Midsummer Night vs New Born's Eyes
Both from Benjamin Moore's palette. Midsummer Night reads as grey, while New Born's Eyes reads as blue — two distinct hue families, not close cousins. New Born's Eyes (LRV 41) reflects noticeably more light than Midsummer Night (LRV 8), a difference of 33 points that becomes especially apparent in rooms with limited natural light. Midsummer Night runs red while New Born's Eyes is decidedly cool, which means they'll respond very differently to warm vs cool light sources. With a ΔE of 41.8, the contrast is hard to miss. These aren't variations on a theme — they're two different answers to the same question. Below, 5 simulated room previews show how each color reads at scale — real-room photos will be added as they become available.
Color Details
Midsummer Night vs New Born's Eyes Simulated Comparison
5 simulated room previews — drag the slider on each to see Midsummer Night on one side and New Born's Eyes on the other.
Digital color is approximate. These simulations are generated from the manufacturer's hex values and overlaid on grayscale room photos — your screen's calibration, brightness, and viewing angle all affect how they render. Before committing to either color, test physical samples in your own space under the light you actually live with.
More Midsummer Night comparisons
See how Midsummer Night stacks up against other well-photographed colors across different brands and tones.
At LRV 69 vs 8, Ammonite is decisively the brighter choice.
White Dove reflects far more light (LRV 83 vs 8), opening up a space where Midsummer Night encloses it.
With LRVs of 8 and 6, the two reflect almost the same amount of light.
At LRV 52 vs 8, Purbeck Stone is decisively the brighter choice.
At LRV 30 vs 8, Evergreen Fog is decisively the brighter choice.
Mizzle reflects far more light (LRV 52 vs 8), opening up a space where Midsummer Night encloses it.
At LRV 60 vs 8, Agreeable Gray is decisively the brighter choice.
Accessible Beige reflects far more light (LRV 58 vs 8), opening up a space where Midsummer Night encloses it.
Denim Drift reflects far more light (LRV 27 vs 8), opening up a space where Midsummer Night encloses it.
At LRV 43 vs 8, French Gray is decisively the brighter choice.
A 3-point LRV gap (8 vs 4) makes Midsummer Night the marginally brighter of the two.
Tranquil Dawn reflects far more light (LRV 55 vs 8), opening up a space where Midsummer Night encloses it.
Bancha reads slightly lighter (LRV 13 vs 8), a gap that shows most in low-lit rooms.
Hardwick White reflects far more light (LRV 44 vs 8), opening up a space where Midsummer Night encloses it.
At LRV 84 vs 8, Pure White is decisively the brighter choice.
At LRV 21 vs 8, Artichoke is decisively the brighter choice.
Balboa Mist reflects far more light (LRV 66 vs 8), opening up a space where Midsummer Night encloses it.
Shoji White reflects far more light (LRV 74 vs 8), opening up a space where Midsummer Night encloses it.
Snowbound reflects far more light (LRV 83 vs 8), opening up a space where Midsummer Night encloses it.
At LRV 51 vs 8, Pigeon is decisively the brighter choice.
Pewter Green reads slightly lighter (LRV 12 vs 8), a gap that shows most in low-lit rooms.
With LRVs of 8 and 8, the two reflect almost the same amount of light.
Skimming Stone reflects far more light (LRV 68 vs 8), opening up a space where Midsummer Night encloses it.
At LRV 41 vs 8, Dix Blue is decisively the brighter choice.
Vintage Vogue reads slightly lighter (LRV 12 vs 8), a gap that shows most in low-lit rooms.
Saybrook Sage reflects far more light (LRV 45 vs 8), opening up a space where Midsummer Night encloses it.
At LRV 31 vs 8, Pale Green is decisively the brighter choice.