Mixed Fruit vs Snowbound

Mixed FruitBenjamin MoorevsSnowboundSherwin-WilliamsΔE 26.3Very different colors

Mixed Fruit is a Benjamin Moore color while Snowbound comes from Sherwin-Williams. Hue-wise, Mixed Fruit belongs to the pink-red family and Snowbound to the beige-greige family. At LRV 83 vs 60, Snowbound will read as the brighter of the two — a 23-point gap that matters most in north-facing or low-light rooms. The tonal difference — Mixed Fruit's red character against Snowbound's warm — becomes most visible against white trim or in morning light. At ΔE 26.3, these are genuinely distinct colors — a strong contrast if used together, or a meaningful choice between two different directions. Below, 5 simulated room previews show how each color reads at scale — real-room photos will be added as they become available.

Color Details

Mixed Fruit
Benjamin Moore · 2011-50
Hex#FFBEB8
LRV59.8
BrandBenjamin Moore
Number2011-50
UndertoneRed
TemperatureWarm
BrightnessMedium
Snowbound
Sherwin-Williams · 7004
Hex#EDEAE5
LRV82.8
BrandSherwin-Williams
Number7004
Undertone
TemperatureWarm
BrightnessLight

Mixed Fruit vs Snowbound Simulated Comparison

5 simulated room previews — drag the slider on each to see Mixed Fruit on one side and Snowbound on the other.

Bathroom
Bedroom
House
Kitchen Cabinets
Living Room

Digital color is approximate. These simulations are generated from the manufacturer's hex values and overlaid on grayscale room photos — your screen's calibration, brightness, and viewing angle all affect how they render. Before committing to either color, test physical samples in your own space under the light you actually live with.

More Mixed Fruit comparisons

See how Mixed Fruit stacks up against other well-photographed colors across different brands and tones.

White Dove
Mixed Fruit
White Dove
Benjamin Moore
Mixed Fruit
2011-50 · LRV 60

At LRV 83 vs 60, White Dove is decisively the brighter choice.

Ammonite
Mixed Fruit
Ammonite
Benjamin Moore
Mixed Fruit
2011-50 · LRV 60
Farrow & Ball
Ammonite
LRV 69

Ammonite reads slightly lighter (LRV 69 vs 60), a gap that shows most in low-lit rooms.

Iron Ore
Mixed Fruit
Iron Ore
Benjamin Moore
Mixed Fruit
2011-50 · LRV 60

At LRV 60 vs 6, Mixed Fruit is decisively the brighter choice.

Purbeck Stone
Mixed Fruit
Purbeck Stone
Benjamin Moore
Mixed Fruit
2011-50 · LRV 60

Mixed Fruit reads slightly lighter (LRV 60 vs 52), a gap that shows most in low-lit rooms.

Evergreen Fog
Mixed Fruit
Evergreen Fog
Benjamin Moore
Mixed Fruit
2011-50 · LRV 60

Mixed Fruit reflects far more light (LRV 60 vs 30), opening up a space where Evergreen Fog encloses it.

Mizzle
Mixed Fruit
Mizzle
Benjamin Moore
Mixed Fruit
2011-50 · LRV 60
Farrow & Ball
Mizzle
LRV 52

A 8-point LRV gap (60 vs 52) makes Mixed Fruit the marginally brighter of the two.

Agreeable Gray
Mixed Fruit
Agreeable Gray
Benjamin Moore
Mixed Fruit
2011-50 · LRV 60

With LRVs of 60 and 60, the two reflect almost the same amount of light.

Accessible Beige
Mixed Fruit
Accessible Beige
Benjamin Moore
Mixed Fruit
2011-50 · LRV 60

Their light reflectance is nearly identical (LRV 60 vs 58), so neither reads brighter in a room.

Denim Drift
Mixed Fruit
Denim Drift
Benjamin Moore
Mixed Fruit
2011-50 · LRV 60

At LRV 60 vs 27, Mixed Fruit is decisively the brighter choice.

French Gray
Mixed Fruit
French Gray
Benjamin Moore
Mixed Fruit
2011-50 · LRV 60

Mixed Fruit reflects far more light (LRV 60 vs 43), opening up a space where French Gray encloses it.

Naval
Mixed Fruit
Naval
Benjamin Moore
Mixed Fruit
2011-50 · LRV 60
Sherwin-Williams
Naval
LRV 4

Mixed Fruit reflects far more light (LRV 60 vs 4), opening up a space where Naval encloses it.

