lighting conditions.
Living Room
In a living room, color works across both daylight and evening light — the same wall can read very differently at noon and at 8pm. Side by side like this, the difference is easy to read — which is exactly why seeing them in a real space is more useful than comparing chips.
House
Seen across an entire facade, subtle tonal differences become pronounced. What reads as nearly the same on a chip often reads as clearly different at scale. The distinction reads clearly at room scale, making the choice between them concrete.
Front Door
A front door is a focal point — small color differences read clearly at this concentrated scale. Side by side like this, the difference is easy to read — which is exactly why seeing them in a real space is more useful than comparing chips.
Color Details
Lucerne vs Hicks' Blue Simulated Comparison
5 simulated room previews — drag the slider on each to see Lucerne on one side and Hicks' Blue on the other.
Digital color is approximate. These simulations are generated from the manufacturer's hex values and overlaid on grayscale room photos — your screen's calibration, brightness, and viewing angle all affect how they render. Before committing to either color, test physical samples in your own space under the light you actually live with.
More Lucerne comparisons
See how Lucerne stacks up against other well-photographed colors across different brands and tones.
At LRV 83 vs 14, White Dove is decisively the brighter choice.
Purbeck Stone reflects far more light (LRV 52 vs 14), opening up a space where Lucerne encloses it.
Evergreen Fog reflects far more light (LRV 30 vs 14), opening up a space where Lucerne encloses it.
Agreeable Gray reflects far more light (LRV 60 vs 14), opening up a space where Lucerne encloses it.
At LRV 58 vs 14, Accessible Beige is decisively the brighter choice.
At LRV 27 vs 14, Denim Drift is decisively the brighter choice.
French Gray reflects far more light (LRV 43 vs 14), opening up a space where Lucerne encloses it.
At LRV 55 vs 14, Tranquil Dawn is decisively the brighter choice.
At LRV 44 vs 14, Hardwick White is decisively the brighter choice.
Pure White reflects far more light (LRV 84 vs 14), opening up a space where Lucerne encloses it.
At LRV 66 vs 14, Balboa Mist is decisively the brighter choice.
At LRV 74 vs 14, Shoji White is decisively the brighter choice.
Their light reflectance is nearly identical (LRV 14 vs 12), so neither reads brighter in a room.
A 5-point LRV gap (14 vs 8) makes Lucerne the marginally brighter of the two.
At LRV 68 vs 14, Skimming Stone is decisively the brighter choice.
Their light reflectance is nearly identical (LRV 14 vs 12), so neither reads brighter in a room.
At LRV 45 vs 14, Saybrook Sage is decisively the brighter choice.
Pale Green reflects far more light (LRV 31 vs 14), opening up a space where Lucerne encloses it.
Lucerne reads slightly lighter (LRV 14 vs 7), a gap that shows most in low-lit rooms.