Moonshine vs Super White
Both are Benjamin Moore colors. Hue-wise, Moonshine belongs to the grey family and Super White to the white family. At LRV 87 vs 67, Super White will read as the brighter of the two — a 21-point gap that matters most in north-facing or low-light rooms. The tonal difference — Moonshine's green and yellow character against Super White's green — becomes most visible against white trim or in morning light. At ΔE 9.7, the difference is perceptible but not dramatic — the two can work harmoniously in the same space. Below you'll find 2 real-room photo comparisons where both colors appear side by side, plus 5 simulated room previews.
Moonshine vs Super White in Real Spaces
2 real rooms side by side. Moonshine and Super White are close enough that the difference can be hard to judge from a chip alone — these photos show how each reads at scale, across different spaces and lighting conditions.
Living Room
Living rooms test a color across a full range of conditions — morning sun, afternoon shade, and evening lamp light all shift how both of these read. Super White returns significantly more light to the room — in a smaller or darker space, that difference in perceived brightness is hard to miss.
Dining Room
Dining room light is typically the warmest in the house, which shifts both colors toward the red end of the spectrum compared to daylight. Super White reflects noticeably more light off the walls, making the space read more open than Moonshine.
Color Details
Moonshine vs Super White Simulated Comparison
5 simulated room previews — drag the slider on each to see Moonshine on one side and Super White on the other.
Digital color is approximate. These simulations are generated from the manufacturer's hex values and overlaid on grayscale room photos — your screen's calibration, brightness, and viewing angle all affect how they render. Before committing to either color, test physical samples in your own space under the light you actually live with.