Tranquil Dawn
Mixed Fruit
Tranquil Dawn
Benjamin Moore
Mixed Fruit
2011-50 · LRV 60

A 5-point LRV gap (60 vs 55) makes Mixed Fruit the marginally brighter of the two.

Bancha
Mixed Fruit
Bancha
Benjamin Moore
Mixed Fruit
2011-50 · LRV 60
Farrow & Ball
Bancha
LRV 13

At LRV 60 vs 13, Mixed Fruit is decisively the brighter choice.

Hardwick White
Mixed Fruit
Hardwick White
Benjamin Moore
Mixed Fruit
2011-50 · LRV 60

At LRV 60 vs 44, Mixed Fruit is decisively the brighter choice.

Pure White
Mixed Fruit
Pure White
Benjamin Moore
Mixed Fruit
2011-50 · LRV 60

Pure White reflects far more light (LRV 84 vs 60), opening up a space where Mixed Fruit encloses it.

Artichoke
Mixed Fruit
Artichoke
Benjamin Moore
Mixed Fruit
2011-50 · LRV 60
Sherwin-Williams
Artichoke
LRV 21

Mixed Fruit reflects far more light (LRV 60 vs 21), opening up a space where Artichoke encloses it.

Balboa Mist
Balboa Mist
Mixed Fruit
Benjamin Moore
Mixed Fruit
2011-50 · LRV 60

A 6-point LRV gap (66 vs 60) makes Balboa Mist the marginally brighter of the two.

Shoji White
Mixed Fruit
Shoji White
Benjamin Moore
Mixed Fruit
2011-50 · LRV 60

At LRV 74 vs 60, Shoji White is decisively the brighter choice.

Pewter Green
Mixed Fruit
Pewter Green
Benjamin Moore
Mixed Fruit
2011-50 · LRV 60

At LRV 60 vs 12, Mixed Fruit is decisively the brighter choice.

Skimming Stone
Mixed Fruit
Skimming Stone
Benjamin Moore
Mixed Fruit
2011-50 · LRV 60

A 8-point LRV gap (68 vs 60) makes Skimming Stone the marginally brighter of the two.

Dix Blue
Mixed Fruit
Dix Blue
Benjamin Moore
Mixed Fruit
2011-50 · LRV 60
Farrow & Ball
Dix Blue
LRV 41

Mixed Fruit reflects far more light (LRV 60 vs 41), opening up a space where Dix Blue encloses it.

Calamine
Mixed Fruit
Calamine
Benjamin Moore
Mixed Fruit
2011-50 · LRV 60
Farrow & Ball
Calamine
LRV 68

Calamine reads slightly lighter (LRV 68 vs 60), a gap that shows most in low-lit rooms.

Treron
Mixed Fruit
Treron
Benjamin Moore
Mixed Fruit
2011-50 · LRV 60
Farrow & Ball
Treron
LRV 25

Mixed Fruit reflects far more light (LRV 60 vs 25), opening up a space where Treron encloses it.

Vintage Vogue
Mixed Fruit
Vintage Vogue
Benjamin Moore
Mixed Fruit
2011-50 · LRV 60

At LRV 60 vs 12, Mixed Fruit is decisively the brighter choice.

Saybrook Sage
Mixed Fruit
Saybrook Sage
Benjamin Moore
Mixed Fruit
2011-50 · LRV 60

At LRV 60 vs 45, Mixed Fruit is decisively the brighter choice.

Pale Green
Mixed Fruit
Pale Green
Benjamin Moore
Mixed Fruit
2011-50 · LRV 60
RAL ClassicClassic
Pale Green
LRV 31

Mixed Fruit reflects far more light (LRV 60 vs 31), opening up a space where Pale Green encloses it.

Pine Needle
Mixed Fruit
Pine Needle
Benjamin Moore
Mixed Fruit
2011-50 · LRV 60

Mixed Fruit reflects far more light (LRV 60 vs 7), opening up a space where Pine Needle encloses it.

Cement grey
Mixed Fruit
Cement grey
Benjamin Moore
Mixed Fruit
2011-50 · LRV 60
RAL ClassicClassic
Cement grey
LRV 24

Mixed Fruit reflects far more light (LRV 60 vs 24), opening up a space where Cement grey encloses it.

Guilford Green
Guilford Green
Mixed Fruit
Benjamin Moore
Mixed Fruit
2011-50 · LRV 60

With LRVs of 60 and 57, the two reflect almost the same amount of light.

Just Walnut
Mixed Fruit
Just Walnut
Benjamin Moore
Mixed Fruit
2011-50 · LRV 60

Just Walnut reflects far more light (LRV 72 vs 60), opening up a space where Mixed Fruit encloses it.